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Bela Lugosi Meets a Brooklyn Gorilla (1952)

2.9
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Ratings: 2.9/10 from 1,112 users  
Reviews: 48 user | 21 critic

Two goofy entertainers meet a mad scientist on a jungle island.

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Writers:

(screenplay), (additional dialogue), 1 more credit »
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Title: Bela Lugosi Meets a Brooklyn Gorilla (1952)

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Director: Duke Mitchell
Stars: Duke Mitchell, Vic Caesar, Lorenzo Dodo
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Cast

Complete credited cast:
...
Duke Mitchell ...
Duke Mitchell
Sammy Petrillo ...
Sammy Petrillo
Charlita ...
Nona
Muriel Landers ...
Saloma
...
Chief Rakos
Mickey Simpson ...
Chula
Milton Newberger ...
Bongo - the Witch Doctor
Martin Garralaga ...
Pepe Bordo / Waiter
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Storyline

Entertainers Mitchell and Petrillo (Martin & Lewis clones) parachute into the jungles of the Pacific island of Cola-Cola, where they meet primitive tribesmen, the chief's sarong-clad daughter Nona, and mad scientist Dr. Zabor conducting experiments in evolution. Jealous of Mitchell's relations with Nona, Zabor has just the thing to make a monkey of him... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

A horror film that will stiffen you with laughter! See more »

Genres:

Horror | Comedy | Sci-Fi

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Details

Country:

Language:

Release Date:

8 October 1952 (USA)  »

Also Known As:

The Boys from Brooklyn  »

Box Office

Budget:

$50,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Duke Mitchell and Sammy Petrillo both receive "introducing" credits. See more »

Quotes

Duke Mitchell: Don't mind my friend. He has a one-syllable brain.
See more »

Connections

Featured in The 50 Worst Movies Ever Made (2004) See more »

Soundtracks

'Deed I Do
by Walter Hirsch & Fred Rose
Sung by Duke Mitchell (uncredited)
See more »

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User Reviews

Not at all Entertaining, But Interesting to Watch
10 February 2002 | by See all my reviews

Yes, Duke Mitchell and Sammy Petrillo were attempting to ripoff Dean Martin and Jerry Lewis. Lewis had to take Petrillo to court to make him stop the impersonation (Interesting to note, Lewis was copying black vaudevillian Jimmy Cross' act himself and becoming famous for it, while Cross' race would hold him back). Mitchell is no Martin, but if I had to choose listening to either one, I would choose Mitchell over Martin's crooning. I thought Mitchell had much more life in his singing.

Other than that, had I been Jerry Lewis and I had seen a guy who looked this much like me, I would have signed him up immediately. Petrillo is so strong at resembling Lewis, they could have been boggling portraying twin brothers in a movie, but as the egotistical rift tore between Martin and Lewis, you could just imagine how Petrillo would have gone at it with Lewis. In some scenes, you can see Petrillo is masking animosity as comedy. From beginning to end the only thing that held my attention was 'That's not Jerry Lewis from the telethons.' If Mitchell had bore a resemblance to Martin, the illusion may have been even more convincing. Muriel Landers was a welcome, a rotund woman who is flirtatious and pursuing while not being threatening, something virtually unseen even today in film and television. Not a film to see for entertainment, but to just study and contemplate what is and isn't popular. Lewis was famous, Petrillo wasn't. See if you can tell the difference.


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