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Come Back, Little Sheba (1952)

 -  Drama  -  24 December 1952 (USA)
7.9
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Ratings: 7.9/10 from 2,861 users  
Reviews: 45 user | 10 critic

An emotionally remote recovering alcoholic and his dowdy, unambitious wife face a personal crisis when they take in an attractive lodger.

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(screenplay), (original play)
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Title: Come Back, Little Sheba (1952)

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Won 1 Oscar. Another 6 wins & 8 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Turk Fisher
...
Ed Anderson
Edwin Max ...
Elmo Huston
Lisa Golm ...
Mrs. Coffman
Walter Kelley ...
Bruce Cunningham
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Storyline

For two decades Doc and Lola Delaney avoided coming to terms with what Doc considered a "shot gun" marriage. Lola lost the baby and gives a lot of her affection to Sheba, a dog that disappeared a few months before the film opens. Doc blames Lola for having to drop out of medical school and not becoming a "real" doctor. Until joining AA a year ago, his escape was alcohol. Then college student Marie rents a room in their home. Doc feels passion for the first time in 20 years. But Marie has two suitors her age. Lola -- unaware of Doc's emotions --becomes as interested in Marie's future as if Marie were her daughter. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Plot Keywords:

marriage | dream | dog | meeting | lodger | See more »

Taglines:

That girl in their house spelled trouble!

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 December 1952 (USA)  »

Also Known As:

A Cruz da Minha Vida  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Burt Lancaster actively campaigned to play the alcoholic husband in this film, even though he was much younger than the character, Doc, who was in his mid-fifties. Sidney Blackmer, who had played the part on Broadway in the original production, was 18 years older than Lancaster, and Shirley Booth was 15 years his senior. The role of Doc was coveted by Humphrey Bogart, who was the right age, but Bogart lost out to Lancaster due to studio politics, despite the fact that he had just turned in his Oscar-winning performance in The African Queen (1951). See more »

Goofs

When Doc kisses Lola after lecturing her about spying on the teenagers, his right arm dangles limply as Lola grasps his upper arm. A split second later, it is he that has grabbed Lola's arm and holds her by the upper arm. See more »

Quotes

Doc Delaney: [to Lola as he's leaving for work] Give Daddy a kiss goodbye.
[he kisses his wife]
Marie Buckholder: [teasingly] Aren't you going to kiss me, too, Doctor Delaney?
Lola Delaney: Go on, Doc.
Doc Delaney: I can't spend my time kissing all the girls.
See more »

Connections

Referenced in The Life of Riley: Come Back, Little Junior (1955) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Wonderful film will never date
20 May 2002 | by See all my reviews

This film is as powerful as when I first saw it as a teenager. One would think that after 50 years, the material would seem dated. But in fact, a lot of what was said then, seems even more relevant today. Inge is unfortunately a very underrated writer. He seemed to respond to things on a much more emotional level than many of his contemporaries and this is why his material has not lost interest. His plays never seem to go to an intellectual level. He wrote about what he knew and didn't try to be something he wasn't. Are there really Blanche DuBois and Willie Lomans today? Just listening to those plays, as wonderful as they might be, is something we can no longer relate to. But there will always be Lola Delaneys. Everyone knows a few of them. The film was obviously made on a very tight budget and we are lucky for that. Imagine how it would have been had they cast Rosiland Russell and Jimmy Stewart. Though Burt Lancaster was miscast, the simple fact that he was a great actor, means his performance comes off amazingly well. And what more can be said about Booth, except the extreme regret we who never saw her in the play onstage must feel. The power of that performance is beyond description. Anyone who likes this movie should try to get hold of the new recording of the musical version. It was obviously written by people with tremendous love and respect for Inge's work.


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