6.1/10
476
22 user 5 critic

The Strip (1951)

Passed | | Crime, Drama, Film-Noir | August 1951 (USA)
Drummer Stanley Maxton moves to Los Angeles with dreams of opening his own club, but falls in with a gangster and a nightclub dancer and ends up accused of murder.

Director:

(as Leslie Kardos)

Writer:

Reviews
Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
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Kay Brown ...
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Louis Armstrong and His Orchestra ...
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Jonathan Cott ...
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Jacqueline Fontaine ...
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Storyline

Drummer Stanley Maxton moves to Los Angeles with dreams of opening his own club, but falls in with a gangster and a nightclub dancer and ends up accused of murder.

Plot Summary | Add Synopsis

Taglines:

The story of a lovely babe who knew what she wanted---and almost got it! (original poster) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

August 1951 (USA)  »

Also Known As:

A vetkőzés  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Neither of the characters Edna ('Kay Brown (I)') nor Frieda ('Jacqueline Fontaine') are addressed by their name in the movie. Edna is the naive young hatcheck girl at Fluff's Dixieland. Frieda is Sonny's moll in the early part of the story. See more »

Goofs

After the dance number with Jane and the three guys with serving trays, they place the trays behind him and the sticks on the bottom they held while dancing were clearly visible, but cut to the next shot and the trays are flat on the floor. See more »

Quotes

Detective Lt. Bonnabel: What a dame can do to one of you guys!
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Connections

Featured in Los Angeles Plays Itself (2003) See more »

Soundtracks

That's-a-Plenty
(uncredited)
Written by Lew Pollack
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User Reviews

Minor but interesting as "musical" noir
19 October 2000 | by (Western New York) – See all my reviews

The murder/suspense plot is little more than a convenient set of bookends to showcase the post-adolescent Mickey Rooney, Sally Forest and a gathering of jazz greats (Louis Armstrong, Jack Teagarden, Earl Hines, Vic Damone) in the setting of a Sunset Strip nightspot. James Craig isn't bad as the mustachioed "heavy" doting on his office foliage (after Dewey's defeat in '48, mustaches became quite unAmerican). This movie is neither fish nor fowl nor good red herring, and only marginally "noir" by virtue of date, setting and plotline, but it's watchable -- the music and dance numbers are pretty good. Like a couple of other films ("The Man I Love;" "Love Me or Leave Me") it gives evidence that a new genre might have been in formation: the musical noir.


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