| Anna Magnani | ... | Camilla | |
| Odoardo Spadaro | ... | Don Antonio | |
| Nada Fiorelli | ... | Isabella | |
| Dante | ... | Arlequin | |
| Duncan Lamont | ... | Ferdinand, Le Viceroy | |
| George Higgins | ... | Martinez | |
| Ralph Truman | ... | Duc de Castro | |
| Gisella Mathews | ... | Marquise Irene Altamirano | |
| Raf De La Torre | ... | Le Procureur | |
| Elena Altieri | ... | Duchesse de Castro | |
| Paul Campbell | ... | Felipe | |
| Riccardo Rioli | ... | Ramon, le Toreador | |
| William Tubbs | ... | Aubergiste (as William C. Tubbs) | |
| Jean Debucourt | ... | Eveque de Carmol (de Comédie-Française) | |
| rest of cast listed alphabetically: | |||
| Renato Chiantoni | ... | Capitaine Fracasse (uncredited) | |
| Fedo Keeling | ... | Vicomte (uncredited) | |
| Alfredo Kolner | ... | Florindo (uncredited) | |
| Lina Marengo | ... | Vieille Comedienne (uncredited) | |
| Cecil Mathews | ... | Le Baron (uncredited) | |
| Alfredo Medini | ... | Polichinelle (uncredited) | |
| Maja Niles | ... | Peruvian Noble (uncredited) | |
| John Pasetti | ... | Capitaine des gardes (uncredited) | |
| Juan Pérez | ... | (uncredited) | |
| Rino | ... | Docteur Balanzon (uncredited) | |
| Giulio Tedeschi | ... | Balthazar, le barbier (uncredited) | |
Directed by | |||
| Jean Renoir | |||
Writing credits | ||
| Jean Renoir | (story and screenplay) and | |
| Jack Kirkland | (story and screenplay) and | |
| Renzo Avanzo | (story and screenplay) and | |
| Giulio Macchi | (story and screenplay) and | |
| Ginette Doynel | (story and screenplay) | |
| Prosper Mérimée | (inspired by "Le Carrosse du Saint-Sacrement") | |
Produced by | |||
| Francesco Alliata | .... | producer | |
| Renzo Avanzo | .... | associate producer | |
Cinematography by | |||
| Claude Renoir | |||
| Ronald Hill | (uncredited) | ||
Film Editing by | |||
| David Hawkins | |||
Production Design by | |||
| Mario Chiari | |||
Set Decoration by | |||
| Gino Brosio | |||
Costume Design by | |||
| Maria De Matteis | |||
Production Management | |||
| Giuseppe Bordogni | .... | production manager (as G. Bordogni) | |
| Valentino Brosio | .... | production manager (as V. Brosio) | |
Art Department | |||
| Italo Tomassi | .... | construction department head (uncredited) | |
Sound Department | |||
| Joseph de Bretagne | .... | sound | |
| Ovidio Del Grande | .... | sound assistant | |
Camera and Electrical Department | |||
| Joe D'Amato | .... | still photographer (as Aristide Massaccesi) | |
| Rodolfo Lombardi | .... | camera operator | |
Music Department | |||
| Gino Marinuzzi Jr. | .... | conductor | |
| Orchestra Sinfonica di Roma | .... | orchestra | |
| Antonio Vivaldi | .... | music: musical score selected from the works of | |
Other crew | |||
| Joan Bridge | .... | technicolor color consultant | |
| Lee Kresel | .... | dialogue director (English version) | |
| Enzo Musumeci Greco | .... | master of arms (uncredited) | |
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| Shakespeare in Love | Cyrano de Bergerac | Marie Galante | Queen Christina | Singoalla |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
I was afraid that this movie would turn out to be a case of style over substance because of the movie its visual splendor. But I should had known better really, since this movie had Jean Renoir at the helm, a man who really knew how to always tell a story, in the combination with some impressing visuals.
I liked the movie definitely better than expected and I enjoyed it from basically start till finish. It's being a bit of an odd movie, since its a comedy but set in this very serious upper-class world. The movie becomes often an absurd one but not in the way that it's ever ridicules. It's a delightful movie, that has great characters, some nice universal and timeless themes and some great dialog that really all make the movie, fore there is not much else within this movie really. It's definitely not really a movie for 'todays' audience, so to speak.
The movie got shot in color, from which it definitely benefits. It's visuals are still what impresses the most about this movie, no matter how great everything else in it is. It has some great sets and costumes in it, that help to give the movie a certain atmosphere, consistent with the time period it got set in. It doesn't ever feel though as if the movie got set in a small town of Central America, that is a Spanish colony. The movie for all that matter could had just as well been set in France or England for instance but than of course we wouldn't had had a bull fighter as one of the movie its main characters.
It's a movie that as well handles some social themes are all of all times it seems. The corruption of money, power and love all come by here. It keeps the movie going and intriguing to watch throughout, mainly because it's also all being so well written and timed within the movie. The movie got also written by Jean Renoir himself, who often always wrote his own movies, though this movie got based on a play by Prosper Mérimée, who also wrote the novel "Carmen".
A movie that I simply enjoyed watching from start till finish!
9/10
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