Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, ... See full summary »
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Janet Leigh makes an impressive debut alongside Van Johnson in this historical romance in which a farmer's daughter falls in love with a man who fought against her family in the Civil War. ... See full summary »
First of all, Ezio Pinza had a voice. If you've never heard an opera, you'll still respond to this man's singing.
Pinza had a lyric bass unlike anyone alive today, and it's the kind of sound that makes women sit up and take notice - it's an animal communication that has nothing to do with high culture.
Secondly, he's enjoying himself here. Like another refugee from the Metropolitan, tenor Lauritz Melchior, Pinza seems to enjoy acting in MGM escapist froth. His reactions while listening to a bad soprano are worth the price of admission right there.
The script is formulaic, the plot twists and turns visible a mile ahead of time, the overacting of the Italian characters very much of its era.
But they're all having a good time, and you'll have a good time too. "Mr. Imperium" is equally amiable, and features more great singing.
Disregard any negative reviews you may find here: you don't watch MGM musicals expecting "Anna Christie." This film knows exactly what it's doing, and it does just fine.
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