Diederich Heßling is scared of everything and everyone. But as he grows up, he comes to realize that he has to offer his services to the powers-that-be if he wants to wield power himself. ... See full summary »
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A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Otto, a young man from East-Frisia comes to the big city (Hamburg) to make his fortune. Most of all he is engaged with two problems: How can he impress Silvia, a rich young girl, and where ... See full summary »
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Jewish Kurt Landauer considers leaving Germany on the eve of WW II, but when he sees his big love, the football club Bayern Munich, lying in ruins, he decides to take the risc, stay and rebuild the club.
Diederich Heßling is scared of everything and everyone. But as he grows up, he comes to realize that he has to offer his services to the powers-that-be if he wants to wield power himself. His life motto now runs: bow to those at the top and tread on those below. In this way, he always succeeds: as a student in a duel-fighting student fraternity and as a businessman in a paper factory. He cajoles the obese district administrative president Von Wulkow and wins his favor. He slanders his financial rivals and hatches a plot with the social democrats in the town council. On his honeymoon with his rich wife Guste, he finally finds a chance to do his beloved Kaiser a favor. And when a memorial to the Kaiser is unveiled in the town where Diederich lives and works, he delivers the address. He stands behind the lectern in the pouring rain, saluting his Kaiser. The crowd is dispersed. Everything is laid in ruins... Written by
Sharply satirical, hilariously funny, intelligent, but also in terms terribly dated comedy about the stupidity, lack of heroism and relentless worship of the German emperor united in the title character, a lazy student. Superb cast delivers right-on-target-performances and the direction is to a point flawless. One of the most influential all-time-classics of German cinema.
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