A Streetcar Named Desire
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany credits
Awards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage board
Plot & Quotes
plot summarysynopsisplot keywordsmemorable quotes
Did You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Connect with IMDb



2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2004 | 2003 | 2002

20 items from 2015


Cate Blanchett Opens the Closet Door with Lesbian Romance ‘Carol’

12 May 2015 10:00 AM, PDT | Variety - Film News | See recent Variety - Film News news »

It’s not surprising that “Carol” was locked away in Hollywood’s development closet for 15 years. Based on Patricia Highsmith’s scandalous 1952 novel “The Price of Salt,” Todd Haynes’ latest movie is a double whammy by industry standards: it’s headlined by two women, who fall in love with each other.

The film, which stars Cate Blanchett and Rooney Mara, and premieres at the Cannes Film Festival on May 17, arrives at a pivotal, yet paradoxical, time for female-driven stories. There has been a string of hits this year that celebrate female empowerment — from “Insurgent” and “Fifty Shades of Grey” to “Cinderella,” and the upcoming “Trainwreck,” “Spy” and the final installment of “The Hunger Games.” That said, gender inequality both in front of and behind the camera is a hot-button issue in the global entertainment business.

As one of cinema’s most prominent stars, Blanchett, whose recent roles include the evil stepmother in “Cinderella, »

- Ramin Setoodeh

Permalink | Report a problem


Every Best Picture Oscar Winner, Ranked From Worst to Best

6 May 2015 6:00 AM, PDT | Moviefone | See recent Moviefone news »

This week marks the 10th anniversary of the release of "Crash" (on May 6, 2005), an all-star movie whose controversy came not from its provocative treatment of racial issues but from its Best Picture Oscar victory a few months later, against what many critics felt was a much more deserving movie, "Brokeback Mountain."

The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later. »

- Gary Susman

Permalink | Report a problem


Quentin Tarantino Enjoys Running the New Beverly, Even When He's Shooting a Movie

4 May 2015 1:28 PM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

And Tarantino's still in charge, working with managers Torgan, Jules McLean and Brian Quinn, even as he continues shooting "The Hateful Eight," which just left Colorado to finish filming in L.A. The theater first opened back in 1978 with a double feature of "A Streetcar Named Desire" and "Last Tango in Paris." 35mm-collector and passionate advocate Tarantino quickly lined up a slate including films from his own collection, the late Paul Mazursky ("Bob & Carol & Ted & Alice") and the late Robin Williams ("The Best of Times"), as well as a double bill of Luc Besson's "The Professional" and Tarantino's own "Pulp Fiction," both 20 years old last October.  Back in August, Tarantino told La Weekly: "I want the New Beverly to be a bastion for 35 millimeter films. I want it to stand for something. When you see a film on the New Beverly calendar, you don’t have to ask whether it’s going to be. »

- Anne Thompson

Permalink | Report a problem


Gillian Anderson Brings Mini-Me Daughter Piper Maru Klotz to Olivier Awards—See for Yourself!

14 April 2015 3:36 PM, PDT | E! Online | See recent E! Online news »

Well look what we have here! Gillian Anderson stepped out with her 20-year-old daughter, Piper Maru Klotz, at the Olivier Awards in London over the weekend and the two look like a mirror image of one another. The X-Files actress and her stunning daughter both donned strapless black gowns to the black tie affair and turned heads over their nearly identical good looks. Between the haunting blue eyes and the killer cheekbones, the apple clearly doesn't fall from the genetically gifted tree, now does it? The 46-year-old actress was nominated during Sunday night's even for her role as Blanche DuBois in the Old Vic's production of A Streetcar Named Desire. Klotz is Anderson's »

Permalink | Report a problem


The contender, part 1 by Anne-Katrin Titze

7 April 2015 6:10 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Marlon Brando

What do Francis Ford Coppola's The Godfather and Apocalypse Now, Bernardo Bertolucci's Last Tango In Paris, Elia Kazan's A Streetcar Named Desire, On the Waterfront, and Viva Zapata!, Daniel Mann's The Teahouse Of The August Moon, Edward Dmytryk's The Young Lions, Gillo Pontecorvo's Burn!, Lewis Milestone's Mutiny On The Bounty, Guys And Dolls directed by Joseph L. Mankiewicz and One-Eyed Jacks have in common? Brando the movie star in Stevan Riley's documentary, Listen To Me Marlon, becomes Marlon, the man.

After a conversation with Parabellum director Lukas Valenta Rinner at New Directors/New Films, I met up with Stevan at Lincoln Center.

"Brando was himself fascinated by these same topics of truth and lies, of myth and fantasy and reality."

Hundreds of hours of Brando's audio recordings had gone unheard until Riley took his pick and put together this fascinating portrait. »

- Anne-Katrin Titze

Permalink | Report a problem


Movies This Week: April 3-9, 2015

3 April 2015 12:00 PM, PDT | Slackerwood | See recent Slackerwood news »

 

This weekend, the Austin Film Society continues with "Perfect Criminals: The 70's French Noir Connection" series, and Friday night has a killer (no pun intended) double feature on tap. Alain Delon stars in Jean-Pierre Melville's 1967 gangster film Le Samourai (for a one-off screening) paired with Le Cercle Rouge, another Melville classic from 1970 that also stars Delon. The latter film will screen again on Monday night and both are presented in 35mm at the Marchesa. Amanda Wilder's Approaching The Elephant is screening on Tuesday for Doc Nights and David Lynch's Blue Velvet screens in 35mm on Wednesday night as part of the "Jewels In The Wasteland" series, although this edition will only include a video introduction from Richard Linklater due to an unexpected conflict. Essential Cinema on Thursday night will feature Elia Kazan's A Streetcar Named Desire, the 1951 film based on the Tennessee Williams play that features »

- Matt Shiverdecker

Permalink | Report a problem


New Directors/New Films Review: Gripping 'Listen To Me Marlon' Reveals The Man Behind The Myth Of Marlon Brando

27 March 2015 1:48 PM, PDT | The Playlist | See recent The Playlist news »

“I coulda been a contender! I coulda been somebody, instead of a bum, which is what I am, let's face it.” That classic scene from “On The Waterfront” was part and parcel behind Marlon Brando's release into the stratosphere of supercool. Beginning with his stage debut as Stanley Kowalski in “A Streetcar Named Desire” (which he, of course, reprised in the 1951 film adaptation), his film debut in “The Men,” and a string of larger-than-life roles culminating with his Oscar-winning turn as Terry Malloy in 'Waterfront,' Hollywood was Brando's oyster in the 1950s, and a man became a cultural symbol. Through these roles, and future titanic turns in “The Godfather,” “Apocalypse Now,” and “The Last Tango in Paris,” we know and remember Marlon Brando as one of the greatest screen actors of all time. But, what of the man behind the actor? This question fuels Stevan Riley's documentary, »

- Nikola Grozdanovic

Permalink | Report a problem


Oscar Winner Went All the Way from Wyler to Coppola in Film Career Spanning Half a Century

11 March 2015 2:18 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper.[1] Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year. »

- Andre Soares

Permalink | Report a problem


Leonard Nimoy, ‘Star Trek’s’ Spock, Dies at 83

27 February 2015 9:21 AM, PST | Variety - TV News | See recent Variety - TV News news »

Leonard Nimoy lived up to his longtime catchphrase: Live long and prosper. Having achieved success in many arenas during his lifetime, the actor, director, writer and photographer died Friday in Los Angeles of end-stage chronic obstructive pulmonary disease. He was 83.

Most widely known for his performance as half-human, half-Vulcan science officer Spock on the classic sci-fi TV show “Star Trek” and its many subsequent film and videogame incarnations, Nimoy was also a successful director, helming “Star Trek” pics “The Search for Spock” and “The Voyage Home,” as well as non-“Star Trek” fare; an accomplished stage actor; a published writer and poet; and a noted photographer. He also dabbled in singing and songwriting.

But despite his varied talents, Nimoy will forever be linked with the logical Mr. Spock. Spotted by “Star Trek” creator Gene Roddenberry when he appeared on Roddenberry’s NBC Marine Corps. skein “The Lieutenant,” Nimoy was offered »

- Terry Flores

Permalink | Report a problem


Leonard Nimoy, ‘Star Trek’s’ Spock, Dies at 83

27 February 2015 9:21 AM, PST | Variety - Film News | See recent Variety - Film News news »

Leonard Nimoy lived up to his longtime catchphrase: Live long and prosper. Having achieved success in many arenas during his lifetime, the actor, director, writer and photographer has died at age 83. His wife, Susan Bay Nimoy, reportedly confirmed his death to the New York Times, saying the cause was end-stage chronic obstructive pulmonary disease.

Most widely known for his performance as half-human, half-Vulcan science officer Spock on the classic sci-fi TV show “Star Trek” and its many subsequent film and videogame incarnations, Nimoy was also a successful director, helming “Star Trek” pics “The Search for Spock” and “The Voyage Home,” as well as non-“Star Trek” fare; an accomplished stage actor; a published writer and poet; and a noted photographer. He also dabbled in singing and songwriting.

But despite his varied talents, Nimoy will forever be linked with the logical Mr. Spock. Spotted by “Star Trek” creator Gene Roddenberry when »

- Terry Flores

Permalink | Report a problem


Berlin Review: Anton Corbijn's 'Life' is a Bland James Dean Biopic Starring Dane DeHaan and Robert Pattinson

9 February 2015 12:45 PM, PST | Indiewire | See recent Indiewire news »

Only a few years after Marlon Brando delivered his virile performance in Elia Kazan's 1951 adaptation of Tennessee Williams' play "A Streetcar Named Desire," another ballsy actor gave Brando a run for his money. James "Jimmy" Dean, a good-looking, farm-raised, 24-year-old nobody who wowed in Kazan's 1955 drama "East of Eden" before becoming a full-on sex symbol in Nicholas Ray's suburban teenage drama "Rebel Without a Cause." Arguably one of the most sought-after actors of the time, Dean died in a car accident shortly after the release of "Rebel."  "Life," filmmaker-photographer Anton Corbijn's follow-up to last year's "A Most Wanted Man," offers a glimpse of Dean's early career through the lens of Dennis Stock, an ambitious photographer who finds an original appeal in the Indiana-born actor. The film chronicles the relationship between the two men, as Stock attempts to kickstart his career and Dean struggles »

- Eric Eidelstein

Permalink | Report a problem


Gillian Anderson's webchat: 10 things we learned

9 February 2015 7:58 AM, PST | The Guardian - TV News | See recent The Guardian - TV News news »

The star chatted to us about The X Files, returning to Miss Havisham and leaping on top of Paolo Nutini

Hot off the heels of her prequel to A Streetcar Named Desire, Gillian Anderson popped by Guardian HQ to answer your questions. Here’s what we learned:

What animal would I marry? Good question. I might marry a horse, definitely a male horse. Lucky me! He has one sure thing going for him.

What is the largest animal I could kill with my bare hands? Ok, so the only way I can think about this is if it’s a cartoon animal. Let’s say it’s an evil animal with rabies, and I had to kill it to save my life, I might be able to manage... a ferret.

The conversation is in process. And the result ultimately is up to Fox.

I nearly bolted from the room. What »

- Guardian Staff

Permalink | Report a problem


Gillian Anderson webchat – as it happened

9 February 2015 6:21 AM, PST | The Guardian - TV News | See recent The Guardian - TV News news »

From the impact of ‘The Scully Effect’ on young women, her dreams of doing a comedy with Jason Bateman, to why Paolo Nutini is a ‘living genius’, the actor was here to answer your questions. Read all her answers here

Gillian Anderson on therapy, rebellion and ‘being weird’

2.31pm GMT

Thank you everybody for joining me this afternoon - thanks for all the questions, and for making me think, and have a great day!

2.21pm GMT

The conversation is in process. And the result ultimately is up to Fox.

2.20pm GMT

shanghaisputnik asks:

I saw Streetcar at the Young Vic in July and later how they chose to present it live-to-tape when shown in cinemas via Nt Live, so I feel now I’ve seen three unique iterations of this production. I assumed the decision to go with a wide static frame and the long takes to compliment and keep »

- Guardian Staff

Permalink | Report a problem


Not So Fast, ‘Birdman’! ‘Boyhood’ Steals BAFTA Hearts; Now It’s A Real Oscar Race

8 February 2015 3:06 PM, PST | Deadline | See recent Deadline news »

Ah, the awards gods. They giveth and then they taketh away, even in the same weekend.

In what is turning out to be one of the most confounding, but intriguing, Oscar races in years, the British Academy Of Film And Television Arts has thrown in its lot with Boyhood

The remarkable IFC indie movie that critics and the Golden Globes had anointed early on as “The One” got stopped in its tracks by the Hollywood guilds. Those usually more-reliable Oscar indicators at the PGA, SAG (although Boyhood‘s Patricia Arquette won Supporting Actress there as she has everywhere else) and, last night, the DGA all went for Birdman.

Despite nine nominations for Birdman, though, BAFTA today virtually blanked Birdman, save a single statuette for cinmatographer Emmanuel Lubzeki’s exceptional magic act with a camera (he was last year’s winner in the same category for Gravity).

Meanwhile, Boyhood did very well, »

- Pete Hammond

Permalink | Report a problem


Sundance Film Review: ‘Listen to Me Marlon’

31 January 2015 1:59 AM, PST | Variety - Film News | See recent Variety - Film News news »

Often called the greatest actor of his generation, if not all 20th-century cinema, Marlon Brando was also one of the most enigmatic, unpredictable, even damaged of movie stars offscreen. That complexity is limned as well as a documentary possibly could manage in “Listen to Me Marlon,” which draws on an extraordinary estate archive of personal materials to let the man tell his story (and analyze) himself. Sure to hold surprises for even those obsessives who’ve absorbed every Brando performance and factoid, this fascinating, artful pastiche merits specialized theatrical release in addition to inevitable cable and rental sales.

The title comes from self-hypnosis tapes we hear that the late subject made for himself, one among umpteen strategies for finding some inner tranquility. While there’s plenty of evidence here that Brando was a “difficult” person, and frequently a disastrous influence on those who loved him, the thing that comes through »

- Dennis Harvey

Permalink | Report a problem


Sundance Film Review: ‘Brooklyn’

30 January 2015 10:00 AM, PST | Variety - Film News | See recent Variety - Film News news »

A 1950s American immigrant story told as if it took place a half-century earlier, “Brooklyn” unfolds almost like a prim Victorian novel, presenting a young Irish woman, nobly brought to life by Saoirse Ronan, torn between two lovers — one a polite, red-headed chap from her hometown, the other a brash Italian-American who falls for her during her new life abroad — where her big decision has as much to do with choosing between countries as courters. Beautifully written, but still a bit flat in its transition to the screen, this sensitive adaptation of Colm Toibin’s bestseller, acquired by Fox Seachlight at Sundance, should assimilate nicely with more mainstream fare.

As a nation of immigrants, the United States represents a roiling tapestry of expat experiences, in which each family traces its roots back to whichever dauntless ancestors crossed the ocean to pursue a better life for themselves. The movies abound with such genealogical histories, »

- Peter Debruge

Permalink | Report a problem


The fantasist: The comic art of Woody Allen

24 January 2015 12:49 PM, PST | The Moving Arts Journal | See recent The Moving Arts Journal news »

Everyone knows Woody Allen. At least, everyone thinks they know Woody Allen. His plumage is easily identifiable: horn-rimmed glasses, baggy suit, wispy hair, kvetching demeanor, ironic sense of humor, acute fear of death. As is his habitat: New York City, though recently he has flown as far afield as London, Barcelona, and Paris. His likes are well known: Bergman, Dostoevsky, New Orleans jazz. So too his dislikes: spiders, cars, nature, Wagner records, the entire city of Los Angeles. Whether or not these traits represent the true Allen, who’s to say? It is impossible to tell, with Allen, where cinema ends and life begins, an obfuscation he readily encourages. In the late nineteen-seventies, disillusioned with the comedic success he’d found making such films as Sleeper (1973), Love and Death (1975), and Annie Hall (1977), he turned for darker territory with Stardust Memories (1980), a film in which, none too surprisingly, he plays a »

- Graham Daseler

Permalink | Report a problem


'Grand Budapest,' 'Wolf of Wall Street' win awards from Casting Society of America

23 January 2015 11:29 AM, PST | Hitfix | See recent Hitfix news »

Winners were revealed Thursday night for the Casting Society of America's 30th annual Artios Awards. Winners in the film categories included "The Wolf of Wall Street," "The Grand Budapest Hotel" and "Dear White People." Check out the nominees here, the full list of winners below and all the rest of the season's offerings at The Circuit. Feature Film - Big Budget Comedy "The Wolf of Wall Street," Ellen Lewis Feature Film - Big Budget Drama "12 Years a Slave," Francine Maisler, Meagan Lewis (Location Casting), Melissa Kostenbauder (Associate) Feature Film - Studio or Independent Comedy "The Grand Budapest Hotel," Douglas Aibel, Jina Jay, Henry Russell Bergstein (Associate) Feature Film - Studio or Independent Drama "Dallas Buyers Club," Kerry Barden, Paul Schnee, Rich Delia, Tracy Kilpatrick (Location Casting), Allison Estrin (Associate) Feature Film Low Budget Comedy "Dear White People," Kim Taylor-Coleman Feature Film Low Budget Drama "Boyhood," Beth Sepko Feature Film Animation "Frozen, »

- Kristopher Tapley

Permalink | Report a problem


Mark Strong's A View from the Bridge for live cinema broadcast

15 January 2015 8:32 AM, PST | Digital Spy | See recent Digital Spy - Movie News news »

A performance of the upcoming West End transfer of Arthur Miller's A View from the Bridge will broadcast live to cinemas.

Ivo Van Hove directs and Mark Strong and Nicola Walker star in the the Young Vic production.

It will be screened in over 1,500 cinemas in over 40 countries worldwide on Thursday, March 26 at 7pm as part of Nt Live. Further encore screenings will also be announced.

Strong returns to lead the cast as Eddie Carbone and is joined by fellow original cast members Emun Elliott as Marco, Phoebe Fox as Catherine, Michael Gould as Alfieri, Luke Norris as Rodolpho and Nicola Walker as Beatrice for the eight-week run.

Arthur Miller confronts the American dream in this dark and passionate tale. In Brooklyn, longshoreman Eddie Carbone welcomes his Sicilian cousins to the land of freedom. But when one of them falls for his beautiful niece, they discover that freedom comes at a price. »

Permalink | Report a problem


The Definitive Best Picture Losers

1 January 2015 12:22 PM, PST | SoundOnSight | See recent SoundOnSight news »

#20. The Exorcist (1973)

Lost to: The Sting

Crammed in between two Best Picture wins for Francis Ford Coppola’s “Godfather” films was an interesting little year that rewarded another pairing of Robert Redford and Paul Newman (trivia: “The Sting’s” Julia Phillips is the first time female producer to ever win Best Picture). The other big landmark – the first time a purely horror film was nominated for Best Picture. “The Exorcist” was nominated for ten Oscars, winning for Sound and Adapted Screenplay. The horrifying story of a young girl possessed was, rumor has it, cursed as they tried to complete the film. This film about the struggle between faith and sin is possibly the most important horror film of all time.

#19. Avatar (2009)

Lost to: The Hurt Locker

The year after “The Dark Knight” and “Wall-e” missed out on Best Picture nominations, the Academy decided to change the rules and allow ten nominees. »

- Joshua Gaul

Permalink | Report a problem


2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2004 | 2003 | 2002

20 items from 2015


IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

See our NewsDesk partners