Department of State courier Mike Kells ends up in postwar hotbed Trieste after failing to collect a package from a colleague. The Military Police are happy for him to get more involved, but...
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Tyrone Power is a pilots' pilot, but he doesn't believe in anything beyond his own abilities. He gets into trouble by flying a new fighter directly to Canada instead of to New York and ... See full summary »
Department of State courier Mike Kells ends up in postwar hotbed Trieste after failing to collect a package from a colleague. The Military Police are happy for him to get more involved, but things get a bit tough. After all, he is just a postman. Written by
Jeremy Perkins <firstname.lastname@example.org>
In 1952, when this film was released,Austria was under joint Allied occupation (American, British,French and Soviet areas).Vienna , much like Berlin , was also divided among four zones of occupation.In 1955,as a result of the newly signed Austrian State Treaty,most of the Allied occupation armies,including the Soviet Army withdrew from Austria. See more »
Near the opening, we see the switchboard in the state department, with labels over the various patch-cord inputs. One of them is labeled "MANILLA" rather than "Manila." See more »
When I started this crazy tour the last thing I was looking for was a man. Why I should pick on you, I don't know. After I know you better I may not like you. But I kept thinking about you and started looking for you. I phoned all over and Tony Bennis from the Paris embassy found out for me that you has come here. Michael, it's was exactly 11:45 a few days ago when you left me. What time is it now? Check both watches.
Well, it's exactly 11:37.
Do we resume? Heaven bless 11:37. I don't.
, I'd ...
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This is one of the best of the post-war intrigue/suspense flicks. What all of these have in common is the gritty black-and-white look of cities that haven't recovered from the war, usually in ruins, to varying degrees. (Think The Third Man, The Search, Berlin Express) There are no ruins in Diplomatic Courier, but you still get that shadowy, melancholy, sinister, exotic atmosphere that marks the genre.
Others, who pick apart the "accuracy" or logic of certain parts of Diplomatic Courier are pedantic prigs who don't know how to watch a movie. Sure, there are a few lapses, but in such a fast-paced movie, with so many plot points, it's amazing that the story holds together so well. This is due, I think, to Henry Hathoway, one of the great line directors of the studio system. Add the cinematography of the great Lucien Ballard, and you have a handsome production.
As for the cast, who cares if Bogart would have been better? Tyrone Power is, well, Tyrone Power. No, he's no Bogart, but who doesn't enjoy just watching him? And he is one of the great action film stars. And we have Patricia Neal, at her most beautiful and vampish, in that mink coat for Ty Power to nestle his face in. I think the Power-Neal thing is essential because it serves as a light-hearted counterpoint to the severe, portentous relationship of Power-Neff.
And speaking of Hildegard Neff, I agree with a previous reviewer, that this film showcases the talent and beauty of one of the finest actresses that Hollywood ever trashed.
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