IMDb > Affair in Trinidad (1952)
Affair in Trinidad
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Affair in Trinidad (1952) More at IMDbPro »

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Affair in Trinidad -- A man goes to Trinidad to find his brother's murderer, but falls in love with his widow in the process.

Overview

User Rating:
6.7/10   1,076 votes »
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Director:
Writers:
Oscar Saul (screen play) &
James Gunn (screen play) ...
(more)
Contact:
View company contact information for Affair in Trinidad on IMDbPro.
Release Date:
29 July 1952 (USA) See more »
Tagline:
Don't tell me I'm just one more ! See more »
Plot:
Nightclub singer and her brother-in-law try to find her husband's killer. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. See more »
NewsDesk:
(6 articles)
User Reviews:
Not so hot See more (31 total) »

Cast

  (in credits order) (complete, awaiting verification)

Rita Hayworth ... Chris Emery

Glenn Ford ... Steve Emery
Alexander Scourby ... Max Fabian
Valerie Bettis ... Veronica Huebling
Torin Thatcher ... Inspector Smythe
Howard Wendell ... Anderson
Karel Stepanek ... Walters

George Voskovec ... Doctor Franz Huebling
Steven Geray ... Wittol
Walter Kohler ... Peter Bronec

Juanita Moore ... Dominique
Gregg Martell ... Olaf, Fabian's Chauffeur
Mort Mills ... Martin, Wittol's Henchman
Ralph Moody ... Coroner
rest of cast listed alphabetically:
Fred Baker ... Baker - Airport Clerk (uncredited)
Don Blackman ... The Bobby (uncredited)
Robert Boon ... Pilot (uncredited)
Ivan Browning ... Fisherman (uncredited)
James Conaty ... Party Guest (uncredited)
Ross Elliott ... Corpse of Neal Emery (uncredited)
Calvin Emery ... Newspaper Reporter (uncredited)
Joel Fluellen ... Fisherman Jeffrey Mabetes (uncredited)
Roy Glenn ... Fisherman (uncredited)
Jo Ann Greer ... Chris Emery (singing voice) (uncredited)
Don Kohler ... Jimmy Peters - Reporter (uncredited)
King Charles MacNiles ... Calypso Singer (uncredited)
Harold Miller ... Cafe Table Extra (uncredited)
Kathleen O'Malley ... Stewardess (uncredited)
Leonidas Ossetynski ... Refugee (uncredited)
John Parlow ... Butler (uncredited)
Franz Roehn ... Refugee (uncredited)
John Sherman ... Englishman (uncredited)
Bert Stevens ... Party Guest (uncredited)
Albert Szabo ... Butler (uncredited)

Directed by
Vincent Sherman 
 
Writing credits
Oscar Saul (screen play) &
James Gunn (screen play)

Virginia Van Upp (story) &
Berne Giler (story) (as Bernie Giler)

Produced by
Vincent Sherman .... producer
Rita Hayworth .... producer (uncredited)
Virginia Van Upp .... associate producer (uncredited)
 
Original Music by
George Duning (uncredited)
 
Cinematography by
Joseph Walker (director of photography)
 
Film Editing by
Viola Lawrence 
 
Art Direction by
Walter Holscher 
 
Set Decoration by
William Kiernan 
 
Costume Design by
Jean Louis (gowns)
 
Makeup Department
Clay Campbell .... makeup artist
Helen Hunt .... hair stylist
Robert J. Schiffer .... makeup artist (uncredited)
 
Second Unit Director or Assistant Director
Sam Nelson .... assistant director
 
Sound Department
Lodge Cunningham .... sound engineer
 
Costume and Wardrobe Department
Joan Joseff .... costume jeweller (uncredited)
 
Music Department
George Duning .... musical director
Morris Stoloff .... musical director
Saul Chaplin .... vocal arranger (uncredited)
Arthur Morton .... orchestrator (uncredited)
 
Other crew
Valerie Bettis .... choreographer: Rita Hayworth's numbers
Jackson Leighter .... executive consultant: Beckworth Corp.
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
98 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Filming Locations:

Did You Know?

Trivia:
Rita Hayworth practiced hard to try to do her own singing, but finally musical director Morris Stoloff hired Jo Ann Greer to dub Rita's voice. Greer and Hayworth worked well together and she later dubbed Rita in Miss Sadie Thompson (1953) and Pal Joey (1957).See more »
Goofs:
Continuity: When Steve returns to his brother's house with Chris after the inquest, the black wreath that had previously been on the front door is missing as they get out of the car but reappears as they approach the door.See more »
Quotes:
Dominique:It is the prerogative of a faithful and loyal servant to be impertinent.See more »
Movie Connections:
Featured in Rita Hayworth: The Columbia Lady (2000) (V)See more »
Soundtrack:
I've Been Kissed BeforeSee more »

FAQ

How does the movie end?
Where is Trinidad?
Why did Neil write the letter to his brother?
See more »
7 out of 8 people found the following review useful.
Not so hot, 1 October 2007
Author: TrevorAclea from London, England

1952's Affair in Trinidad was an attempt by Columbia to reignite some of the heat that Rita Hayworth and Glenn Ford brought to Gilda six years earlier with director Vincent Sherman drafted in to give it some of the snappy style of his Warner Bros. pictures, but with somewhat more tepid results all round (except at the box-office, where it surprisingly proved an even bigger hit). It's the kind of film you know you haven't seen before but you could swear you had so predictably familiar is the formula – tropical location, a couple of sultry musical numbers, Alexander Scourby in the George Macready role, although in this case it might be more accurate to say the Claude Rains role, since the last half of the movie is pure Notorious as Hayworth's suddenly widowed singer tries to find out just what his millionaire purveyor of stolen information is up to with those ex-Nazi scientists who are staying in his guest house. Ford often has so little to do as her suspicious brother-in-law here that you hoped they at least paid him well for his time. Hayworth is centre stage all the way, and if the choreography of her opening number is more comical than erotic she's the main reason for watching it, although there are good supporting turns from Scourby and Torin Thatcher, a not-entirely-geographically-logical MacGuffin that predates the Cuban Missile Crisis by nearly a decade and one character gets a great last line – "If you're waiting for my last words, you've heard them." Neither particularly bad or particularly good, it fills an aimless afternoon but leaves little impression in its wake.

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