Ed Hutcheson, tough editor of the New York 'Day', finds that the late owner's heirs are selling the crusading paper to a strictly commercial rival. At first he sees impending unemployment as an opportunity to win back his estranged wife Nora. But when a reporter, pursuing a lead on racketeer Rienzi, is badly beaten, Hutcheson is stung into a full fledged crusade against the gangster, hoping Rienzi can be tied to a woman's murder...in the 3 issues before the end of 'The Day.' Written by
Rod Crawford <email@example.com>
This wonderful 1952 film - it must have been approaching Humphrey's last performance - wins on all levels.
It triumphs as an historical curiosity into how newspapers were published 50 years ago, down to the presses and the layouts and assignments, and also for its truly remarkable supporting cast, many of them, some famous, like Ethel Barrymore, Jim Backus and Ed Begley and some part of the Hollywood backdrops in score of movies.
Kim Hunter excels also as the Bogart ex. Martin Gabel eerily predicts the Tony Soprano performance of today as an underworld Kingpin shown with his perfect domestic arrangement.
The scene of the "wake" for the death of the newspaper is wonderful, and also some wonderful camera pans on continuous action in many scenes.
The script is well done and keeps the action moving along, some funny throwaway lines too, particularly in the car scene with the mobster and in his ex-wife's bedroom.
Also it is subtle and understated and not rampant with the 2X4's of some of today's instant-soup scripts. Do not miss this one, Bogie and Kim fans!!
8 out of 10.
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