While traveling alone in a train compartment, an elderly, wealthy, wheelchair-bound man (Cedric Hardwicke) is confronted by a younger man (David Niven), whom he had double-crossed over twenty years ...
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Francis De Sales
Powell served as host and, in early shows at least, occasional star in this dramatic anthology. It was his last television series and contained his last filmed acting (episode: 'The ... See full summary »
During the first season (September 1952 to June 1953), this program was broadcast on the CBS-TV network on Thursday evenings between 8:30 and 9:00 PM alternating with The Amos 'n Andy Show (1951). See more »
In episode 1.2, "Dante's Inferno," the character played by Regis Toomey is listed as "Lt. Wald," even though he is referred to in dialog several times as "Lt. Waldo." The role of Herb Vigran is identified there as "Monty Leeds," but in all subsequent episodes set in the titular nightclub the name is given as "Monte [no surname]." See more »
This first television series produced by the company that became Four Star Productions was a surprisingly good, well written and directed show to have been produced on the west coast in the early fifties (the "quality" shows made in those days mostly emanated from New York, while the filmed shows made in Hollywood were mostly children and family fare such as Superman and The Lone Ranger, or else situation comedies). Four Star Theater was an attempt to make a first-class anthology series in Hollywood, and as such it succeeded. There were many outstanding episodes, and some highly gifted people worked on it from time to time, from writers of the caliber of Blake Edwards to such gifted directors as Robert Florey, Robert Aldrich and Tay Garnett. The shows ranged from mysteries to dramas to comedies; one never knew quite what to expect, which was part of the show's charm. I wish that some cable network would-rerun them,--they probably won't, since they're all filmed in black and white--or that they'll be reissued on tape or DVD. It's a show well worth looking for.
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