| Gwendolyn Laster | ... | Carolyn Crawford | |
| Richard Rober | ... | Sheriff Ben Kellogg | |
| Maidie Norman | ... | Martha Crawford | |
| George Hamilton | ... | Grandpa Peabody | |
| Ernest Anderson | ... | Ralph Crawford | |
| Dick Simmons | ... | Deputy Mickey McClure | |
| Lane Chandler | ... | Deputy Stan | |
| Pat Mitchell | ... | Peter | |
| Margaret Wells | ... | School Teacher, Miss Peterson | |
| Wheaton Chambers | ... | Mr. Woody, Florist | |
| Michael Ross | ... | Deputy Frank | |
| Russell Trent | ... | Deputy Chet | |
| Allen Mathews | ... | Deputy Hal | |
| John Philips | ... | Deputy Fred | |
| Walter Morrison | ... | Art | |
| Christine Larsen | ... | Casey (as Christine Larson) | |
| Jess Kirkpatrick | ... | Quigley | |
| Roy Engel | ... | Gleason | |
| Alfred Grant | ... | Gaines | |
| Edwin Max | ... | Bert, Milkman (as Ed Max) | |
| Guy Beach | ... | Baggage Man | |
| Robert Osterloh | ... | Alex Wylie | |
| Harry Morgan | ... | Claude Packard (as Henry Morgan) | |
| Barry Kelley | ... | Sam Packard (as Barry Kelly) | |
| Walter Kelly | ... | Chip Williams | |
| Mary Ellen Kay | ... | Lois | |
| Beverly Jons | ... | Sally | |
| Elzie Emanuel | ... | Student | |
| Tom Powers | ... | Jim, Mayor | |
| Bill Walker | ... | Dr. Billings | |
| Douglas Evans | ... | Lobel | |
| Sherry Hall | ... | Manners | |
| rest of cast listed alphabetically: | |||
| Rodney Bell | ... | Lunch Counter Customer (uncredited) | |
| Robert Bice | ... | Manager of Packard Construction Company (uncredited) | |
| George Magrill | ... | Construction Worker (uncredited) | |
| Renny McEvoy | ... | Driver / Witness (uncredited) | |
| Frank Mills | ... | Lunch Counter Customer (uncredited) | |
| Charles Joseph Patterson | ... | Townsman (uncredited) | |
| Anna Prowse | ... | Dr. Billings nurse (uncredited) | |
| Frank J. Scannell | ... | Lunch Counter Customer (uncredited) | |
| Emil Sitka | ... | Lunch Counter Customer (uncredited) | |
Directed by | |||
| Leo C. Popkin | (as Leo Popkin) | ||
| Russell Rouse | |||
Writing credits | ||
| Russell Rouse | and | |
| Clarence Greene | ||
Produced by | |||
| Clarence Greene | .... | producer | |
| Harry M. Popkin | .... | executive producer | |
| Leo C. Popkin | .... | producer (as Leo Popkin) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Ernest Laszlo | |||
Film Editing by | |||
| Chester W. Schaeffer | (as Chester Schaeffer) | ||
Art Direction by | |||
| Rudolph Sternad | |||
Set Decoration by | |||
| Murray Waite | |||
Makeup Department | |||
| Gustaf Norin | .... | makeup artist (as Gus Norin) | |
Production Management | |||
| Joseph H. Nadel | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Leon Chooluck | .... | assistant director | |
| Ralph Slosser | .... | assistant director | |
Sound Department | |||
| Mac Dalgleish | .... | sound | |
| Fred Maguire | .... | sound effects | |
| Ben Winkler | .... | sound | |
Costume and Wardrobe Department | |||
| Maria P. Donovan | .... | wardrobe: women (as Maria Donovan) | |
| Jack Masters | .... | wardrobe: men | |
Music Department | |||
| George C. Emick | .... | music editor | |
| Dimitri Tiomkin | .... | musical director | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
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| The Day of the Locust | A Time to Kill | Scarface | Five Minutes to Live | Fury |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
As a boy growing up in the 1950's South being surrounded by racial and religious prejudices (My father made Archie Bunker seem like a bleeding-heart liberal.) I remember being impressed and educated by seeing two great little films. The Well was one and Storm Warning was the other. Both were made in 1951. I guess you could say that Storm Warning was an A-movie as it featured Ginger Rogers, Ronald Reagan, and Doris Day as the stars.
The Well was definitely a B-movie, but its subject matter gave it a step-up on most of the B-movies of the time. Keep in mind that this was a period in time in which people went to double features and the local movie house and drive-ins as television was just an infant and not available except to a few. B-movies were generally low-budget films cranked out for more or less mindless entertainment.
The plot is pretty standard. A little Black girl is on her way to school and wanders into a field to pick some flowers where she falls into an abandoned well. The search for the little girl is begun. A man in town to visit his uncle - a rich and powerful businessman - who was seen talking to the girl comes under suspicion. As he is "grilled" by the police, the uncle storms into the station and demands his release to no avail. As the uncle is leaving the station, he is questioned by the little girl's father who has heard of the nephew. There is a scuffle, and the uncle falls and is injured. As news of the incident is spread and embellished with false rumors, all hell breaks loose. Just as the town is on the verge of an all-out racial riot, a boy rushes in to announce that he has discovered the little girl's things next to the well. From that point on, all the town's energies are concentrated upon saving the little girl. The uncle provides heavy equipment from his business, and the nephew - who just happens to be a mining expert - is convinced to save the day.
All of this is carried out in over-the-top B-movie melodramatic fashion supported by just about every '50's cliché character including the strong lawman leader; his sensible love interest; the businessman who runs the town; the pleading, helpless mother; the racially biased beat cop; and young people of both races who run rampant destroying property and beating on each other.
So why the eight stars? The time. The content. The message. Since the beginning of film, movie makers have strived to bring education to their audiences through entertainment. This film surely deserves recognition for demonstrating the evils of racial prejudice and rumor in an effective and entertaining fashion.