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The Strip (1951)
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Overview
User Rating:
Director:
Writer:
Allen Rivkin (written by)
Release Date:
August 1951 (USA)
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Plot Keywords:
Awards:
Nominated for Oscar.
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User Comments:
Minor but interesting as "musical" noir
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Cast
(Complete credited cast)| Mickey Rooney | ... | Stanley Maxton | |
| Sally Forrest | ... | Jane Tafford | |
| William Demarest | ... | Fluff | |
| James Craig | ... | Delwyn 'Sonny' Johnson | |
| Kay Brown | ... | Edna | |
| Louis Armstrong | ... | Himself | |
| Louis Armstrong and His Band | ... | Themselves | |
| Tommy Rettig | ... | Artie Ardrey | |
| Tom Powers | ... | Lieutenant Detective Bonnabel | |
| Jonathan Cott | ... | Behr | |
| Tommy Farrell | ... | Boynton | |
| Myrna Dell | ... | Paulette Ardrey | |
| Jacqueline Fontaine | ... | Frieda | |
| Vic Damone | ... | Himself | |
| Monica Lewis | ... | Herself |
Additional Details
Parents Guide:
Runtime:
85 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Company:
Fun Stuff
Trivia:
Of Joe Pasternak's 57 MGM productions released between 1942 and 1966, this film was just one of two which failed to garner a contemporary New York Times review. The second movie was Looking for Love (1964).
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Goofs:
Revealing mistakes: Child actor playing Artie giggles after inadvertently causing car wreck in which vehicle he is riding runs into another car - hardly the reaction a real child would have.
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Movie Connections:
Featured in Los Angeles Plays Itself (2003)
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Soundtrack:
Hines' Retreat
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FAQ
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The murder/suspense plot is little more than a convenient set of bookends to showcase the post-adolescent Mickey Rooney, Sally Forest and a gathering of jazz greats (Louis Armstrong, Jack Teagarden, Earl Hines, Vic Damone) in the setting of a Sunset Strip nightspot. James Craig isn't bad as the mustachioed "heavy" doting on his office foliage (after Dewey's defeat in '48, mustaches became quite unAmerican). This movie is neither fish nor fowl nor good red herring, and only marginally "noir" by virtue of date, setting and plotline, but it's watchable -- the music and dance numbers are pretty good. Like a couple of other films ("The Man I Love;" "Love Me or Leave Me") it gives evidence that a new genre might have been in formation: the musical noir.