Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Airline pilot Jed stays at the New York hotel where girlfriend Lyn is a singer. He sees Nell in a window opposite his and they get chummy. When the girl she's baby-sitting, Bunny, enters Nell goes crazy and sends her to her room. She fantasizes that Jed is her long lost fiance. Jed comes to realize that Nell is more than a little whacko. Written by
Ed Stephan <email@example.com>
When Lyn and Jed get photographed in the bar by the camera lady, she snaps only one picture of them. When she brings the novelty items (handkerchief, matchbook, ashtray, and postcard) to their booth minutes later, the handkerchief shows a slightly different pose than the others. See more »
Mrs. Emma Ballew:
After all, we guests who live here from year to year, we deserve a little consideration, too.
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What's interesting about this movie is that it's so disturbing. Considered a minor film in Monroe's canon, it's uncomfortable to watch now that we're so saturated with information about her unhappy life. She plays a woman who's had a nervous breakdown because she tried to escape a miserable family life by falling for a young fighter pilot. They had sex in a hotel before marriage, then he went away and got killed in the war and she tried to slash her wrists. So her folks put her away in a funny farm, and now she's come out to live in the city with her uncle, who reminds her of her unsympathetic, impatient parents. That's dark territory for Monroe, and you can't help wondering what she thought of the role. In any case, it's rather uncanny to watch her breaking down. She abuses the girl she is babysitting by tying her up, and at one point she says tellingly about the crying girl "They stop if you ignore them." We are left to conclude that this is how she herself has been treated. In a later speech to the girl, she identifies herself and her goals with the girl and her goals. "We can all get what we want and live happily ever after, understand?" But she does not play a psychopath, as her role is so often described. In the opinion of Widmark, whose character matures and deepens through his encounter with her, she's just a mixed-up girl who "would never have hurt that kid." Although Widmark has a soberly happy ending, Monroe does not.
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