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This RKO musical lacks the budget and star names of its rival studio MGM, but does manage to inject a welcome dose of humour to make up for its other shortcomings.Beautiful women are thrown at the screen, perhaps in an attempt to divert attention away from the paper-thin plot, and some lacklustre tunes – and a youthful Janet Leigh looks absolutely gorgeous. Unfortunately, Tony Martin, her leading man, lacks the screen presence to make much of an impact: he has the kind of face that is more suited to noir-type gangster characters than a romantic crooner, and suffers from a distinct lack of expression. That said, he has a wonderful singing voice. Best scenes are shared by Joe Smith and Charles Dale (in roles originally intended for Stan Laurel and Oliver Hardy) as a pair of bickering delicatessen owners. Eddie Bracken, as the supposed comedy relief, succeeds only fitfully, and his character is far too annoying.One highlight of the movie is the performance by a trapeze act called the Charvelles, whose sequence is both funny and impressive – in addition, an unexpected (and effective) slow-motion sequence shows the gracefulness of their stunts to great effect.
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