A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
A cattle baron takes in an orphaned boy and raises him, causing his own son to resent the boy. As they get older the resentment festers into hatred, and eventually the real son frames his ... See full summary »
A swim teacher and a wealthy businessman are married after a brief courtship. A charming war hero falls in love with this newly-married woman, after her husband abandons her on their honeymoon for the sake of a business meeting.
A former reporter comes back home after serving in the army during World War I and finds that it's much more difficult to find work than he expected. Desperate, one day he crashes a wedding... See full summary »
On a small Mediterranean island live Costanza, her father Urbano, and beachcomber Moore, whom she plans to marry. Into this Eden come two plane crash survivors, supermodel Laura and her ... See full summary »
Expected to follow his opera star father into the business, but discontent with his life; a young man pursues a career in popular music and romances the aquatic-ballet dancer he met during his time in the service.
An guy and a girl who are working in a carnival's dunk tank. When inebriated Texan comes to the booth he and the guy starts drinking. Eventually the Texan invites him to a function. When they get there he's mistaken for the Texan and she for the man's sister. Eventually he lost a wager and doesn't know how he's going to pay it. And the girl finds herself attracted to the Texan's foreman. Written by
At the time "Texas Carnival" was filmed, Red Norvo's trio included an African-American musician, bassist Charles Mingus, and when they recorded their number for this film (backing Ann Miller on "It's Dynamite") Mingus played on the soundtrack. But when the number was filmed MGM executives insisted that a white bassist substitute for Mingus on screen. See more »
During the chuck wagon race the Texas flag on the announcers stand is upside down. See more »
This tired MGM musical would have been better if more productions values were lavished on this. Most musicals don't make much sense, and this one even more so. Mistaken identities could be funny, but this one isn't. This is really a vehicle for Red Skelton and he does his usual shtick...but sometimes too much of it. Easther has less to do as does Howard Keel. Ann Miller does well with her brief role. In fact the movie itself is brief. Barely and hour and 20 mins. Much seems to have been either left out or not filmed. The ending seems very rushed and a bit confusing. One thing doesn't make sense is when Esther asks Red for the keys to the car. He said it was damaged as he smashed it into a tree. Yet just two minutes earlier Esther sees drive up in same car!!!! Where was the damage? Just a few things that just don't make sense in this lackluster musical.
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