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Two of a Kind (1951)

Not Rated | | Crime, Drama, Film-Noir | July 1951 (USA)
A lawyer for a rich elderly industrialist works out a complex inheritance scam to pass off a con as the industrialist's long-lost son and claim the huge inheritance.

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(screen play), (screen play) | 1 more credit »
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Cast

Cast overview:
...
Michael "Lefty" Farrell
...
Brandy Kirby
...
Kathy McIntyre
...
Vincent Mailer
Griff Barnett ...
William McIntyre
Robert Anderson ...
Todd
Virginia Brissac ...
Maida McIntyre
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Storyline

Brandy Kirby and crooked Lawyer Vincent Mailer plan to rob William and Maida McIntyre by producing a convincing double for their long-lost son. Brandy charms gambler Lefty Farrell into impersonating the missing son. Kathy, the McIntyre's niece, who likes Lefty, introduces him to the McIntyres who soon become convinced he is their son, but the old man refuses to change his will. Lefty balks at killing McIntyre and exposes Mailer's attempted swindle. Brandy and Lefty end up together as "two of a kind." Written by Les Adams <longhorn1939@suddenlink.net>

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They tried to draw the line .............. just this side of MURDER ! See more »


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

July 1951 (USA)  »

Also Known As:

Lefty Farrell  »

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Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Two of a Kind (1951)
12 January 2012 | by (Portland OR) – See all my reviews

Lightweight noir about a con where Edmond O'Brien pretends to be the long-lost son of a millionaire. The movie is fun but never goes to the dark places it seems to hint at. Lizabeth Scott is set up to be a great femme fatale (the scene where she ropes O'Brien into the scheme and gets him to make a brutal sacrifice is the highlight of the film) but her character fizzles out. Fans of con artist flicks will be disappointed as the plan doesn't have the intricate details that make them enjoyable. Although it's an enjoyable film (O'Brien especially), it all wraps up far too neatly and without much sizzle. I did enjoy the sleazy subtext of Terry Moore as the "good girl" who gets turned on by bad guys. When she meets O'Brien, you can read "rape fantasy" all over her face.


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