Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy... See full summary »
Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-martialed, kicked out of the Army, and boards a Japanese ship for the Orient in late 1941. ... See full summary »
Ed Hutcheson, tough editor of the New York 'Day', finds that the late owner's heirs are selling the crusading paper to a strictly commercial rival. At first he sees impending unemployment as an opportunity to win back his estranged wife Nora. But when a reporter, pursuing a lead on racketeer Rienzi, is badly beaten, Hutcheson is stung into a full fledged crusade against the gangster, hoping Rienzi can be tied to a woman's murder...in the 3 issues before the end of 'The Day.' Written by
Rod Crawford <email@example.com>
During the first day of shooting, star Humphrey Bogart admitted to friend and writer/director Richard Brooks that he had been drinking until late in the morning, and had not learned his lines. Earlier in the day, while he had being difficult on the set and resistant to saying his lines (ones he never knew) veteran Ethel Barrymore pushed him to just get on with it, by explaining that 'The Swiss have no navy'. In other words, like actors, they are powerless. See more »
As Rienzi's car drives off after picking up Hutcheson, a large studio light is reflected against the side window of the car. See more »
`Stupidity isn't hereditary, you acquire it by yourself.' A great line from one of those films you need to have made every so often-one that glorifies the value of a free press. Bogart is the hard-hitting editor of a newspaper on the brink of extinction. He has to decide whether to fight for the press or his wife. Oh yes, his ex-wife tired of being a `bulldog' widow and is ready to remarry. Will the daughter of the original-now deceased-owner/publisher move on to a less printful husband? Will the publisher's widow be able to halt the sale of her husband's paper? Will the editor be able to bring down a local racketeer/thug/murderer?
No doubt this film will fade into obscurity to be viewed only by a few journalism/media majors doing a research paper on the portrayal of the press in film-assuming they go beyond All the President's Men. Too bad.
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