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Angel Face (1952)

Not Rated  |   |  Crime, Drama, Film-Noir  |  11 December 1952 (USA)
7.3
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Ratings: 7.3/10 from 4,510 users  
Reviews: 66 user | 36 critic

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

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(screenplay) (as Frank Nugent) , (screenplay), 2 more credits »
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Edit

Cast

Complete credited cast:
...
Frank Jessup
...
Diane Tremayne Jessup
Mona Freeman ...
Mary Wilton
Herbert Marshall ...
Mr. Charles Tremayne
...
Fred Barrett
...
Mrs. Catherine Tremayne
...
Bill Crompton
Raymond Greenleaf ...
Arthur Vance
Griff Barnett ...
The Judge
Robert Gist ...
Miller
Morgan Farley ...
Juror
...
District Attorney Judson
Rest of cast listed alphabetically:
Charles Tannen ...
TV Broadcaster (scenes deleted)
Ralph Volkie ...
Good Humor Man (scenes deleted)
Peggy Walker ...
TV Girl (scenes deleted)
Edit

Storyline

When Mrs. Tremayne is mysteriously poisoned with gas, ambulance driver Frank Jessup meets her refined but sensuous stepdaughter Diane, who quickly pursues and infatuates him. Under Diane's seductive influence, Frank is soon the Tremayne chauffeur; but he begins to suspect danger under her surface sweetness. When he shows signs of pulling away, Diane schemes to get him in so deep he'll never get out. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

She loved one man ... enough to KILL to get him!


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

11 December 1952 (USA)  »

Also Known As:

Murder Story  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When asked to list his top ten favorite American sound films in 1964, Jean-Luc Godard listed this film as one of his picks. See more »

Goofs

(00:02:56) The shadow of the microphone at the top of the headboard is visible, right after Mrs. Tremayne says "Someone tried to murder me." Then the microphone (shadow) turns to the left towards another actor. See more »

Quotes

Mrs. Catherine Tremayne: Charles, at times your charm wears dangerously thin. Right now it's so thin I can see through it.
See more »

Connections

Referenced in Watching the Detectives (2007) See more »

Soundtracks

Nostalgia
(uncredited)
(piano theme)
by Dimitri Tiomkin
See more »

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User Reviews

 
What a subtle and yet outrageous movie, great plot and direction and acting
11 February 2011 | by (United States) – See all my reviews

Angel Face (1952)

An extraordinary film in many ways, including simply avoiding clichés. It starts with a slap, and ends with a real shock. Between it beguiles, it plays with your sympathies, it seems to toy with an obvious turn of events then subverts it.

Robert Mitchum is the obvious centerpiece for most viewers, and if you know him you know he's consistent in all his roles, including in this one where he plays a mechanic doing odd jobs. More impressive, for me, is the femme fatale, the leading woman, Jean Simmons, who not only has an angel face, but an expressive one, moving from lively and untarnished to devious, pained, or stubborn. The two of them do not have the on screen chemistry of some of the great romances in film--blame Mitchum, maybe, for his coolness, attractive as it is to the viewer, or blame the director, Otto Preminger.

Preminger, for all his genius and willingness to flaunt the censors, is a director's director, a little like Welles without the burden of virtuosity. His best films ("Man with the Golden Arm" and "Laura" and possibly "Anatomy of a Murder") present a romantic situation as if it is a given. It doesn't really develop into something steamy or passionate or emotionally necessary. That is, he's no Nicholas Ray in this sense. And so in "Angel Face" there is a romantic involvement that is believable but never quite compelling.

And usually this is perfect, because Mitchum and Simmons in their parts are wary of each other, or are not quite involved for the sake of love. Or for love alone. That's partly why the movie works, as a movie, in a slightly different way than we expect from this kind of romance. And it's not just a romance, of course, with the hint of murder in the fringes. And then a real murder, with a huge and awful twist.

There's no question this is a beautiful movie, and a compact one, moving through several phases of the plot with fluidity. The secondary actors are good, mainly the inimitable Herbert Marshall as the father. And the writing is particularly good, I think. This is a special movie the way Jacques Tourneur's "Out of the Past," which also stars Mitchum. It's has film noir strains, but it is something else completely, too. Special stuff.


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