Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat ... See full summary »
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Shipwrecked on an uninhabited island, Robinson Crusoe fills his time in either building a shelter for himself, or by reminiscing about the years he spent at sea and the adventures that led ... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
On 30 September 1659, the aristocratic British Robinson Crusoe's ship sinks and he miraculously survives on a deserted island somewhere in South America. He retrieves a dog, Rex, and cat, Sam, from the shipwreck together with some supplies, weapons, clothes and tools and builds a shelter. He soon learns how to survive by cooking, farming, harvesting the crops. Then the loneliness begins to haunt him, especially after the loss of Rex. When he sees a group of cannibals in the island, tension and fear become part of his life. Later he saves the life of a savage that was going to be eaten by the cannibals; he names him Friday and they become friends. When Robinson Crusoe sees Caucasians on the island, he finds that Captain Oberzo was the victim of a mutiny and he helps him to retrieve his ship. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Robinson looks at a neighboring island for the first time through his telescope, the scene shown as though looking through the telescope is just a picture of the island - nothing in it moves including the waves. See more »
Robinson honoring the day of the Lord?When you know Bunuel's huge body of work,you do know that scene can only be ironical.If there's a moral to draw from his "Robinson" it's probably "God helps those who help themselves".That's what he says to his prisoner .In "La Mort en Ce Jardin" (1957) Bunuel would go further:his characters ,lost in the jungle ,light a fire with the pages of the Bible.
My favorite scene is Robinson screaming in front of the vast ocean :God is nothing but the echo of Man's voice.
Bunuel's Robinson is rather unpleasant.He is at first an idle lazy young bourgeois who has to work for the first time in his life.As always in Bunuel's canon,the nightmare scene where a mocking father appears is impressive;ditto for the voices of Robinson's old companions singing about good old time.
Robinson's relationship with Friday is very well depicted; the hero confesses he was a potential slave trader :the goal of his voyage?The dialog Robinson/Friday includes these immortal lines:
-If God's stronger than the Devil,why doesn't He kill him?
-God wants to put Man to the test.Man has choice between good and bad.
A writer,Michel Tournier ,was probably influenced by Bunuel for his book "Vendredi ou les Limbes du Pacifique" :he made Friday Robinson's equal.
An essential Bunuel? probably not.But even a minor film by this extraordinary director deserves your undivided attention.
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