The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Airline pilot Jed stays at the New York hotel where girlfriend Lyn is a singer. He sees Nell in a window opposite his and they get chummy. When the girl she's baby-sitting, Bunny, enters Nell goes crazy and sends her to her room. She fantasizes that Jed is her long lost fiance. Jed comes to realize that Nell is more than a little whacko. Written by
Ed Stephan <email@example.com>
In the novel on which the movie is based Nell's surname is 'Munro'. This was changed to Forbes when Marilyn Monroe was cast in the role. See more »
When Lyn and Jed get photographed in the bar by the camera lady, she snaps only one picture of them. When she brings the novelty items (handkerchief, matchbook, ashtray, and postcard) to their booth minutes later, the handkerchief shows a slightly different pose than the others. See more »
Mrs. Emma Ballew:
After all, we guests who live here from year to year, we deserve a little consideration, too.
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Don't Bother To Knock finds airline pilot Richard Widmark flying with more than the safety of his passengers on his mind to New York. He's on a mission to confront Anne Bancroft who's given him a 'let's call it a day' letter. Anne works as a singer in a posh New York nightclub attached to one of the fancier hotels. After a nasty scene with Bancroft, Widmark's left with an itch to scratch.
The answer might be Marilyn Monroe across the courtyard looking real provocative and arousing Widmark's interest. He gives her a call and things might be going good. Then the little girl, Donna Corcoran, wakes up from the next room and Marilyn starts to act very weird indeed.
This one was one of Marilyn's first roles which exploited a little more than her beauty. She plays a troubled young lady who's just spent some time in a mental institution. Her uncle Elisha Cook, Jr., got her that job as a babysitter for Corcoran whose parents Jim Backus and Jeanne Cagney are at a banquet in the hotel. Truth be told the role was no stretch for Marilyn given her own sad history.
Widmark's not a particularly noble character here, but he's a decent enough man. He's just like millions of other men who when they lose their love, cure it with trying to love what's available. Anne Bancroft makes a nice screen debut here although I can't believe she sung those songs herself. If so, why didn't she do any more singing on screen?
Though the film gets melodramatic and the characters don't give you any real rooting interest, Don't Bother To Knock remains a landmark film for the careers of both Marilyn Monroe and Anne Bancroft.
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