| Photos (see all 7 | slideshow) |
| John Wayne | ... | Jim McLain | |
| Nancy Olson | ... | Nancy Vallon | |
| James Arness | ... | Mal Baxter | |
| Alan Napier | ... | Sturak | |
| Veda Ann Borg | ... | Madge | |
| Hans Conried | ... | Robert Henried | |
| Hal Baylor | ... | Poke | |
| Gayne Whitman | ... | Dr. Gelster | |
| Gordon Jones | ... | Olaf | |
| Robert Keys | ... | Edwin White | |
| John Hubbard | ... | Lt. Cmdr. Clint Grey | |
| Soo Yong | ... | Mrs. Namaka (as Madame Soo Yong) | |
| Dan Liu | ... | Dan Liu, Honolulu Chief of Police (as Honolulu Chief of Police Dan Liu) | |
| Vernon 'Red' McQueen | ... | Phil Briggs (as Red McQueen) | |
| rest of cast listed alphabetically: | |||
| Peter Brocco | ... | Dr. Carter (uncredited) | |
| Franklyn Farnum | ... | Nightclub extra (uncredited) | |
| Robert Fellows | ... | Soldier boarding ship (uncredited) | |
| Paul Fix | ... | Voice of Chauncey (uncredited) | |
| Bess Flowers | ... | Nightclub extra (uncredited) | |
| William Forrest | ... | J.E. Lowry (McLain's supervisor) (uncredited) | |
| Sam Harris | ... | Nightclub extra (uncredited) | |
| Douglas Henderson | ... | J.J. Donahue (soldier boarding ship) (uncredited) | |
| Paul Hurst | ... | Mr. Lexiter (uncredited) | |
| Edwin Layton | ... | Himself (uncredited) | |
| Harry Morgan | ... | Narrator (uncredited) | |
| Sarah Padden | ... | Mrs. Lexiter (uncredited) | |
| Jeffrey Sayre | ... | Nightclub dance extra (uncredited) | |
| Bert Stevens | ... | Nightclub dance extra (uncredited) | |
| Deane S. Tavennier | ... | HUAC Committee member (uncredited) | |
| Harry Tyler | ... | Waiter (uncredited) | |
| Peter Whitney | ... | Commie truck driver (uncredited) | |
| Jay Wilsey | ... | Mr. Whalen (uncredited) | |
Directed by | |||
| Edward Ludwig | |||
Writing credits | ||
| Stephen Vincent Benet | (quotes from "The Devil and Dan'l Webster") | |
| James Edward Grant | (written by) & | |
| Richard English | (written by) & | |
| Eric Taylor | (written by) | |
| Richard English | (short story) uncredited | |
| James Atlee Phillips | uncredited | |
| William Wheeler | (story) uncredited | |
Produced by | |||
| Robert Fellows | .... | producer | |
| John Wayne | .... | producer (uncredited) | |
Original Music by | |||
| Paul Dunlap | |||
| Arthur Lange | |||
| Emil Newman | |||
| Hugo Friedhofer | (uncredited) | ||
| Charles E. King | (uncredited) | ||
| Robert Wiley Miller | (uncredited) | ||
Cinematography by | |||
| Archie Stout | (director of photography) | ||
Film Editing by | |||
| Jack Murray | |||
Art Direction by | |||
| Alfred Ybarra | (as Al Ybarra) | ||
Set Decoration by | |||
| Charles S. Thompson | (as Charles Thompson) | ||
Makeup Department | |||
| Web Overlander | .... | makeup artist | |
| Fae M. Smith | .... | hair stylist (as Fae Smith) | |
Production Management | |||
| Nate H. Edwards | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Andrew V. McLaglen | .... | assistant director (as Andrew McLaglen) | |
Sound Department | |||
| T.A. Carman | .... | sound (as Tom Carman) | |
Costume and Wardrobe Department | |||
| Neva Bourne | .... | wardrobe (as Geneva Bourne) | |
Music Department | |||
| Max Steiner | .... | composer: stock music (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
While the brainwashed elite criticize this story of how Communism threatened the security of America in the 1950s, any unbiased viewer will understand a piece of history that has since been revised.
This movie was made while the liberal elite defended their liberalism by making a straw man of Senator McCarthy. John Wayne understood the real threat of Communism and their spies in America. Making this movie was unpopular then, nevertheless now; Wayne was a brave patriot who should be commended for doing the principled thing, however unpopular.
The liberal politicians and the media has waged war on the fight against communism for 40 years. That repeated mantra of group thinking has obscured the real attitudes of that era. This movie is valuable for the independent minded; it shows a history and culture that Hollywood wants to deny and ignore in the same way the Klan wants to deny and ignore the Holocaust.
It is not Wayne's best film. It is probably the least seen. However, a student of history or a student of Wayne's character should view the movie.