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The Whistle at Eaton Falls (1951)

Brad Adams is the new manager of a manufacturing plant in a small New Hampshire town. He is brought in by owner Mrs. Doubleday to calm labor relations plus layoff employees. Brad manages to also find romance.

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Cast

Cast overview, first billed only:
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Carleton Carpenter ...
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Lenore Lonergan ...
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Helen Shields ...
Doro Merande ...
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Parker Fennelly ...
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Storyline

Brad Adams is the new manager of a manufacturing plant in a small New Hampshire town. He is brought in by owner Mrs. Doubleday to calm labor relations plus layoff employees. Brad manages to also find romance.

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The picture that tells the truth about it! See more »

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Drama

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Release Date:

2 August 1951 (USA)  »

Also Known As:

O Direito de Viver  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Producer Louis De Rochemont cast Carleton Carpenter in a supporting role, having given the young actor his original movie debut in Lost Boundaries (1949). As in the previous film, de Rochemont also utilized Carpenter's songwriting talents. Carpenter wrote "Ev'ry Other Day" for the film which both he and Anne Francis sing. The theme of the song can be heard throughout the picture's score. See more »

Quotes

Eddie Talbot: [Eddie is frustrated manipulating Jean, who is posing for a sketch of his] Jean, couldn't you look more tropical? You know, gentle waves lapping at the rocks. You're in Bermuda!
Jean: Bermuda, my foot. I'm in Eaton Falls and there's a draft in here. Now, can't you hurry?
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Soundtracks

Ev'ry Other Day
Words and music by Carleton Carpenter
Sung by Anne Francis and Carleton Carpenter
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User Reviews

 
Possibly a minor classic of its time
1 August 2006 | by (Melbourne, Australia) – See all my reviews

I first saw this when it was screened as a supporting feature in Australia in 1951/52 and hasn't been seen here since. A pity, because it was rather more cerebral and realistic than almost anything else seen in that era. I was only 14 when I saw it so I can't remember much about the plot but its realism came through (I was a pretty savvy kid movie-wise, I must admit). I could only remember Lloyd Bridges until I looked it up just now and was surprised to see who else was in it: Anne Francis, Ernest Borgnine, Carleton Carpenter, Murray Hamilton etc, before they became known. I'm also a little surprised director Robert Siodmak didn't run into strife with the McCarthy hearings in those years as it seemed to me the movie could be seen as a tad leftish, but I may be wrong as I was too young to understand that at the time, and this was not an issue in Australia then. Anyway, the semi-documentary treatment and the (apparent} filming on location added to the straightforward treatment. Columbia made some interesting movies around that time, some that I would suggest are a high-water mark in American movie-making and should be seen more often. If it's as good as I remember it, it should be seen as a minor classic.


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