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Carrie (1952)

Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and ... See full summary »

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Nominated for 2 Oscars. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mr. Fitzgerald
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Allen - Bondsman
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Slawson
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Mrs. Oransky
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George Hurstwood, Jr. (as William Regnolds)
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Jessica Hurstwood
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O'Brien
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Factory Foreman
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Mr. Meeber - Carrie's Father
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Mrs. Meeber - Carrie's Mother
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Carrie's Sister Minnie (as Jacqueline de Witt)
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Storyline

Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and is fired. This is the 1890s. Charles Drouet, a salesman she met on the train, comes to her rescue, invites her to dine at Fitzgerald's where the manager George Hurstwood sends over a bottle of champagne. Stay in Drouet's apartment. He will be on the road 10 days. When she leaves the apartment many months later -- on a train bound for New York -- her traveling companion is Hurstwood. Why is he in such a hurry? Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Release Date:

31 October 1952 (Finland)  »

Also Known As:

Destino de dos vidas  »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (DVD)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Laurence Olivier accepted the part of George Hurstwood so he could be in Hollywood at the same time that his emotionally troubled wife Vivien Leigh was making A Streetcar Named Desire (1951) so that he could look after her. See more »

Quotes

Carrie Meeber: I should have waited until I met you. But I didn't, and now I'm not free.
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Connections

Referenced in Role Model: Gene Wilder (2008) See more »

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User Reviews

 
Magnificent film featuring Laurence Olivier's best film performance.

This is a superb film, directed with great style by William Wyler. A tough film for romantics, it's about how following your heart will not always lead to living "happily ever after". A very mature film about becoming middle-aged but still yearning for romance - and a very uncompromising film in which love and forgiveness are sometimes just not enough. An unusual film to come out of Hollywood in the Fifties, it now emerges as one of the finest American films of that period.

Jennifer Jones, Eddie Albert and Miriam Hopkins all deliver top-notch performances - subtle, believable, multi-dimensional and real. Hopkins remains one of the most under-rated of all Hollywood stars - her reputation sadly damaged by her real-life feud with Bette Davis. But she was a brilliant actress. Jones looks stunning, and portrays her character's development from naivety to worldliness with intelligence and strength. Albert is likeable, but also quite menacing, as her salesman lover.

But towering above all is the great Laurence Olivier, in what I venture to say is his best screen performance. As the ageing restauranter who finds true love too late, he gives an unbearably moving performance. His astonishing physical transformations match perfectly his character's downward fortunes - but there is also a complete truth to his emotion here. One wonders how much he was drawing on his own tragic marriage to Vivien Leigh to find that truth.

This is a ten star film.


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