Rick Belrow Livingston, in love with Broadway star Lisa, is sentenced to 30 days in jail for speeding through a small town. He persuades the judge's daughter Cindy to let him leave for one ... See full summary »
Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are ... See full summary »
The body of an unknown woman turns up in a stolen car abandoned in a New York park, and the only clue the detectives on the case have to work from is the tattoo on her arm, and the fact ... See full summary »
Laura Mansfield's father is killed, apparently by a telegraphic messenger. She spots Jackie Wales in a police lineup, but can't identify him positively. Later, she arranges to meet him, and... See full summary »
Edward L. Cahn
Sam Hurley, "Nation's No. 1 killer" with a cold contempt for "heroes," escapes prison with two companions and takes a mixed bag of hostages to Nevada ghost town Lost Hope City. He knows ... See full summary »
Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder. Convinced of the youthful thug's innocence, Mason get him acquitted. Later, he... See full summary »
Of Joe Pasternak's 57 MGM productions released between 1942 and 1966, this film was just one of two which failed to garner a contemporary New York Times review. The second movie was Looking for Love (1964). See more »
After the dance number with Jane and the three guys with serving trays, they place the trays behind him and the sticks on the bottom they held while dancing were clearly visible, but cut to the next shot and the trays are flat on the floor. See more »
MGM co-feature...relentlessly padded, even at 85 minutes
Ex-serviceman, posing as an insurance salesman but actually working for a racketeer, allows a pretty but romantically-aloof waitress to talk him into taking the drummer's gig at the jazz club where she works; naturally, he thinks this means she loves him, but she's got eyes for his dapper former boss. "The Strip"--as in Hollywood's famous Sunset Strip--is, if nothing else, a flashback to Los Angeles in 1951, when wealthy mobsters ruled the underworld and nightclubs were packed with patrons just waiting for a hot drum solo. If it weren't for Joe Pasternak's production and Robert Surtees' cinematography, this MGM effort would easily pass for a b-movie. The script and characters are too thin to support the framing story about a shooting, while Mickey Rooney's hyper lead performance verges on camp. Rooney, playing a musician so clean-cut he actually leaves the lucrative 'dark side' for a life of hoped-for domesticity, is unconvincingly unfettered by drugs or booze--his vice is romance! The movie has no connection with reality, though the soloists (including Louis Armstrong and Vic Damone) are enjoyable. ** from ****
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