Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »
Having to leave Melbourne in a hurry to avoid various marriage proposals, two song-and-dance men sign on for work as divers. This takes them to an idyllic island on the way to Bali where ... See full summary »
Ed Hutcheson, tough editor of the New York 'Day', finds that the late owner's heirs are selling the crusading paper to a strictly commercial rival. At first he sees impending unemployment as an opportunity to win back his estranged wife Nora. But when a reporter, pursuing a lead on racketeer Rienzi, is badly beaten, Hutcheson is stung into a full fledged crusade against the gangster, hoping Rienzi can be tied to a woman's murder...in the 3 issues before the end of 'The Day.' Written by
Rod Crawford <email@example.com>
Originally titled 'The Newspaper Story', location shooting took place both in the newsroom and the printing plant of The New York Daily News, with real pressmen playing themselves. This was augmented by an 'almost letter-perfect' reproduction of a newsroom on a Hollywood soundstage. See more »
As Rienzi's car drives off after picking up Hutcheson, a large studio light is reflected against the side window of the car. See more »
A journalist makes himself the hero of the story. A reporter is only a witness.
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This wonderful 1952 film - it must have been approaching Humphrey's last performance - wins on all levels.
It triumphs as an historical curiosity into how newspapers were published 50 years ago, down to the presses and the layouts and assignments, and also for its truly remarkable supporting cast, many of them, some famous, like Ethel Barrymore, Jim Backus and Ed Begley and some part of the Hollywood backdrops in score of movies.
Kim Hunter excels also as the Bogart ex. Martin Gabel eerily predicts the Tony Soprano performance of today as an underworld Kingpin shown with his perfect domestic arrangement.
The scene of the "wake" for the death of the newspaper is wonderful, and also some wonderful camera pans on continuous action in many scenes.
The script is well done and keeps the action moving along, some funny throwaway lines too, particularly in the car scene with the mobster and in his ex-wife's bedroom.
Also it is subtle and understated and not rampant with the 2X4's of some of today's instant-soup scripts. Do not miss this one, Bogie and Kim fans!!
8 out of 10.
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