Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
Ed Hutcheson, tough editor of the New York 'Day', finds that the late owner's heirs are selling the crusading paper to a strictly commercial rival. At first he sees impending unemployment as an opportunity to win back his estranged wife Nora. But when a reporter, pursuing a lead on racketeer Rienzi, is badly beaten, Hutcheson is stung into a full fledged crusade against the gangster, hoping Rienzi can be tied to a woman's murder...in the 3 issues before the end of 'The Day.' Written by
Rod Crawford <firstname.lastname@example.org>
A very good movie about The Day, a newspaper publishing its last editions, and its aggressive attack on a known mobster. Humphrey Bogart does an excellent job as the editor, and Ethel Barrymore gives a wonderful, regal performance as the widow of the publisher, whose daughters are now demanding that the paper be sold to a competitor.
The film brings up, a mere 53 years ago, issues that are relevant today
the tabloids versus real, factual news, and the meaning of a free
press. These debates continue today, but unfortunately, it seems that the tabloid type of journalism is winning. As for a free press - our press might be freer than many, but it isn't entirely free. As anyone who lost money in the great savings and loan scandal can tell you, important stories disappear from the front pages all the time.
Bogart's strong performance is the engine that keeps this film going, and there's a nice performance by Kim Hunter as his ex-wife. Deadline USA reminds us of the good old days, when you could believe what you read in the New York Times.
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