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Clash by Night (1952)

Approved  |   |  Drama, Film-Noir  |  4 August 1952 (Sweden)
7.1
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Ratings: 7.1/10 from 3,791 users  
Reviews: 75 user | 28 critic

Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.

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Cast

Complete credited cast:
...
...
Jerry D'Amato
...
...
J. Carrol Naish ...
Uncle Vince
Silvio Minciotti ...
Papa D'Amato
Keith Andes ...
Joe Doyle
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Storyline

The bitter and cynical Mae Doyle returns to the fishing village where she was raised after deceptive loves and life in New York. She meets her brother, the fisherman Joe Doyle, and he lodges her in his home. Mae is courted by Jerry D'Amato, a good and naive man that owns the boat where Joe works, and he introduces his brutal friend Earl Pfeiffer, who works as theater's projectionist and is cheated by his wife. She does not like Earl and his jokes, but Jerry considers him his friend and they frequently see each other. Mae decides to accept the proposal of Jerry and they get married and one year later they have a baby girl. When the wife of Earl leaves him, he becomes depressed and Mae, who is bored with her loveless marriage, has an affair with him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Livin' in my house! Lovin' another man! Is that what you call bein' honest? That's just givin' it a nice name!

Genres:

Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

4 August 1952 (Sweden)  »

Also Known As:

Le démon s'éveille la nuit  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

As this was one of Marilyn Monroe's first starring roles, she was still under an acting coach and wanted her on the set to help her in scenes. She would stand behind director Fritz Lang and tell her when a scene was good enough, as opposed to listening to Lang, and when the director saw what was going on he got furious and demanded she leave the set (at the time this coach also worked for 20th Century Fox). After Monroe complained and wouldn't act without her, Lang allowed the coach to return to the set, on the condition that she not direct Monroe. See more »

Goofs

When Earl is trying to hand Jerry money to pay his father's bar tab, the condition of the bills and they way they are held in Earl's hand change between perspective shots. See more »

Quotes

Uncle Vince: Women, we spoil 'em in this country - too much education, too much free speech.
See more »

Crazy Credits

and introducing Keith Andes See more »

Connections

Featured in Marilyn Monroe: Beyond the Legend (1987) See more »

Soundtracks

Don't Cry
Music by Sunny Skylar (uncredited)
See more »

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User Reviews

Bruising Drama
16 June 2004 | by (Derry, Ireland) – See all my reviews

This Fritz Lang film has been largely ignored though in it's way it is as psychologically astute as many of his better known works such as "Scarlett Street". In transposing a Clifford Odets play from New York to a Californian fishing community some of the more florid dialogue seems unnaturally heightened but the performances of the three principals (Barbara Stanwyck, Robert Ryan and particularly Paul Douglas) are stunning and the emotional core of the film is so strong that an audience can feel bruised by what's on screen. The blue collar milieu is perfectly evoked, the black-and-white cinematography by Nicholas Musuraca is first-rate and even the score seems understated, adding to, rather than detracting from the dramatic effect. Essential viewing.


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