Director John Ford's documentary about the beginnings of the Korean War, after North Korenn troops invaded South Korea and battled U.S., South Korean and United Nations forces. Notable in ... See full summary »

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(as Rear Admiral John Ford USNVR Ret.)
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Cast

Credited cast:
Edward A. Craig ...
Himself (as Eddie Craig)
...
Narrator
Turner Joy ...
Himself (with shorthand typist)
...
Himself (arrives by car)
...
Narrator
Lewis B. Puller ...
Himself (calls for artillery) (as Chesty Puller)
Arthur W. Radford ...
Himself (at his desk)
O.P. Smith ...
Himself (decorates soldier)
Arthur Struble ...
Himself (with binoculars)
Edit

Storyline

Director John Ford's documentary about the beginnings of the Korean War, after North Korenn troops invaded South Korea and battled U.S., South Korean and United Nations forces. Notable in that, unlike many documentaries of the time, it's in color, and no stock footage is used. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Documentary | War

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Details

Country:

Language:

Release Date:

10 August 1951 (USA)  »

Also Known As:

Dette er Korea  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Trucolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Available as an extra on the VCI Entertainment 2008 DVD edition of Surrender - Hell! (1959). See more »

Connections

Featured in The Fifties (1997) See more »

Soundtracks

For Those in Peril on the Sea
(uncredited)
Music by Rev. William Whiting
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User Reviews

 
Very interesting
1 September 2002 | by (Saint Paul, MN) – See all my reviews

Like most Americans, I don't really know anything about the Korean War. I was really surprised, actually, to learn that it began so soon after WWII. I would have guessed it began a decade after that. This documentary doesn't have much substance actually. More or less, we watch almost 50 minutes of constant gunfire, bombing, and soldiering. It can be rough going. However, the footage (it was the only color documentary made in Korea) is absolutely amazing, and the film itself is constructed skillfully. The narration is surprisingly somber. It's almost as if John Ford had wanted to make propaganda, but couldn't quite do it. There is no clear reason why we were there. The official explanation seems simple enough: the containment of communism. Communism is referred to as "the giant red hand, squeezing the people of Korea" or "the red scourge." We are there, it is said, to help the people, who are starving under communist rule. But that doesn't seem to be enough for the film, and it never answers the questions that it asks. 8/10.


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