Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and ...
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Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and is fired. This is the 1890s. Charles Drouet, a salesman she met on the train, comes to her rescue, invites her to dine at Fitzgerald's where the manager George Hurstwood sends over a bottle of champagne. Stay in Drouet's apartment. He will be on the road 10 days. When she leaves the apartment many months later -- on a train bound for New York -- her traveling companion is Hurstwood. Why is he in such a hurry? Written by
Dale O'Connor <firstname.lastname@example.org>
Magnificent film featuring Laurence Olivier's best film performance.
This is a superb film, directed with great style by William Wyler. A tough
film for romantics, it's about how following your heart will not always lead
to living "happily ever after". A very mature film about becoming
middle-aged but still yearning for romance - and a very uncompromising film
in which love and forgiveness are sometimes just not enough. An unusual
film to come out of Hollywood in the Fifties, it now emerges as one of the
finest American films of that period.
Jennifer Jones, Eddie Albert and Miriam Hopkins all deliver top-notch
performances - subtle, believable, multi-dimensional and real. Hopkins
remains one of the most under-rated of all Hollywood stars - her reputation
sadly damaged by her real-life feud with Bette Davis. But she was a
brilliant actress. Jones looks stunning, and portrays her character's
development from naivety to worldliness with intelligence and strength.
Albert is likeable, but also quite menacing, as her salesman
But towering above all is the great Laurence Olivier, in what I venture to
say is his best screen performance. As the ageing restauranter who finds
true love too late, he gives an unbearably moving performance. His
astonishing physical transformations match perfectly his character's
downward fortunes - but there is also a complete truth to his emotion here.
One wonders how much he was drawing on his own tragic marriage to Vivien
Leigh to find that truth.
This is a ten star film.
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