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Breaking the Sound Barrier (1952)
"The Sound Barrier" (original title)

7.0
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Ratings: 7.0/10 from 947 users  
Reviews: 15 user | 11 critic

Fictionalized story of British aerospace engineers solving the problem of supersonic flight.

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Title: Breaking the Sound Barrier (1952)

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Won 1 Oscar. Another 10 wins & 3 nominations. See more awards »
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Cast

Cast overview:
...
John Ridgefield
Ann Todd ...
Susan Garthwaite
Nigel Patrick ...
Tony Garthwaite
John Justin ...
Philip Peel
...
Jess Peel
Joseph Tomelty ...
Will Sparks
...
Christopher Ridgefield
Jack Allen ...
Windy Williams
Ralph Michael ...
Fletcher
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Storyline

Tony successful fighter pilot during World War II marries into the family of a wealthy oil magnate who also designs airplanes. The movie traces the company's attempt to break the sound barrier, as well as tensions between father and daughter. Lots of footage of early 50s jet aviation in Great Britain as well as shots of the Comet airliner, world's first jet passenger plane. Written by Henry Brugsch <henry@g0gku.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

Nothing on Earth can match its super-sonic thrills! See more »

Genres:

Drama | Romance | War

Certificate:

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Details

Country:

Language:

Release Date:

21 December 1952 (USA)  »

Also Known As:

Breaking Through the Sound Barrier  »

Box Office

Budget:

£250,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

With this film, Ralph Richardson became the first actor to win the New York Film Critics Award for Best Actor who didn't also go on to win an Oscar nomination. See more »

Goofs

When Sue tells her husband she is pregnant, she tells him the baby is due around Christmas. But when the child is born, the weather is warm and sunny, suggesting the child is anything but a December baby. See more »

Crazy Credits

In the opening credits, immediately after the human actors, are listed four British aircraft: The de Havilland Comet, the Vickers-Supermarine Attacker, the de Havilland Vampire, and the Vickers-Supermarine Swift. See more »


Soundtracks

With Sword and Lance
(uncredited)
Music by Hermann Starke
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User Reviews

 
A Great Drama About Men of Vision Using Jet Research as a Vehicle
5 October 2008 | by (United States) – See all my reviews

By many standards, David Lean's production of the film he directed in 1952, "The Sound Barrier" is both unusual and I suggest rewarding. The screenplay by Terence Rattigan I found to be riveting throughout. This I judge stems from the fact that its subject is men of vision, and what they do to about their greed for something unnameable, necessary and sometimes deadly. The author in the film is at pains not to paint such men as glory hunters, nor seekers after excitement alone; in one scene, the central character talks about the fliers of the past, and then suggests the men of the future will need vision even more than flying skills to conquer what awaits us--and the answer to what that is is given as "the stars"--called the final frontier in this film in all but name. There are three fliers we meet in the film at a fictitious industrial empire called Ridgefield. The boss's son who hasn't got what a flier needs, Tony, who marries his daughter and reaches his limit because he lacks the necessary genius, and Philip, who has "the right stuff". What I find extraordinary about this very well-directed cinematic tale is that it is always about the people and the joy and danger of flight at the same time, without the focus ever losing sight of the people. The music for this film was supplied by Malcolm Arnold, and it is extraordinary almost everywhere but I find never intrusive. One sequence involves one of the three pilots taking his new wife for a swift flight to Cairo from England; the scene accomplishes many things at once. She learns because of her journey, what some men see in the serenity of the sky, and even its danger; it introduces us to the third pilot and his wife; and we are given a sense of the camaraderie of the men who flew in those days; another such moment occurs when the French ace Geoffrey de Havilland is killed trying to break the sound barrier ahead of all others. Jack Hildyard and several others supplied the cinematography and aerial scenes; Elizabeth Hemminges did a fine subdued job on the costumes; Vincent Korda is credited with the Art Department's superb work while Muir Matheson is acknowledged as music director. Among the smallish cast, the pilots are all beautifully played. bright Nigel Patrick is likable ace Tony, young Denholm Elliot stands out as the boss's son, and John Justin is just right as the third of the trio, Philip. Joseph Tomelty is admirable as Will Sparks, the designer tormented by his own part in causing test pilots to risk their lives; Ann Todd is good as the tormented Susan, wife to Tony and daughter of the boss of Ridgefield. Dinah Sheridan is also lovely as Philip's brave wife; but it is Ralph Richardson's powerful realization of John Ridgefield, former pilot, towering presence and inspiring and dangerous leader of men who along with Justin gives the film its unusual dimension of mind and purpose. One may quarrel with the motivations attributed to Richardson in the last scenes; but he has been so alone in his vision and at such a cost, he may be forgiven for asking at last to be understood. The ending I find to be most satisfying, the film's climax tremendously moving. This is a great film, which has never been appreciated as it should have been. It is B/W film-making at its dramatic best for my money. Its science may not be perfect, but its depiction of human merit and what happens when that quality is lacking in a man is powerful indeed. Not to be missed.


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