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A Streetcar Named Desire (1951)

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Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.

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(screen play), (adaptation) | 1 more credit »
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Won 4 Oscars. Another 13 wins & 15 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Rudy Bond ...
Nick Dennis ...
Peg Hillias ...
Wright King ...
A Collector
Richard Garrick ...
A Doctor
Ann Dere ...
Edna Thomas ...
The Mexican Woman
Mickey Kuhn ...
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Storyline

Blanche DuBois, a high school English teacher with an aristocratic background from Auriol, Mississippi, decides to move to live with her sister and brother-in-law, Stella and Stanley Kowalski, in New Orleans after creditors take over the family property, Belle Reve. Blanche has also decided to take a break from teaching as she states the situation has frayed her nerves. Knowing nothing about Stanley or the Kowalskis' lives, Blanche is shocked to find that they live in a cramped and run down ground floor apartment - which she proceeds to beautify by putting shades over the open light bulbs to soften the lighting - and that Stanley is not the gentleman that she is used to in men. As such, Blanche and Stanley have an antagonistic relationship from the start. Blanche finds that Stanley's hyper-masculinity, which often displays itself in physical outbursts, is common, coarse and vulgar, being common which in turn is what attracted Stella to him. Beyond finding Blanche's delicate ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

...When she got there she met the brute Stan, and the side of New Orleans she hardly knew existed. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1 December 1951 (West Germany)  »

Also Known As:

Un tranvía llamado deseo  »

Filming Locations:

 »

Box Office

Budget:

$1,800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Mickey Kuhn, who plays the young sailor who helps Vivien Leigh onto the streetcar at the beginning of the film, had previously appeared with Leigh in Gone with the Wind (1939) as Beau Wilkes (the child of Olivia de Havilland's character Melanie), toward the end of that film when the character was age 5. When Mickey Kuhn mentioned this to someone else on the set of "A Streetcar Named Desire," word got back to Leigh and she called him into her dressing room for a half-hour chat. In an interview in his seventies, Kuhn stated that Leigh was extremely kind to him and was "one of the loveliest ladies he had ever met." See more »

Goofs

During the conversation about the Napoleonic Code between Stella and Stanley, the plate Stanley has been eating off of disappears off of the top of the trunk, which is suddenly open. See more »

Quotes

[first lines]
A Sailor: Can I help you, ma'am?
Blanche DuBois: Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.
See more »

Connections

Referenced in Bones: The Man in the Morgue (2006) See more »

Soundtracks

The Japanese Sandman
(uncredited)
Music by Richard A. Whiting
Lyrics by Ray Egan
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
If great performances is what you desire, hop on this streetcar.
18 June 2005 | by (Memphis TN U.S.A.) – See all my reviews

Based on the Pulitzer Prize winning play by Tennessee Williams, 'A Streetcar Named desire' is set in post World War II New Orleans and centers around a young married couple attempting to keep their bond despite a noted class distinction. Stanley Kowalski, played by Marlon Brando in perhaps one of the greatest performances ever to project off the big screen, is a young Polish American living in a cozy apartment with his quasi-newlywed bride. Stella, a magnolia fresh off a Southern plantation, portrayed with equal panache by Kim Hunter. Things seem to be going along pretty well until Stella's older sister shows up on the doorstep. Blanche Dubois, ( Vivian Leigh ) is a figure as obnoxious as she is tragic, and almost from the very start she is despised by her Polish brother-in-law. Kowalski suddenly discovers that his middle class roots, which hadn't seemed like a much of a point of contention with his new wife, are the subject of snide insinuations and clandestine conversations rolling off the tongue of his sister-in-law. Who, it turns out, is not without considerable baggage herself. That's when the once toasty love nest ( Complete with the memory of twinkling Christmas lights ) turns into a war zone. Things are further complicated when Stanley's Army/factory buddy, brilliantly portrayed by Karl Malden, suddenly takes a shine to Miss Dubois, The incredible thing about 'Streetcar' is not just the quality of the acting, but the way the actors approach the complex and beautiful dialog. Brando combines dynamic sexual magnetism with passionate anger, possessive love and cynicism. Vivian Leigh's tragic character perhaps mirroring the insanity she suffered through in her own life, is portrayed with raving vanity one minute and fleeting youth the next. As she often hears and sees flashbacks which the audience does not. William's dialogue manages to do the impossible, that is to blend in poetic imagery with normal conversation, while not sounding sickly sentimental or downright ridiculous. This is as much a credit to the actors themselves, especially Leigh, who really had to do the bulk of the tough solo

scenes in which Blanche begins to lose her mind for good. But Brando is simply too hard to beat. Stanley Kowalski is fully rounded in every sense when this great American actor delivers his lines. Perhaps the only injustice is that Brando did not receive the Oscar for this film, while his costars Hunter, Leigh and Malden all did. Numerous attempts have been made to remake this film, both on the stage and for television. But no one has been able to execute the premise like this wonderful quartet. A fantastic and moving American classic. 10 out of a possible 10 T.H.


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