A lawyer for a rich elderly industrialist works out a complex inheritance scam to pass off a con as the industrialist's long-lost son and claim the huge inheritance.

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Cast

Cast overview:
...
Michael "Lefty" Farrell
...
Brandy Kirby
...
Kathy McIntyre
...
Vincent Mailer
Griff Barnett ...
William McIntyre
Robert Anderson ...
Todd
Virginia Brissac ...
Maida McIntyre
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Storyline

Brandy Kirby and crooked Lawyer Vincent Mailer plan to rob William and Maida McIntyre by producing a convincing double for their long-lost son. Brandy charms gambler Lefty Farrell into impersonating the missing son. Kathy, the McIntyre's niece, who likes Lefty, introduces him to the McIntyres who soon become convinced he is their son, but the old man refuses to change his will. Lefty balks at killing McIntyre and exposes Mailer's attempted swindle. Brandy and Lefty end up together as "two of a kind." Written by Les Adams <longhorn1939@suddenlink.net>

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They tried to draw the line .............. just this side of MURDER ! See more »


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Not Rated | See all certifications »
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Release Date:

July 1951 (USA)  »

Also Known As:

Lefty Farrell  »

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(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Look me up Snow White, don't forget to look me up.
13 February 2013 | by (United Kingdom) – See all my reviews

Two of a Kind is directed by Henry Levin and written by James Edward Grant, James Gunn and Lawrence Kimble. It stars Edmond O'Brien, Lizabeth Scott, Terry Moore, Alexander Knox, Griff Barnett, Robert Anderson and Virginia Brissac. Music is by George Duning and cinematography by Burnett Guffey.

Plot has O'Brien, Scott and Knox try to con a rich old couple that their son, who disappeared when he was three, has resurfaced in the older body of O'Brien. Thus they hope to get the $10 million inheritance due to the heir upon the death of the parents…

It all starts so very well, Scott's sultry blonde hunts out O'Brien's shady player to do a major con and he falls for her feminine whiles hook line and sinker, even agreeing to have his little finger mangled in a car door for the con cause. Sadly this is where the picture falls apart and unfurls in a lightweight manner.

Interesting possibilities are ignored, such as Moore's sprightly niece character who likes to straighten out bad men (it ends up playing as something that should be in a Cary Grant screwball) and a murderous plot that threatens to make the ending more lively (by this time the O'Brien/Scott pairing has become sickly nice), to leave us with what turns out to be a quite repugnant ending.

Guffey's black and white photography is crisp but just like the film itself, it really isn't noir at all. Levin and the cast try hard, but saddled with an unadventurous screenplay it rounds out as a minor B movie of little substance. 5/10


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