Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra, who burn a whole village just for letting them ... See full summary »
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
The bitter and cynical Mae Doyle returns to the fishing village where she was raised after deceptive loves and life in New York. She meets her brother, the fisherman Joe Doyle, and he lodges her in his home. Mae is courted by Jerry D'Amato, a good and naive man that owns the boat where Joe works, and he introduces his brutal friend Earl Pfeiffer, who works as theater's projectionist and is cheated by his wife. She does not like Earl and his jokes, but Jerry considers him his friend and they frequently see each other. Mae decides to accept the proposal of Jerry and they get married and one year later they have a baby girl. When the wife of Earl leaves him, he becomes depressed and Mae, who is bored with her loveless marriage, has an affair with him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As this was one of Marilyn Monroe's first starring roles, she was still under an acting coach and wanted her on the set to help her in scenes. She would stand behind director Fritz Lang and tell her when a scene was good enough, as opposed to listening to Lang, and when the director saw what was doing on he got furious and demanded she leave the set (at the time this coach also worked for 20th Century Fox). After Monroe complained and wouldn't act without her, Lang allowed the coach to return to the set, on the condition that she not direct Monroe. See more »
This Fritz Lang film has been largely ignored though in it's way it is as psychologically astute as many of his better known works such as "Scarlett Street". In transposing a Clifford Odets play from New York to a Californian fishing community some of the more florid dialogue seems unnaturally heightened but the performances of the three principals (Barbara Stanwyck, Robert Ryan and particularly Paul Douglas) are stunning and the emotional core of the film is so strong that an audience can feel bruised by what's on screen. The blue collar milieu is perfectly evoked, the black-and-white cinematography by Nicholas Musuraca is first-rate and even the score seems understated, adding to, rather than detracting from the dramatic effect. Essential viewing.
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