When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Airline pilot Jed stays at the New York hotel where girlfriend Lyn is a singer. He sees Nell in a window opposite his and they get chummy. When the girl she's baby-sitting, Bunny, enters Nell goes crazy and sends her to her room. She fantasizes that Jed is her long lost fiance. Jed comes to realize that Nell is more than a little whacko. Written by
Ed Stephan <firstname.lastname@example.org>
When Lyn and Jed get photographed in the bar by the camera lady, she snaps only one picture of them. When she brings the novelty items (handkerchief, matchbook, ashtray, and postcard) to their booth minutes later, the handkerchief shows a slightly different pose than the others. See more »
Mrs. Emma Ballew:
After all, we guests who live here from year to year, we deserve a little consideration, too.
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Marilyn Monroe and Richard Widmark star in this early Monroe star vehicle. This is one film you'd never see being made today, due to the new child-care sensibilities. Jim Backus and Lorene Tuttle leave their child with a complete stranger while they go out for an evening. The stranger is Monroe, complete with wrist scars, who is the niece of the elevator man in the hotel where the couple is staying. Mid-evening, she picks up with Widmark, who is more upset about his lounge singer girlfriend (Anne Bancroft) breaking up with him than he thought he would be - he and Monroe flirt from their respective rooms. Widmark goes to the room, expecting a night of fun. Instead he and the hapless child get a night of terror, with Monroe believing Widmark is her dead pilot boyfriend and nearly killing not only the little girl but her uncle as well. Turns out, Marilyn's been institutionalized and her uncle (Elisha Cooke, Jr.) thought she was "nearly well." Monroe is very good in this - very beautiful, of course, as well as vulnerable and believable. The wild look in her eyes when she scolds the little girl is downright scary. One thing that has always bothered me about Monroe doing drama is her very excellent diction which always sounds studied and unnatural. It's a distraction in this film as well. However, she's so watchable in everything - the camera just adored her - I have to believe that as she lived and aged, she would have had more chances at drama.
Widmark is excellent as the apparent cynic who proves to have more to him than his girlfriend thought - in fact, his character was much better with the child than Monroe's; Bancroft's role is small and belies her future dramatic appearances; and there is a cameo by "Honeybee Gillis," Joan Blondell's sister Gloria, as a photographer.
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