Entertaining ensemble piece dealing with several characters who are on the way to the races on Derby day. It cleverly blends dramatic, romantic and comic elements, including the woman and ... See full summary »
Entertaining ensemble piece dealing with several characters who are on the way to the races on Derby day. It cleverly blends dramatic, romantic and comic elements, including the woman and lover who have murdered her husband, and the working class couple who are excited about their chance to go to the races, but end up listening to it on the radio in the car-park because they've got such a bad view. Written by
David Gibson <firstname.lastname@example.org>
ensemble film, last of Neagle/Wilding pairings at backdrop of Derby Day
I watched this the other night for the first time i think, it is the last film in the Michael Wilding/Anna Neagle pairings which is the primary reason i watched it, though another Brit 1940's film couple Googie Withers and her husband John McCallum also appeared, who i also like. Derby Day is the weakest of the Neagle/Wilding films which oddly doesn't capitalise on their chemistry and casts them in sorrowful mood; there is no kiss even, let alone any singing and dancing duet-ting. Withers and McCallum have the more interesting duo plot to play I think. There is some nicely done Brit comic character supporting roles, but overall Derby Day doesn't really click or come together. It is too fragmented and moves around so much between the different stories that you never get really into anyone of them. It is a bit of a swansong film to a different earlier type of film making. Neagle is lovingly photgraphed but both her and Googie Withers seem a little old for the parts they are playing. It's hard not to flinch a little at the blatant class differences on show but then the film's over 50 years old.
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