Country bumpkin Aaron Slick has been unsuccessfully courting pretty young widow Josie Berry for years. Josie yearns for a fling in the big city. With $20,000 from a crooked deal stashed in their trunk, Bill Merridew and his "kissing cousin" Gladys, stars, in a relative sense, of a touring tent show stop at Josie's farm. Merridew, actually hiding out, thinks there is oil on the farm and Aaron, knowing otherwise, tricks him into buying the farm for a large sum. Josie takes the money and runs to Chicago, with Merridew, realizing he was tricked, in hot pursuit. Aaron arrives in time to keep Josie from letting Merridew "invest" her money. Written by
Les Adams <firstname.lastname@example.org>
It's not that ALAN YOUNG and DINAH SHORE don't try to bring some life to a lifeless, uninspired script co-authored by Claude Binyon, who directed this mess. Considering what they have to work with, they sometimes rise to the occasion and produce a few chuckles. And as the villains of the piece, ROBERT MERRILL and ADELE JERGENS contribute somewhat to what few laughs there are.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
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