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The Unknown Man (1951) More at IMDbPro »


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Overview

User Rating:
6.6/10   104 votes
MOVIEmeter: ?
Up 8% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ronald Millar (story) and
George Froeschel (story)
Contact:
View company contact information for The Unknown Man on IMDbPro.
Release Date:
16 November 1951 (USA) more
Plot:
Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder... more | add synopsis
Plot Keywords:
User Comments:
Set up for failure more (7 total)

Cast

  (Complete credited cast)
Walter Pidgeon ... Dwight Bradley 'Brad' Masen
Ann Harding ... Stella Masen
Barry Sullivan ... District Attorney Joe Bucknor
Keefe Brasselle ... Rudi Wallchek
Lewis Stone ... Judge James V. Hulbrook
Eduard Franz ... Andrew Jason 'Andy' Layford

Richard Anderson ... Bob Masen
Dawn Addams ... Ellie Fansworth
Philip Ober ... Wayne Kellwin
Konstantin Shayne ... Peter Hulderman
Mari Blanchard ... Sally Tever
Don Beddoe ... Ed--Fingerprint Man
John Maxwell ... Dr. Palmer
Robert Williams ... Sam--Deputy
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Additional Details

Also Known As:
Behind the Law (USA) (pre-release title)
The Bradley Mason Story (USA) (original script title)
The Thin Knife (USA) (working title)
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Runtime:
86 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:

FAQ

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3 out of 7 people found the following comment useful.
Set up for failure, 28 September 2003
5/10
Author: John Seal from Oakland CA

Hopelessly hamstrung by the requirements of the Production Code, The Unknown Man is a rather nasty piece of filmmaking, when you come down to it. Walter Pidgeon is fine as the defense lawyer who mistakenly frees a young killer, played with fresh faced ineptitude by Keefe Braselle, but the machinations set into motion by Pidgeon's fatal encounter with the slimy Crime Commission bigwig, played brilliantly by Eduard Franz, are hopelessly unrealistic. That leads some to conclude this is an entry in the noir cycle, but it plays more like a police procedural, with police captain Barry Sullivan successfully sniffing out the truth. Besides Franz and Pidgeon, the acting highlights are provided by Konstantin Shayne as an elderly shopkeeper victimized by shakedown men. Ultimately, though, The Unknown Man is a lesson in Old Testament justice, with murderers and their victims filling in as Sunday School sermon illustrations. If you can get over the moralizing, however, this is a decent minor picture.

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