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Thunder on the Hill (1951)

 |  Drama  |  September 1951 (USA)
7.0
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Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »

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Title: Thunder on the Hill (1951)

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Cast

Complete credited cast:
...
Sister Mary Bonaventure
...
Valerie Carns
Robert Douglas ...
Dr. Edward Jeffreys
Anne Crawford ...
Isabel Jeffreys
Philip Friend ...
Sidney Kingham
...
Mother Superior
...
Willie
...
Abel Harmer
Connie Gilchrist ...
Sister Josephine
Gavin Muir ...
Melling
Phyllis Stanley ...
Nurse Phillips
...
Pierce
Valerie Cardew ...
Nurse Colby
Queenie Leonard ...
Mrs. Smithson
Patrick O'Moore ...
Mr. Smithson
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Storyline

Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette Colbert) becomes convinced of her innocence and sets out to find the real killer. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Taglines:

Six desperate people...hiding one guilty secret!

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

September 1951 (USA)  »

Also Known As:

Schwester Maria Bonaventura  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on November 9, 1953 with Claudette Colbert reprising her film role. See more »

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User Reviews

No Vertigo

Based on a undistinguished play, in lesser hands this would have been totally forgettable. Director Douglas Sirk endows it all with a sense of style but still does not manage to salvage the pedestrian stagy dialog.

Claudette Colbert is as always, winning in her role as the nun with a feisty spirit she finds difficult to hold in check and Gladys Cooper lends her renowned haughtiness. While there are some well played smaller parts there's much wooden acting too which bogs the film down measurably.

One can't help wondering if Hitchcock ever saw this, as the climax in the bell tower is a forerunner of the famous scene from "Vertigo", but there the similarity ends.

Since Sirk went on to become an important director, this film is of certain interest, but not one to make any particular effort to hunt down.


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