I've Got a Secret (1952–1967)

TV Series  -   -  Family | Game-Show
7.5
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Ratings: 7.5/10 from 211 users  
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"I've Got a Secret" debuted on the heels of the successful "What's My Line?" Though "Secret" had somewhat similar rules, there were other elements that gave the show its own distinctive ... See full summary »

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Title: I've Got a Secret (1952–1967)

I've Got a Secret (1952–1967) on IMDb 7.5/10

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Season:

7 | unknown

Year:

1967 | 1966 | 1965 | 1964 | 1963 | 1962 | 1961 | 1960 | 1959 | 1958 | See more »
Nominated for 3 Primetime Emmys. See more awards »
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Cast

Series cast summary:
Henry Morgan ...
 Himself - Panelist / ... (221 episodes, 1952-1967)
...
 Himself - Panelist / ... (204 episodes, 1952-1967)
...
 Herself - Panelist / ... (193 episodes, 1955-1967)
Bess Myerson ...
 Herself - Panelist / ... (191 episodes, 1959-1967)
Garry Moore ...
 Himself - Host / ... (114 episodes, 1952-1966)
John Cannon ...
 Himself - Announcer / ... (111 episodes, 1955-1967)
...
 Himself - Host / ... (106 episodes, 1961-1967)
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Storyline

"I've Got a Secret" debuted on the heels of the successful "What's My Line?" Though "Secret" had somewhat similar rules, there were other elements that gave the show its own distinctive flavor. As with "Line," four celebrity panelists try to guess an unknown-to-them secret, which the contestant (or sometimes group of contestants) whispered in the host's ear; the secret was always shown to the television and studio audience. Each panelist has one 30-second period to ask questions that will help them try to guess the secret; if a panelist fails to guess the secret before the buzzer sounds, the contestant(s) receive(s) $20 and the next panelist gets a turn. The process repeats until either the secret is guessed or if all four panelists are unable to guess the secret, meaning the contestant receives the maximum payout of $80 (during the early years, each panelist had two questioning periods, with $10 paid per unsuccessful try). Usually, a skit or demonstration of the secret followed each ... Written by Brian Rathjen <briguy_52732@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Family | Game-Show

Certificate:

TV-G
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Details

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Release Date:

19 June 1952 (USA)  »

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Color:

(1952-1966)| (1966-1967)
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Did You Know?

Trivia

The telecast that aired live on February 9, 1956, with Lucille Ball as a guest panelist, featured a 96-year-old contestant who was the last surviving witness to the assassination of Abraham Lincoln. Garry Moore introduced this senior citizen, Samuel Seymour, by saying he hailed from Maryland. When Seymour died two months later on the anniversary of the assassination, newspapers said he was a longtime resident of Arlington, Virginia. Whatever the truth of his residence, his secret was uncovered by Jayne Meadows. After she uncovered it, Moore explained to her, the other panelists and viewers that when John Wilkes Booth jumped down from the presidential box at Fords Theatre immediately after shooting Lincoln, five-year-old Seymour witnessed only that jump without knowing that any shots had been fired. The audience's laughter in reaction to the play muffled the sound of the gunshots for many people. The child felt sorry for the man who obviously had injured himself jumping from the presidential box to the stage. Booth indeed injured his leg and sought medical treatment before his capture. See more »

Connections

Referenced in Make Room for Daddy: Kathy and the Glamour Girl (1960) See more »

Soundtracks

Plink, Plank, Plunk (I've Got A Secret)
Written and Performed by Leroy Anderson from 1952 to 1961
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User Reviews

 
Classic Americana
8 March 2003 | by (Vashon Island, Washington, USA) – See all my reviews

This show was a family favorite when I was growing up. As much as a TV show can, it influenced my perception of the grown-up world in general and of New Yorkers in particular.

Seen today, it is like an American time capsule. Its nonstop parade of personalities of all types amounts to a wonderful snapshot of what America was like at the time. It is still greatly entertaining, but has acquired the additional virtue of being a sort of history lesson. What's My Line and To Tell the Truth provide some of that that too, but they don't compare to this crazy freeform show where anything could happen.

Its format, or lack of it, was a perfect match for Steve Allen, and the later shows where he was the host are every bit as much fun as the Garry Moore shows, in my opinion.

If you have any interest at all in what entertainment was like for previous generations, you should include this show in your travels.


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