7.9/10
9,646
96 user 70 critic

The Bad and the Beautiful (1952)

Unrated | | Drama, Romance | 9 February 1953 (Brazil)
Trailer
2:40 | Trailer

Watch Now

From $9.99 on Amazon Video

ON TV
ON DISC
ALL
An unscrupulous movie producer uses an actress, a director and a writer to achieve success.

Director:

Writers:

(screenplay), (story)
Reviews
Won 5 Oscars. Another 2 wins & 7 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.

Director: Vincente Minnelli
Stars: Kirk Douglas, Edward G. Robinson, Cyd Charisse
Lust for Life (1956)
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

The life of brilliant but tortured artist Vincent van Gogh.

Directors: Vincente Minnelli, George Cukor
Stars: Kirk Douglas, Anthony Quinn, James Donald
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A married woman and a drifter fall in love, then plot to murder her husband. Once the deed is done, they must live with the consequences of their actions.

Director: Tay Garnett
Stars: Lana Turner, John Garfield, Cecil Kellaway
Certificate: Passed Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A pretentiously artistic director is hired for a new Broadway musical and changes it beyond recognition.

Director: Vincente Minnelli
Stars: Fred Astaire, Cyd Charisse, Oscar Levant
Drama | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts...

Director: Nicholas Ray
Stars: Humphrey Bogart, Gloria Grahame, Frank Lovejoy
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.

Director: Billy Wilder
Stars: Kirk Douglas, Jan Sterling, Robert Arthur
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar ... See full summary »

Director: Vincente Minnelli
Stars: Frank Sinatra, Dean Martin, Shirley MacLaine
The Big Heat (1953)
Crime | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

Director: Fritz Lang
Stars: Glenn Ford, Gloria Grahame, Jocelyn Brando
Peyton Place (1957)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A peaceful New England town hides secrets and scandals.

Director: Mark Robson
Stars: Lana Turner, Lee Philips, Lloyd Nolan
Certificate: Passed Crime | Film-Noir | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A major heist goes off as planned, until bad luck and double crosses cause everything to unravel.

Director: John Huston
Stars: Sterling Hayden, Louis Calhern, Jean Hagen
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.

Director: Jacques Tourneur
Stars: Robert Mitchum, Jane Greer, Kirk Douglas
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A letter is addressed to three wives from their "best friend" Addie Ross, announcing that she is running away with one of their husbands: but she does not say which one.

Director: Joseph L. Mankiewicz
Stars: Jeanne Crain, Linda Darnell, Ann Sothern
Edit

Cast

Complete credited cast:
...
...
...
...
...
...
...
...
...
...
Syd
Sammy White ...
Gus
...
Ivan Triesault ...
Edit

Storyline

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

I took you out of the gutter . . . I can fling you back! See more »

Genres:

Drama | Romance

Certificate:

Unrated | See all certifications »
Edit

Details

Country:

Language:

Release Date:

9 February 1953 (Brazil)  »

Also Known As:

Memorial to a Bad Man  »

Box Office

Budget:

$1,558,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

The character of Shields is regarded as a mixture of producer David O. Selznick, Orson Welles and producer Val Lewton. Georgia, the alcoholic daughter of an iconic actor, is very clearly based on Diana Barrymore. Bartlow, the college professor turned best-selling author turned screenwriter, is thought to be based on Paul Green, a UNC professor who followed a similar career track. Gilbert Roland's appearance as "Gaucho" is seen as a self-parody; the Mexican-born actor, once a star in silent dramas, had just appeared as "The Cisco Kid" in a string of "B" westerns. See more »

Goofs

Jonathon coaches Georgia on how to seductively light a cigarette for her movie role but her part is in a historical picture in which she apparently plays a peasant/princess living in an era when women didn't smoke anyway - let alone use a cigarette as part of romantic allure. See more »

Quotes

Jonathan Shields: Look. Put five men dressed like cats on the screen, what do they look like?
Fred: Like five men dressed like cats.
See more »

Connections

Featured in Two Weeks in Another Town (1962) See more »

Soundtracks

Temptation
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Performed by Hadda Brooks with Milton Raskin at the piano
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

The composer the star
18 May 2006 | by (United Kingdom) – See all my reviews

My tribute to the great Hollywood film composer, David Raksin, is long overdue. I only discovered the other day that he died a couple of summers ago at the considerable age of 92. I suppose I had thought that like most of those figures who reached their peak in the middle of the last century he had passed away many years ago. A re-seeing of "The Bad and the Beautiful" fairly recently reminded me of just how outstanding was his contribution to movies of all shades of quality. I first became aware of the uniqueness of the Raksin 'sound' on my original viewing of Wyler's "Carrie" in 1952. It is impossible to define, other than to say that it owes nothing to central European romanticism, the sound of almost all the in-house studio composers such as Newman, Stothart and Steiner, or to the tradition of 20th century symphonists such as Copland and Diamond which fed the imagination of film composers as diverse as Elmer Bernstein and David Amram. Raksin had a sound all his own as did Bernard Herrmann and Miklos Rozsa, as instantly recognisable as theirs but I feel his range is wider. He seldom repeated himself as did Rozsa who composed in the same style regardless of genre. ("Double Idemnity", "Ben-Hur" and "Madame Bovary" have nothing common apart from their same sort of watered down Kodaly-like music.) His style is intensely lyrical, conceived with a verve and passion that always transcended the most trivial movies and made them, if not worth watching, always worth listening to. Unlike many of his colleagues he seldom hit the jackpot by working on films of great quality. I think it only happened twice, with Abraham Polonsky's B movie "Force of Evil" which has become recognised as a marvellous example of film noir and of course William Wyler's "Carrie" where he was just one of many outstanding contributors to what I have long argued is possibly the greatest work of art to have ever emerged from the Hollywood studio system. Although it has its passionate advocates, I cannot share their enthusiasm for Vincente Minnelli's "The Bad and the Beautiful". It is certainly very professional in the way it slickly dissects an unsympathetic character through the flashback reminiscences of those he mistreated, but it had all been done before and considerably better in "Citizen Kane" and "All About Eve". However the film is worth watching if only to wallow in Raksin's gorgeous score. And there is plenty of it, particularly in accompanying all those voice-off narrations. And then just as one is beginning to wonder if the marvellous opening credit theme is about to be heard once too often, the composer introduces something entirely new for the Dick Powell narrative, a jaunty section based on a four-note motif (a falling perfect fifth, rising up a major sixth, then down a major seventh). The way this is subsequently developed is truly symphonic. Incidentally if you want to discover a film score that has the length and complexity of a symphony just close your eyes (you won't be missing much) and listen to "Forever Amber". Raksin in excelsis!


21 of 35 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Barbara Billingsly Mkeydude
What about Novak? fourvin-2
Lana Turners Driving rchristiananderson
The Ending....? meredity13
Ending of 'The Bad + The Beautiful Woodie
Gloria's Character Napoleon799
Discuss The Bad and the Beautiful (1952) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?