7 items from 2016
Studios are scrambling for new ways to describe their regurgitated fare, but will painting the old wagon with fresh paint stop the wheels falling off?
Some of the greatest Hollywood movies of the modern era are remakes. Martin Scorsese’s grubby Boston gangland thriller The Departed riffs shamelessly on the Hong Kong crime epic Infernal Affairs, while David Cronenberg’s 1986 body horror classic The Fly is an update on the 1958 Kurt Neumann chiller. The Coen brothers’ 2010 remake of True Grit is generally considered to be superior to the hokey 1969 version starring a past-his-best John Wayne, while the 1982 version of the Antarctic science fiction horror The Thing is a better movie than the 1951 film The Thing from Another World from which it drew inspiration.
And yet the very term, along with its younger sibling the “reboot”, seems to have become a dirty word in Hollywood in 2016. If Star Wars: The Force Awakens »
- Ben Child
Stranger Things were happening this past weekend for those who sampled and wound up bingeing all eight episodes of Netflix’s new drama series.
(Basic plotline/mild spoilers follow, until I announce otherwise. And I will announce otherwise.)
Created by brothers Matt and Ross Duffer (who cowrote a few episodes of Wayward Pines) and set in a small Indiana town circa 1983, Stranger Things revolves around the vanishing of a young boy, Will Byers , which comes on the heels of something escaping from a local, “secret” government lab lorded over by Dr. »
Though widely considered a classic of sci-fi/horror, “The Thing” was hardly greeted as such when it first came out in 1982. John Carpenter’s best film — which is saying a lot, considering he’s also directed “Halloween,” “Assault on Precinct 13” and “They Live” — made just under $20 million domestically against its $15 million budget, a disappointing result that couldn’t have been helped by “E.T.” hitting theaters two weeks earlier. In a new making-of documentary, Carpenter and his collaborators both in front of and behind the camera take a deep dive into the cult classic.
Carpenter speaks about his first exposure to Howard Hawks’ “The Thing from Another World,” which came out when was a small child, while star Kurt Russell (who went on to collaborate with the writer/director several more times) fondly recalls scenes in which »
- Michael Nordine
By Todd Garbarini
The Ahrya Fine Arts Theater in Los Angeles will be presenting a fun-filled weekend of six science fiction classics from Friday, April 15th to Sunday, April 17th. Several cast members from the films are scheduled to appear in person at respective screenings, so read on for more information:
From the press release:
Anniversary Classics Sci-Fi Weekend
Part of our Anniversary Classics series. For details, visit: www.laemmle.com/ac.
Re-visit the Golden Age of the Science Fiction Film as Laemmle Theatres and the Anniversary Classics Series presents Sci-fi Weekend, a festival of six classic films April 15-17 at the Ahrya Fine Arts Theatre in Beverly Hills.
It was dawn of the Atomic Age and the Cold War, as Communist and nuclear war paranoia swept onto the nation’s movie screens to both terrify and entertain the American public. All the favorite icons are here: Robby the Robot from Forbidden Planet, »
- email@example.com (Cinema Retro)
Before we dive in to this week’s revoltin’ reviews, I’d like to call attention to a fright flick exploding (quite literally) onto yer TV screens from those diabolical dudes atNecrostorm titled The Mildew From Planet Xonader! Now I worked on this flick, and I am damn proud of the outcome, so I really want to give ya taste of what the whole shebang is all about!
Some of you more astute creeps may remember I’ve talked about this film here before, but now I’ve had the chance to lay my putrid peepers on it, and I can assure you it’s an ultra-gory good time (and not just because my alter-ego provides some vicious voices for the goings-on).
The story goes a lil’ somethin’ like this: deep within the bowels of a top-secret research facility, scientists have been conducting experiments with a rapid-spread mildew capable of »
Some movies aspire to strangeness. Other movies have strangeness thrust upon them.
Saturn 3, released in 1980, was an intensely strange film. But unlike, say, Altered States (also released in 1980) it wasn’t made by a filmmaker with a taste for the oblique or the outre. Unlike Luigi Cozzi’s Contamination (1980 again), Saturn 3 wasn’t a low-budget shocker made in a hurry, but a relatively expensive exercise created by some of the most seasoned filmmakers in the business at that time. (For frame of reference, Saturn 3's budget was broadly the same as Alien’s, released less than one year earlier.)
On the surface, Saturn 3 sounds like a perfectly reasonable recipe for an intense sci-fi horror flick. It’s about a pair »
It's one of the great suspense scenes in 50s genre cinema: a woman swims in the clear cool water of an Amazonian lagoon, blissfully unaware of the grotesque creature emerging from the depths beneath her. The score builds to a crescendo as the monster closes in, reaching out with a clawed, webbed hand...
Director Jack Arnold directed some of the best American sci-fi movies of the post-wwii era, and Creature From The Black Lagoon is perhaps his most famous. About a team of scientists investigating the fossilised remains of a strange man-fish hybrid - and discovering the thing still very much alive in the depths of the Amazon - the movie was a sizeable hit for Universal when it came out in early 1954.
The cultural impact »
7 items from 2016
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