Entertaining ensemble piece dealing with several characters who are on the way to the races on Derby day. It cleverly blends dramatic, romantic and comic elements, including the woman and ... See full summary »

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(original story), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Lady Helen Forbes
...
David Scott
...
Betty Molloy
...
Tommy Dillon
Peter Graves ...
Gerald Berkeley
Suzanne Cloutier ...
Michele Jolivet
Gordon Harker ...
Joe Jenkins
Gladys Henson ...
Gladys Jenkins
Edwin Styles ...
Sir George Forbes
Alfie Bass ...
Spider Wilkes
Ralph Reader ...
...
Jim Molloy
Josephine Fitzgerald ...
O'Shaughnessy
Toni Edgar-Bruce ...
Mrs. Harbottle-Smith
Ewan Roberts ...
Studio Driver
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Storyline

Entertaining ensemble piece dealing with several characters who are on the way to the races on Derby day. It cleverly blends dramatic, romantic and comic elements, including the woman and lover who have murdered her husband, and the working class couple who are excited about their chance to go to the races, but end up listening to it on the radio in the car-park because they've got such a bad view. Written by David Gibson <djg6@ukc.ac.uk>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

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Language:

Release Date:

25 August 1952 (Sweden)  »

Also Known As:

Four Against Fate  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
ensemble film, last of Neagle/Wilding pairings at backdrop of Derby Day
24 January 2008 | by (United Kingdom) – See all my reviews

I watched this the other night for the first time i think, it is the last film in the Michael Wilding/Anna Neagle pairings which is the primary reason i watched it, though another Brit 1940's film couple Googie Withers and her husband John McCallum also appeared, who i also like. Derby Day is the weakest of the Neagle/Wilding films which oddly doesn't capitalise on their chemistry and casts them in sorrowful mood; there is no kiss even, let alone any singing and dancing duet-ting. Withers and McCallum have the more interesting duo plot to play I think. There is some nicely done Brit comic character supporting roles, but overall Derby Day doesn't really click or come together. It is too fragmented and moves around so much between the different stories that you never get really into anyone of them. It is a bit of a swansong film to a different earlier type of film making. Neagle is lovingly photgraphed but both her and Googie Withers seem a little old for the parts they are playing. It's hard not to flinch a little at the blatant class differences on show but then the film's over 50 years old.


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