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Angel Face (1952)

7.3
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Ratings: 7.3/10 from 3,955 users  
Reviews: 61 user | 35 critic

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

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(screenplay), (screenplay), 2 more credits »
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Title: Angel Face (1952)

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Cast

Complete credited cast:
...
Frank Jessup
...
Diane Tremayne Jessup
Mona Freeman ...
Mary Wilton
Herbert Marshall ...
Mr. Charles Tremayne
...
Fred Barrett
...
Mrs. Catherine Tremayne
...
Bill Crompton
Raymond Greenleaf ...
Arthur Vance
Griff Barnett ...
The Judge
Robert Gist ...
Miller
Morgan Farley ...
Juror
...
Dist. Atty. Judson
Rest of cast listed alphabetically:
Grandon Rhodes ...
Prison Chaplain (scenes deleted)
Charles Tannen ...
TV Broadcaster (scenes deleted)
Ralph Volkie ...
Good Humor Man (scenes deleted)
Edit

Storyline

When Mrs. Tremayne is mysteriously poisoned with gas, ambulance driver Frank Jessup meets her refined but sensuous stepdaughter Diane, who quickly pursues and infatuates him. Under Diane's seductive influence, Frank is soon the Tremayne chauffeur; but he begins to suspect danger under her surface sweetness. When he shows signs of pulling away, Diane schemes to get him in so deep he'll never get out. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

She loved one man ... enough to KILL to get him!


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

11 December 1952 (USA)  »

Also Known As:

4 ptomata horis enoho  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Prior to a 6/21/11 airing on TCM, Robert Osborne revealed that this was the final film of Jean Simmons under her contract with Howard Hughes--he'd bought it without her knowledge from J. Arthur Rank Studios in England. Her displeasure led her to cut her hair off, knowing that Hughes preferred long-haired leading ladies and thinking it might prevent him from utilizing her before the contract's end date. Instead, he put her in this film and she was given a wig to wear throughout. He also promised director Otto Preminger a bonus if he finished shooting before Simmons' contract expires, which he collected. See more »

Goofs

(00:02:56) The shadow of the microphone at the top of the headboard is visible, right after Mrs. Tremayne says "Someone tried to murder me." Then the microphone (shadow) turns to the left towards another actor. See more »

Quotes

Frank Jessup: [of Diane's 'evil' stepmother] ... If she's tryin' to kill you, why did she turn on the gas in her own room first?
Diane Tremayne: ...To make it look as though somebody else were guilty...
Frank Jessup: Is that what you did?
Diane Tremayne: Frank, are you accusing me?
Frank Jessup: I'm not accusing anybody. But if I were a cop, and not a very bright cop at that, I'd say that your story was as phony as a three dollar bill.
Diane Tremayne: ...How can you say that to me?
Frank Jessup: Oh, you mean after all we've been to each other?... Diane, look. I don't pretend to know what goes on ...
See more »

Connections

Referenced in Sweesters: Virtual Room: Cara d'àngel (2009) See more »

Soundtracks

Ann
(foxtrot) (uncredited)
Music by Roy Webb and Gene Rose
See more »

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User Reviews

fast your seat belts
28 May 2004 | by See all my reviews

Otto Preminger takes the noir/ femme fatale genre a step beyond in his usual pessimism. This world of shady mansions, sad piano-playing and lonely boulevards perpetually driven, suits well Jean Simmons's calm insanity and Mitchum's stoic acceptance of his tragic destiny. Mitchum uses the same discontent tone to order a beer and to refuse to be part of a murder. He smokes, empty-minded, staring out of the window, too tired to get his way out of the schemes of his employers. He may take the most important decision of his life, but after the cigarette's over he'll be doing the total opposite. On the other hand one has the feeling that the film wouldn't worked as well with one more conventional noir leading lady, like Lana Turner. Simmons' charming and weak aspect makes her character irresistible. To top it all there's a masterful score by Dimitri Tiomkin and the most surprising of endings.


28 of 31 people found this review helpful.  Was this review helpful to you?

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