| Index | 10 reviews in total |
8 out of 8 people found the following review useful:
The First 3-D Color Feature, 4 July 2008
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Author:
AryeDirect from United States
I saw it the first day of its first run release at the Chicago Theater
in Chicago in 1952. 'Bwana Devil' was the brainchild of radio director,
Arch Oboler. - best known for the radio (and early live TV series)
'Lights Out'. Oboler's brother-in-law was Milton Gunzburg. Gunzburg
was, I believe, the optician who connected the use of Polaroid lenses
to the making of stereoscopic films.
In 1952, television was stomping out movies and movie theaters the way
rogue elephants could destroy villages. Hollywood was searching for any
gimmick it could use to bring people back to the theaters. Cinerama, a
cumbersome early widescreen process had come on the scene. It produced
an 3-D like effect. That opened the door for Gunzberg and his
brother-in-law. They called their process Naturalvision, raised some
money to demonstrate the process, and produced 'Bwana Devil'.
While the story and production values took a back seat to the illusion
of depth, the picture was a hit. It was quickly followed by 'House of
Wax' and others. Most producers opted to exploit the stereoscopic
effects rather than make good movies. 'House of Wax' was one of the
rare exceptions. After about a year, audiences tired of the shoddy
productions, and Naturalvision eventually disappeared. Into the void
Fox introduced CinemaScope, a flat wide-screen process, and helped stem
the sinking theater system.
I imagine seeing 'Bwana Devil' in flat projection would be painful. But
for those of us who saw it with pristine prints, and quality
projection, it was something to behold. Lions leaping off the screen
into our laps was something few of us would forget.
It has taken another fifty years for 3-D to return. Today's producers
seem not to be making the same mistake as those in the early fifties. I
hope so. After all, 3-D is so much more fun than flat.
8 out of 9 people found the following review useful:
A lion in your lap, a lover in your arms!, 15 December 2001
Author:
jack b. whittaker (jackbwhittaker@aol.com) from Palm Springs, CA, USA
Based on a true story. Bwana Devil, filmed in Natural Vision 3-D,came out at a time when movies were competing with the growing popularity of television, which was keeping audiences out of theaters in droves, Arch Obler's thiller has some spectacular photography of the African plains and is somewhat of a documentary. Lot's of shots of animal herds and native tribal dancing. The outdoor shots are brightly lit but the studio shots are quite dark. Third Dimension photography requires sets to be brightly lit. Starring Robert Stack, Barbara Britton and Nigel Bruce. This tale of a "Great White Hunter" hired, by the English rail-road company,to hunt down and kill two lions, that are killing off workers, is slow to start but the 3-D action picks up later with many shots of spears being thrown at the screen, on-coming trains heading stright for the camera and, of course, leaping lions jumping from the screen. This movie can still be screen on television, in 2-D of course, and is interesting to see the shots that had audiences jumping in their seats back in 1952.
5 out of 5 people found the following review useful:
First Doesn't Mean Best, 30 June 2006
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Author:
skallisjr from Tampa, FL United States
*** This review may contain spoilers ***
I was a teenager when this first appeared in theaters, and I saw it in
Japan. The film's plot wasn't my cup of tea as a high school sophomore,
but I went to see it for the 3-D process. It had been ballyhooed in the
press so that even service personnel overseas had heard of it, though
it never screened at the Post theater.
The film started the trend of throwing objects at the audience, which
was taken to absurd levels with later 3-D films.
I don't know whether this qualifies as a spoiler, but you've been
warned if it is. In many films of the time, actors would often work in
front of a "rear projection screen," where backgrounds could be
projected to make it appear that they were in a different environment,
such as a jungle background when the actors were actually on a sound
stage. This works well on regular films, but when seen in 3-D, they
look like a flat scene behind the actors. There were several scenes in
the film where rear projection was used, and it didn't work well in the
theaters. If seen in 3-D, it will constitute another disappointment.
The film's only importance is historical, since it was the first of its
kind.
9 out of 15 people found the following review useful:
3 D Excitement, 10 December 2002
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Author:
Dale Haufrect, M.D., M.A. (dhaufrect@yahoo.com) from Houston, Texas
This film is worth seeing since it is a classic in the sense of being the very first full length film released in the process of three demention. It was not very good in its acting or story plot, but can be a great movie quiz question from an historical standpoint. It should be seen in the 3 D process with polarized lenses.
14 out of 25 people found the following review useful:
PAINFUL TO RECALL, 13 April 2004
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Author:
wgsj (sigep54321@yahoo.ca) from Ellwood City, PA USA
I saw this movie when it was first released in Pittsburgh Pa. I had
traveled from Youngstown Ohio, a distance of approx. 85 miles. I knew
nothing of the plot nor the players. I had read no reviews nor had I
talked
to anyone who had seen it. Believe me I will never make that mistake
again.
It was being touted I believe as the first feature length movie filmed in
the new 3D process. That was what enticed me to make a 170 mile round
trip.
There was a waiting line two abreast that stretched (I kid you not) 2 or
2½
blocks long and moving very slowly. I could hardy wait to be seated. If I
had only known at that moment what I soon would know, I could have been ¾
of
the way back to Youngstown by the time the feature started.
By the time the first 3D scene was shown, I was already nodding off. The
novelty quickly wore thin and from then on it was pure agony.
Without going into excruciating detail, I can only offer the following
advice. If you have ever seen the famous film PLAN NINE FROM OUTER SPACE,
supposedly the worst movie ever filmed, it in my humble opinion stands
head
and shoulders above this garbage.
I don't know if this has ever been shown on tv, if it has I don't know
why.
If you ever get a chance to see it, do something else. Take a walk, cut
the
grass, wash the dog, have someone flog you with a rubber hose. ANYTHING.
Your time will have been better spent.
This has been my first movie review. It might well be my last unless a
worse movie comes along and I wouldn't make book that will
happen.
Bill
3 out of 4 people found the following review useful:
not so bad, 26 April 2008
Author:
GUENOT PHILIPPE (philippe.guenot@dbmail.com) from France
*** This review may contain spoilers ***
Unlilke many other user comments, I really appreciated this little
adventure movie. I expected a corny film, boring and nasty, as so some
Sam Newfield are, such Nabonga and White Pongo...
Color is beautiful, actors adequate. The story gives you great
excitement,and a pretty good climax. Of course, we did not Robert Stack
in such a film. Butit doesn't spoil the whole.
Many users seem not to note that film is based on a true story, actual
events. For those who are familiar with contemporary movies, Stephen
Hopkins made "Ghost and the Darkness" in 1996, and that's exactly the
same story. But of course on a larger scale, with excellent actors ans
more budget.
In short, a good surprise for me. I recommend it for those who love B
movies.Especially adventures ones shot in locations.
Even with some stock shots...
7 out of 12 people found the following review useful:
Fairly good action-adventure in Africa fare, 7 November 1998
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Author:
bux from Tecumseh ok
Bwana Devil is reputedly the first major studio, full length feature filmed entirely in the 3D process. Supposedly producer Oboler went to Africa to shoot a different movie, but after hearing the tale of two man-eating lions, terrorizing railway builders, decided on this one. It's a good story too, almost Hemmingway-like; fear, redemption, the great white hunter and all. It's the telling of the story that seems to drag, almost as though filming in the new process was too weighty for the crew. The action scenes are stiff, almost too staged. But these technical problems appear small in light of the film's dramatic conclusion.
1 out of 1 people found the following review useful:
A Lion Problem, 16 August 2010
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Author:
bkoganbing from Buffalo, New York
The first film shot in 3D finds an inebriated Robert Stack pining away
for his fiancé and trying to get a railway constructed in the heart of
Africa at the turn of the last century. He's in British Equatorial
Africa which later became Kenya colony and where the Sahara meets the
veld. What's stopping the progress of the colonial British dream of a
railway from Capetown to Cairo is a pair of lions.
These two lions have the natives scared out of their wits. Lions are
not known to attack humans, you leave them alone and they'll leave you
alone unless they're hungry. But these two, a male and female have
developed a real taste for human flesh. Showing no fear of man or
anything man made, they attack humans indiscriminately at will. No one
wants to work until this lion problem is solved.
Stack's got both a lion problem and an unsatisfied testosterone
problem. The second is remedied by the arrival of Barbara Britton, no
one it seems can deal with the first.
Bwana Devil was shot in Africa and it's writer Arch Oboler owes a lot
to Moby Dick. These two lions and Stack's obsession with them are taken
from the Herman Melville classic. Good thing Barbara Britton arrived
when she did, she provides something Captain Ahab didn't have.
Best scene in the film and it's almost laughable was when these three
white hunters, best in their line of work are imported by the railroad
to kill these lions. So what do the lions do, but actually enter the
private railroad car where the hunters are hoisting a few with Nigel
Bruce who plays Stack's sidekick and a doctor and proceed to kill them
all and carry the cadavers off for a later snack.
Presumably based on a true story according to the credits, don't you
believe it. The 3D jungle scenes are nice, but it's attached to one
ridiculous story.
1 out of 2 people found the following review useful:
One of the worst of all time!, 22 December 2010
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Author:
gjwslw-2 from Geneva, IL
I was an usher at the Paramount Theater in Aurora, IL when this came
out. The first 3-D movie. People were lined up for more than a block
and we had to turn away many until the next showing. I was 15 years old
and highly impressionable but this movie struck me as simply AWFUL! To
this day I remember being embarrassed that people actually stood in
line and paid good money to get in. How bad does a movie have to be to
turn a 15 year old's stomach? Is there a rating for that. The only
excitement was when a spear thrown by a "native" whizzed past the
camera and the audience ducked. Avoid at all costs unless you enjoy
bulimia.
Jerry Weiland
0 out of 3 people found the following review useful:
Africa Without Africans? Wow., 16 August 2010
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Author:
bree_thom from United States
*** This review may contain spoilers ***
I admit I have not seen this movie in 3D, nor is it germane to my
opinion. As another reviewer notes, this movie elevates "Plan Nine From
Outer Space", which was made with virtually no budget, to "good movie"
level.
This studio movie features contract actor Robert Stack, who leaves me
wondering why the studio retained him on contract. He was a horrible
actor, with no more depth than a mannequin. In this movie, the stuffed
lions used to cold-cock Barbara Britton,(the archetypal swooning,
cumbersomely-dressed white-woman-in-peril), had more animation than
Stack. Or Britton.
But moving on, this movie is about rogue man-eating lions. Er, lions in
the wild eat moving mammals including men, so this was already a silly
premise. But this "Kenya", obviously filmed on a Hollywood backlot (I
recognize the area), features an African-less Africa. By that I mean,
there are no Black Africans save for the random Black toddler who is
eaten by the stuffed lions. The "African" slaves are all well-paid,
self-sufficient, independent Sikhs! 1950's Hollywood sanitized film and
TV by eliminating Blacks wherever possible. Apparently that included
Africa. In this movie, "Africa" had automagically become the less-dark,
ergo more acceptable India! I wonder how the previous reviewers missed
this salient feature. Hm.
What is there to recommend this movie? Well, perhaps as an example of
bad acting, writing, plot, special effects, production values... It is
a relic of what killed the movie industry in the 1950's and 1960's.
Hint. It was not television.
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