Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
The story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée... See full summary »
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
An American banker goes to a small Balkan country looking to invest his bank's money and shore up the country's weak economy in order to maximize the return on their investment. Towards ... See full summary »
J. Farrell MacDonald
The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
Jim Deakins is a frontiersman and Indian trader who is making a perilous journey with a group of other men up the Missouri River to get a large haul of furs from friendly Blackfoot Indians. The problem is that they have to get through hostile Indian territory first and they find that they have seriously underestimated the difficulties they will undergo. The large body of men who started the journey are gradually whittled down until only a hardy few, like Deakins, are left. Written by
As Jim and Boone approach St. Louis, Zeb, narrating, says they saw the town across the Missouri River. St. Louis is on the Mississippi River, and Jim and Boone, coming from Kentucky, would have seen it directly from the east side of that river. See more »
Boone, this is Teal's father, Chief Red Horse. Chief Red Horse wants to see you on account he wants to know how much you're gonna pay for his daughter.
Pay for Teal?
You married her, didn't ya? He gets paid.
Well, I reckon that's the custom.
Well, yes and no. In this particular case, it's yes.
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Instead of the traditional RKO morse code sound, the film's opening theme music is played over the RKO radio tower image. Later, a title card is displayed explaining the premise of the story. See more »
`The land sure is big here, only the sky is bigger.'
The Big Sky is generally considered inferior and less important compared to Red River, the Western Howard Hawks directed in 1948 or four years before this one and which already has a status of a classic and Hawk's masterpiece. Howard Hawks himself wasn't pleased very much with the final result because he wanted John Wayne to play Kirk Douglas's role and mainly because the studio insisted on cutting out 20 minutes of the film to facilitate its distribution. In a conversation with Peter Bogdanovich Hawks later recalled that he had a difficulty recognizing his own film after seeing it in that `butchered' version.
But in my opinion The Big Sky stands on the level of Howard Hawk's best work remarkable for its visual beauty (though filming it in colour would definitely improve it), fine performances (Kirk Douglas is magnificent here and it's hard to imagine other actor playing this role), wonderful music from Dimitri Tiomkin and interesting story of, basically, friendship, that even might be called love, between the two main characters of Jim Deakins (Kirk Douglas) and Dewey Martin (Boone Caudill) but friendship on a background of a perilous and adventurous journey up the Missouri river to the Indian territory where no white man ever set his foot before, with a group of peculiar French adventurers and an Indian princess Teal Eye (Elizabeth Threatt) who steals their hearts and threatens their friendship.
A must see classic. 9/10
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