When he unwittingly sends some of his men into a trap, pirate Captain Peter Blood decides to rescue them. They've been taken prisoner by the Spanish Marquis de Riconete who is now using ... See full summary »
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Lee Sheridan's ego has always been stoked by his newspaper publisher father, Dan Sheridan, who is willing to "hold the presses" solely to print Lee's many sporting accomplishments as they ... See full summary »
In 1690, years have passed since Captain Blood was pardoned by the Crown for his daring deeds against the Spanish on the Spanish Main, and he is living quietly on his plantation in the West Indies, practicing medicine and planning his marriage to Isabella. But his peaceful existence is shattered when Hilary Evans arrives and arrests him on a piracy charge. Somebody has been raiding the islands, and making it appear it was Captain Blood. In order to prove his innocence, Captain Blood has to sail again under the "Jolly Roger." Written by
Les Adams <firstname.lastname@example.org>
Bland filming of Sabatini's "Return of Captain Blood" has some good players, but lackluster direction, weak script and poor miniatures bring it down. The cyclorama behind many of the ship scenes is wrinkled and the models are not convincing. Certainly not up to the classic Flynn and Power swashbucklers and lacking the wit and sense of fun found in "The Crimson Pirate" released the same year. Louis Hayward is capable in the lead role, but lacks Errol Flynn's charisma. Patricia Medina is lovely but doesn't have much to do. Only George Givot and Ted de Corsia play their characters broad enough to make them classic pirates and Jay Novello stands out as the treacherous Egyptian. Still, it's a competent swashbuckler and is a pleasant way to kill some time.
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