The Assassin
(1952)
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The Assassin
(1952)
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| Cast overview, first billed only: | |||
| Richard Todd | ... |
Edward Mercer
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Eva Bartok | ... |
Adriana Medova
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John Gregson | ... |
Renzo Uccello
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George Coulouris | ... |
Chief of Police Spadoni
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Margot Grahame | ... |
Rosa Melitus
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Walter Rilla | ... |
Count Boria
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John Bailey | ... |
Lt. Longo
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Sid James | ... |
Bernardo
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Martin Boddey | ... |
Gufo
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Michael Balfour | ... |
Moretto
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Sydney Tafler | ... |
Boldesca
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Miles Malleson | ... |
Grespi
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| Eric Pohlmann | ... |
Gostini
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David Hurst | ... |
Minelli
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Raymond Young | ... |
Luigi
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Private detective Edward Mercer goes to Venice at the request of a French insurance company to locate a brave Italian whom they wish to reward for his part in the rescue of an Allied airman shot down during the war. At least, that is what Mercer thinks as he steps off the steamer at the Piazza San Marco and is greeted by a smiling street photographer, Cassana. Mercer makes his way to a shop and finds his first contact dead from a knife stab, and the trail leads him to Adrianna. He faces danger from police chief Spaloni and also from a group of foreign patriots, led by Count Borian and Lieutenant Longo, who want to use him as a stool-pigeon for a planned Coup d'Etat. A hectic race across the roof tops, high above the great square, brings Mercer to grips against his unknown enemy. Written by Les Adams <longhorn1939@suddenlink.net>
Many of these detective series had to be formulaic. That is the nature of a series. So if you want to differentiate, one strategy is to introduce exotic locations. When this was made, that was still rare. The location has to be highlighted in the name, so we have Charlie Chan, the Saint, the Falcon and so in such and such a city.
The place here is Venice. Unfortunately it is not captured well. For some reason, the texture of the city escapes the usual camera. (I did like the color you got in the Clooney "The Job" and the Bond "XXX").
So the setting is largely wasted by the clumsy camera, except for a visit to a Murano glassworks. The glass factories are located on an island near the city because of the ancient fear of fire. These for hundreds of years have been a wonder of the world, once secret, now a bit tired. When this film was made, Chihuly had not yet brought Murano to our attention and the polluting effect of tourism had not occluded its magic.
It is only a few minutes in this otherwise ordinary adventure. And it is just background motion. But you might as I, hold it a dear experience to just see.
Ted's Evaluation -- 2 of 3: Has some interesting elements.