A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
A swim teacher and a wealthy businessman are married after a brief courtship. A charming war hero falls in love with this newly-married woman, after her husband abandons her on their honeymoon for the sake of a business meeting.
A former reporter comes back home after serving in the army during World War I and finds that it's much more difficult to find work than he expected. Desperate, one day he crashes a wedding... See full summary »
Expected to follow his opera star father into the business, but discontent with his life; a young man pursues a career in popular music and romances the aquatic-ballet dancer he met during his time in the service.
The temperamental Carol Maldon leaves New York behind to take control of her father's stable, she inherited. Rick Grayton is a horse racing trainer who lucked into training a champ, the ... See full summary »
An guy and a girl who are working in a carnival's dunk tank. When inebriated Texan comes to the booth he and the guy starts drinking. Eventually the Texan invites him to a function. When they get there he's mistaken for the Texan and she for the man's sister. Eventually he lost a wager and doesn't know how he's going to pay it. And the girl finds herself attracted to the Texan's foreman. Written by
At the time "Texas Carnival" was filmed, Red Norvo's trio included an African-American musician, bassist Charles Mingus, and when they recorded their number for this film (backing Ann Miller on "It's Dynamite") Mingus played on the soundtrack. But when the number was filmed MGM executives insisted that a white bassist substitute for Mingus on screen. See more »
When Cornie gets back onto the chuck wagon from Debbie's horse, the reins are taut, showing that the horses are being controlled by a hidden driver. See more »
Low-budget Williams vehicle shows MGM was running out of ideas...
How to get ESTHER WILLIAMS wet and still have an entertaining musical must have finally gotten to whomever dreamed up this lackluster, shoddy script for the MGM swimming star. She seldom dips a toe into the water and when she does her swimming scenes are brief.
In fact, the whole story is told in little more than one hour and seventeen minutes--and even then, it's exasperating to watch so little happen. The story is the tired old mistaken identity theme taken to ridiculous heights by RED SKELTON, who's mistaken for an obnoxious and wealthy oil baron (KEENAN WYNN) at a luxury hotel with a deluxe size swimming pool. HOWARD KEEL ambles into the story via horseback singing just one of several unmemorable songs and is soon ogling Esther poolside in a manner designed to get her to take a dip (for the sake of her fans).
ANN MILLER pops up to add some breezy Texas charm to the proceedings, but even her lively dance numbers lack the usual splash MGM gave to its production numbers. Esther is supposed to be a carnival girl who gets dumped into water by any man who can throw a curve ball--and she's hungry, or so we're told, to the point where she faints in the arms of Howard Keel who then chases her until she's caught. Esther has to be one of the healthiest gals ever supposed to be suffering from malnutrition that I've ever seen.
The hazy plot plods along until the predictable ending with the stolen identity cleared up and Esther is ready to melt into Keel's arms--none too soon.
Summing up: At least Esther had MILLION DOLLAR MERMAID in her future--but this is one where she's just killing time. Very unworthy vehicle for the swimming star par excellence.
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