It's the first week of winter in 1982. An American Research Base is greeted by an alien force, that can assimilate anything it touches. It's up to the members to stay alive, and be sure of who is human, and who has become one of the Things.
Scientists at an Arctic research station discover a spacecraft buried in the ice. Upon closer examination, they discover the frozen pilot. All hell breaks loose when they take him back to their station and he is accidentally thawed out! Written by
KC Hunt <email@example.com>
The film takes place from November 2 to November 3, 1950. See more »
To force the "Thing" up on the wooden walkway, a tool is slid at him. He jumps. The tool is seen in different resting positions in the following shots. See more »
Dr. Arthur Carrington:
[Addressing Captain Hendry, arguing against the plan to destroy the alien creature]
You're doing more than breaking Army orders, you're robbing science of the greatest secret that's ever come to it. Knowledge is more important than life, captain. We've only one excuse for existence: to think, to find out, to learn! It doesn't matter what happens to us. Nothing matters except our thinking. We've fought our way into Nature, we've split the atom... We owe it to the brain of our species to stay here...
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Only technical and production credits precede the film, no acting credits. See more »
Will Mankind Prevail? Or will we all become produce?
This fast paced thriller set in an Arctic research outpost has the familiar elements for the 1950's sci-fi movie: a hideous monster unleashed upon mankind, the U.S. military trying to cope with it, and the ever present scientist who wants a chance to glean the "wonders of the Universe" from said creature, all at the same time.
Howard Hawks' adaptation of John Campbell Jr.'s short story, "Wh o Goes There?" may not be completely faithful, but nonetheless, the suspenseful plot about an Arctic research team's discovery of a recently landed spaceship embedded in the ice, and more importantly, it's lone occupant is still gripping today.
When this frozen alien carcass is accidentally thawed out back inside the research station, all hell breaks loose. As soon as the Air Force contingent(led by Kenneth Tobey) realizes that their visitor from space is bent on "feeding" on the human residents there, a "cat and mouse" situation is set up.The Thing is first repelled out into the Arctic blizzard, giving the lead scientist (Robert Cornthwaite) enough time to theorize that it's a highly evolved vegetable from outer space, and therefore, MUST be advanced enough to impart the answers to all man's questions if given a chance to communicate.
Therein lies a major conflict between the Air Force personnel and this scientist... the military sees The Thing as a threat, and the scientist sees The Thing as a fountain of knowledge in disguise. Some disguise! James Arness plays the E.T. visitor which appears at key moments through the film as a menacing humanoid with unusual claw-like hands, and though it is inferred that it is vegetable rather than animal, you're left to your imagination as to what exactly the creature is composed of. The brief encounters with the Thing as it returns from the unseen depths of the storm to feed on human blood is heralded with the ominous ticking of the crew's Geiger counter. Tension mounts as it draws nearer and nearer to the vulnerable wooden buildings of the outpost.
Once it has been revealed that Science wants to "protect" the Thing (as the Dr. Carrington has planted seedlings from the Thing's tissue remains into their greenhouse lab for an eerie result of reproduction), the military binds together with a plot to destroy It.
Although lacking in modern sophistication and effects, this film allows the viewer to be marooned with the hapless research and Air Force crew to face an Unknown, a common enemy... a theme so highly epitomized by the McCarthy era of anti-Communism that engulfed the nation at that time. I say this will always be a classic unto itself, and though not in any way comparable to John Carpenter's 1982 re-make in terms of gore, horror and psychological perspective, it still carries its own due to the snappy script and sense of foreboding.
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