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Overview
User Rating:
Director:
Writers:
Charles Schnee (screenplay)
George Bradshaw (story)
Release Date:
9 February 1953 (Brazil) more
Tagline:
I took you out of the gutter . . . I can fling you back! more
Plot:
An actress, a director, and a writer are asked to help revive the career of ruthless Hollywood studio bigwig Jonathan Shields. However, all three are reluctant because they have all been used and betrayed by him in the past. full summary | full synopsis
Awards:
Won 5 Oscars. Another 1 win & 6 nominations more
NewsDesk:
(5 articles)
Broken Embraces - Poster
(From LateFilmFull. 28 July 2009, 11:16 AM, PDT)
Thirty Five Seconds of Bliss: Broken Embraces Teaser
(From ioncinema. 20 February 2009)
User Comments:
Trash By Any Other Name...... more (72 total)
Cast
(Complete credited cast)Additional Details
Also Known As:
Memorial to a Bad Man (USA) (working title)
Tribute to a Badman (USA) (working title)
more
Parents Guide:
Runtime:
118 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Canada:14A (Ontario) | UK:A (original rating) | USA:Approved (certificate #16017) | UK:PG | Canada:PG (video rating) | Argentina:16 | Australia:PG | Finland:K-16 | Sweden:15
Filming Locations:
Beverly Hills Hotel & Bungalows - 9641 Sunset Blvd., Beverly Hills, California, USA more
Company:
Fun Stuff
Trivia:
Lana Turner plays an actor whose career started as a movie extra. Turner started her own career as an extra in A Star Is Born (1937). more
Goofs:
Revealing mistakes: When Jonathan is shining the flashlight at the girl up the roof, at one point he aims it away from her, but the light remains steadily focused on her legs. more
Quotes:
James Lee Bartlow: Yes, this is James Lee Bartlow... Paris?... Mr. Shields!... is Mr. Shields paying for this call?... All right, put him on... Hello, Jonathan? Drop dead. more
Movie Connections:
Referenced in L.A. Confidential (1997) more
Soundtrack:
Don't Blame Me more
FAQ
This FAQ is empty. Add the first question.more (72 total)
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This glossy, trashy soap opera of a movie has won all sorts of accolades and an idolatrous fan base, but its appeal is lost on me. It's filmed in chilly black and white, giving it the patina of an art film, but if this were filmed in blazing Technicolor, it wouldn't be any more distinguished than a heap of other 50s sudsers, like "Peyton Place" or "The Best of Everything." Vincente Minellis proved that he could do shadowy melodramas as well as colorful musicals, but his direction is still fairly anonymous. The pacing of the film itself, with its rigid flashback structure, is monotonous, and it's much too long. I get a kick out of Gloria Grahame in whatever she's in, so she was a welcome addition to the cast, but she's in the film for maybe ten minutes late into its running time, and I was too numbed by indifference by the time she appeared to regain interest. Dick Powell is the only other actor I really remember, mostly because his dry, cynical writer character was so far removed from the bouncy, googly-eyed boy-next-door roles he played in all of the Warners musicals.
Grade: C+