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The Bad and the Beautiful (1952)

Unrated | | Drama, Romance | 9 February 1953 (Brazil)
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An unscrupulous movie producer uses an actress, a director and a writer to achieve success.

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Writers:

(screenplay), (story)
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Won 5 Oscars. Another 2 wins & 7 nominations. See more awards »

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Cast

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Sammy White ...
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Ivan Triesault ...
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Storyline

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

I took you out of the gutter . . . I can fling you back! See more »

Genres:

Drama | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

9 February 1953 (Brazil)  »

Also Known As:

Memorial to a Bad Man  »

Box Office

Budget:

$1,558,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Kirk Douglas landed the lead role after Clark Gable had turned it down. See more »

Goofs

When Jonathan is shining the flashlight at the girl up the roof, at one point he aims it away from her, but the light remains steadily focused on her legs. See more »

Quotes

Jonathan Shields: [whistles] Gentlemen! There seems to be an honest difference of opinion.
Harry Pebbel: There is.
Jonathan Shields: It looks as though we'll have to make a compromise.
Harry Pebbel: You bet we will.
Jonathan Shields: The compromise, gentlemen, is this: Harry, shut your penny-pinching mouth and build him his platform!
See more »

Connections

Featured in Siskel & Ebert: Hail, Hail, Black and White (1989) See more »

Soundtracks

Don't Blame Me
(uncredited)
Music by Jimmy McHugh
Lyrics by Dorothy Fields
Performed by Peggy King
See more »

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User Reviews

 
Making movies
16 June 2005 | by (New York) – See all my reviews

"The Bad and the Beautiful" takes a look at Hollywood. This incisive take about how movies are made, directed by Vincente Minnelli, dares to go behind the scenes to show what goes on in the way the film industry operates. The film adaptation by Charles Schnee gives us a good idea of that unreal world of fantasy and hype.

At the center of the story is Jonathan Shields, a young man with connections to the industry. He wants to follow his father's footsteps and goes at it vigorously, making friends and enemies along the way. Jonathan discovers he can be ruthless whenever he wants. His first victim is Fred Amiel, the talented director who Jonathan bypasses in favor of a more established one. Jonathan quickly forgets the friendship Fred and his wife showed him before becoming a big producer.

Then there is there is Georgia Larrion, the boozy daughter of a famous actor. Jonathan shows how he wants Georgia to succeed in the business, personally taking care of selling her to star in his big project, only to betray her with another woman, a glamorous bit player. When Georgia discovers the truth, she flees Jonathan's mansion in a clear night that suddenly turns into a torrential downpour and loses control of the car, but she doesn't suffer a scratch!

The last victim of Mr. Shields is the Pulitzer prize winner, James Lee Bartlow, who Jonathan coaxes into leaving his academic life to adapt his own novel for the movies. James is married to the flighty Rosemary, in whom Jonathan discovers a weak link that will do anything to hobnob with the celebrities. Jonathan makes it easy for Rosemary to fall into an affair with the star of Shields' film.

When we first watched this film, it seemed much better, than on this viewing where a lot of things surface to make some of the story much weaker than before. Some viewers have compared this film with the fate of Orson Welles in Hollywood, and there are a couple of references that could be interpreted that way. Whether it was so, or not, it's up to the viewer to guess where the truth lies.

Kirk Douglas gave a strong performance as Jonathan Shields. Mr. Douglas showed he clearly understood who this man was. He runs away with the film, in our humble opinion. Lana Turner, a beautiful presence in any movie, is good, but at times she appears to be overwhelmed by the range of emotions she has to project, especially with that phony car scene.

Dick Powell and Gloria Graham put in an excellent appearance as the Bartlows. Barry Sullivan disappears after Lana shows up, not to be seen until the end. Walter Pigeon is effective as the studio head. Gilbert Roland is perfect as Gaucho, the Latin actor with a lot of charisma.

Mr. Minnelli shows he wasn't afraid to portray the industry the way we see it in the film, not a small accomplishment, knowing well how it could have backfired on him. Hollywood is not forgiving to those who dare to show its ugly side and that's when the parallel with Orson Welles problems with the system and eventual exile can be drawn.


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