2 items from 2014
"Nobody's really captured the quality of a film festival," observed musician/composer Neil Brand, "You're doing something that's pleasurable, but then the fatigue sets in..." It's true—a celluloid feast like Il Cinema Ritrovato in Bologna is a particular case, too, since so many of the films are rarities. It's like being a cake specialist and suddenly somebody offers you fifty magnificent cakes of unique recipe but says "You have to eat them all in an hour or I'll take them away and you'll never see them again." You plunge in, and even when nausea starts to replace pleasure you can't bring yourself to stop...
Cinephiles like to grumble, and the venues of Bologna attract a certain amount of criticism (one has a bar which runs between the front row and the screen, cutting the subtitles in half; air conditioning is switched on and off at random; and then there's »
- David Cairns
Diana Drumm is reporting from Cannes for the The Film Experience.
Based on the award-winning novel (that Paul Newman was attached to for years) by Glendon Swarthout (“The Shootist”), The Homesman is a bizarre, unwieldy Western about 31 year-old spinster Mary Bee Cuddy (Hilary Swank) and questionable character Briggs (Tommy Lee Jones) who are driving three insane women (Grace Gummer, Miranda Otto, Sonja Richter) back East for treatment, or at least respite from their literally-maddening frontier lives.
Or for a convoluted, reference-laden way to generalize it all, think of The Homesman as an inverse of the Robert Taylor-starring not-quite-classic Westward The Women (1951) meets the Glenn Close-starring made-for-tv movie Sarah, Plain and Tall (1991) with the madness and mismatches of Quills (2000, Briggs being the less couth, toned down subversive Marquis) divided by the stunning Western cinematography of Brokeback Mountain (2005, via Oscar nominee Rodrigo Prieto). Apologies, my brain is flooded with movies. »
- Diana D Drumm
2 items from 2014
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