Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo, and tired of killing-Charley on the other hand ... See full summary »
A family saga: In a stunning mountain valley ranch setting near Aspen, complex and dangerous family dynamics play out against the backdrop of the first big snowstorm of winter and an ... See full summary »
In a time when "The West" pretty much ends in Texas and only California is slowly being populated by the white men, there's a severe lack of women among the workers on Roy Whitman's farm in the California Valley. So he goes back east to Chicago to recruit 150 women willing to become wives for his employees. From the candidates he selects 138 who seem able to survive a months long journey across "The Great American Desert" and the Rocky Mountains. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
During a shooting lesson one of the men tells one of the women to "aim low that will make up for the recoil". When shooting a gun the bullet has long left the barrel, before the barrel begins to move in recoil. Aim low and you'll miss low. See more »
[to the awaiting bridegrooms]
You can look us over, but don't think you're going to do the choosing! All the way from Independence, I've been staring at two things: one was this picture and the other was the rump of a mule... and don't ask me which was prettier!
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The MGM lion, instead of roaring, is frozen in place. See more »
John McIntire approaches wagonmaster Robert Taylor with an interesting job and challenge. He wants to bring brides west to the settlement he's founded in the southwest United States. Taylor hires on a bunch of hands to escort the women and issues a no fraternization policy. When one of them tries to rape one of them, he shoots him out of hand. It's the unsettled frontier and as wagonmaster he's the law on that train as much as a captain on a ship at sea. Of course the hands mutiny and strand Taylor, McIntire, cook Henry Nakamura and the women.
This was a perfect western film for the post Rosie the Riveter generation. No reason at all why women couldn't deal with the rigors of a wagon train. Of course it helped to have the formidable Hope Emerson along.
Of course men and women will be men and women and Taylor breaks his own no fraternization policy with Denise Darcel. Of course this is away from the train when Darcel runs off.
William Wellman delivers us a no frills unsentimental western with gritty performances by Robert Taylor and the rest of the cast. In a bow to his colleague John Ford, Wellman does have a courtship dance at the settlement. I liked the use of the fiddle music playing Believe Me With All Those Endearing Young Charms and Drink to Me Only With Thine Eyes. Ford couldn't have staged it better.
Henry Nakamura had made a big hit in MGM's Go For Broke about the Nisei division in Italy. He was a funny little guy, I'm not sure he was even five feet tall. I loved the scene when he and Taylor find a stash of buried liquor and proceed on a toot. This was his last film though, roles for oriental players were hard to come by. I wonder whatever happened to him.
If you like traditional cowboy films, this one ain't for you, but given the constraints of 19th century society for the role of woman Westward the Women is quite a revelation.
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