7.2/10
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79 user 30 critic

Clash by Night (1952)

Approved | | Drama, Film-Noir, Romance | 4 August 1952 (Sweden)
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.

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Cast

Complete credited cast:
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...
Silvio Minciotti ...
Papa D'Amato
...
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Storyline

The bitter and cynical Mae Doyle returns to the fishing village where she was raised after deceptive loves and life in New York. She meets her brother, the fisherman Joe Doyle, and he lodges her in his home. Mae is courted by Jerry D'Amato, a good and naive man that owns the boat where Joe works, and he introduces his brutal friend Earl Pfeiffer, who works as theater's projectionist and is cheated by his wife. She does not like Earl and his jokes, but Jerry considers him his friend and they frequently see each other. Mae decides to accept the proposal of Jerry and they get married and one year later they have a baby girl. When the wife of Earl leaves him, he becomes depressed and Mae, who is bored with her loveless marriage, has an affair with him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Livin' in my house! Lovin' another man! Is that what you call bein' honest? That's just givin' it a nice name! See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

4 August 1952 (Sweden)  »

Also Known As:

Vor dem neuen Tag  »

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

As this was one of Marilyn Monroe's first starring roles, she was still under an acting coach and wanted her on the set to help her in scenes. She would stand behind director Fritz Lang and tell her when a scene was good enough, as opposed to listening to Lang, and when the director saw what was going on he got furious and demanded she leave the set (at the time this coach also worked for 20th Century Fox). After Monroe complained and wouldn't act without her, Lang allowed the coach to return to the set, on the condition that she not direct Monroe. See more »

Goofs

When Earl the projectionist is rewinding the recently run roll of film (around 10 minute mark), he uses a manual crank re-winder from reel to reel. One of the reels is wrong because he is putting the outer film side on the inside of the new reel. See more »

Quotes

[Peggy watches as Mae leaves to meet Earl]
Joe Doyle: [to Peggy] Maybe you'd like to go with her.
Peggy: Maybe.
Joe Doyle: That ring on your finger - what'd you put it there for? A decoration?
Peggy: She has a right to do what she wants to if she's in love.
Joe Doyle: In love! Listen to me, blondie. The woman I marry, she don't take me on a wait and see basis. I ain't a dress she's bringin' home from the store to see if it fits and if it don't, back it goes. In my book marriage is a two-way proposition: you're just as much responsible as I am...
[...]
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Crazy Credits

and introducing Keith Andes See more »

Connections

Featured in Barbara Stanwyck: Fire and Desire (1991) See more »

Soundtracks

I Hear a Rhapsody
Sung by Tony Martin
Written by George Fragos (uncredited), Jack Baker (uncredited) and Dick Gasparre (uncredited)
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User Reviews

 
Another one of Stanwyck's hard-bitten women
8 December 2002 | by (las vegas, nv) – See all my reviews

Barbara Stanwyck is so good at playing rough-hewn women, characters with a cynical edge, that it's easy to take her presence here for granted. Once again, she is remarkably good as tough cookie returning to her hometown along the waterfront and eventually reuniting with her estranged brother. Marilyn Monroe is also good as a sassy local girl-- although her lines sound as if they were looped in post-production--and Paul Douglas is terrific as a lovestruck skipper. Tempestuous melodrama is decent fare; it has heated emotions and florid dialogue, but perhaps more subtlety and nuance would've made it a more memorable picture. **1/2 from ****


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