13 items from 2017
Don’t look to this noir for hardboiled cynicism – for his first feature Nicholas Ray instead gives us a dose of fatalist romance. Transposed from the previous decade, a pair of fugitives takes what happiness they can find, always aware that a grim fate waits ahead. The show is a career-making triumph and a real classic from Rko — which shelved it for more than a year.
The Criterion Collection 880
1948 / B&W / 1:37 flat Academy / 95 min. / available through The Criterion Collection / Street Date June 13, 2017 / 39.95
Cinematography: George E. Diskant
Film Editor: Sherman Todd
Original Music: Leigh Harline
Produced by John Houseman
Directed by Nicholas Ray »
- Glenn Erickson
Hitchcock’s first self-professed ‘Hitch’ picture is still a winner. Many of his recurring themes are present, and some of his visual fluidity – in this finely tuned commercial ‘shock’ movie with witty visual tricks from Hitchcock’s own background as an art director. And hey, he secured a real box office name to star as the mysterious maybe-slayer, ‘The Avenger.’
The Criterion Collection 885
1927 / B&W + Color tints / 1:33 Silent Ap / 91 min. / available through The Criterion Collection / Street Date June 27, 2017 / 39.95
Cinematography: Gaetano di Ventimiglia
Film Editor + titles: Ivor Montagu
Assistant director: Alma Reville
Directed by Alfred Hitchcock
Alfred Hitchcock became the most notable English film director for all the right reasons — he was talented and creative, »
- Glenn Erickson
Author: Hannah Woodhead
You might not know the name Chris Smith, but you’ll probably have seen at least one of his films. In 2004 he made the tube (even more?) terrifying with horror movie Creep, and a decade later he took on Father Christmas in the underrated Get Santa. With a varied filmography spanning horror, comedy, and historical action under his belt, Chris has gone stateside for his latest film – a neo-noir road trip movie starring Tye Sheridan, Emory Cohen and Bel Powley. We caught up with him for a quick chat about writing and directing Detour, and what he’s moving onto next.
Were there any films in particular that inspired the stylistic feel of Detour, and how much of the film did you visualise when working on the script?
That’s a very good question. In terms of the visual style, everything starts for me from the narrative style, »
- Hannah Woodhead
I was 12 years old in 1968. One of my favorite places was the library, in those days the closest library to us was the Tesson Ferry Branch in South St. Louis County. My most prized possession was my library card.
My Mother used to drop me off there on a Saturday or a summer weekday and I would spend the whole day reading. One of those days I pulled a book off the shelf called Hitchcock/Truffaut and sat down to read it. I knew who Alfred Hitchcock was from his television show, and from his monthly Mystery Magazine as well as anthologies that I was reading avidly, Tales That Frightened Even Me, More Tales for the Nervous and, my favorite, Stories to be Read After Dark.
- Sam Moffitt
Amber Heard is teaming up with Polish auteur Agnieszka Holland. Heard will topline Holland’s upcoming crime thriller “The Kind Worth Killing,” Deadline reports. The feature hails from Chockstone Pictures and Nick Wechsler Productions.
“The Kind Worth Killing” is based on Peter Swanson’s 2015 novel of the same name, which has earned comparisons to Paula Hawkins’ “The Girl on the Train,” recently adapted into a movie starring Emily Blunt, and Patricia Highsmith’s classic “Strangers on a Train,” the source material for the 1951 Alfred Hitchcock film.
The novel centers on Lily, “a mysterious and stunning killer who meets Ted Severson on a late-night flight from London to Boston,” Deadline summarizes. “Ted confesses that he’s had thoughts about murdering his unfaithful wife. Lily offers to help, and the two form a strange, twisted bond while plotting his wife’s demise.”
“[I’m] really intrigued by this story. It’s full of paradoxes and I love paradoxes,” Holland has said of “The Kind Worth Killing.” “The main heroine is tough as steel, but also as fragile as glass. Is she a victim? A psychopath? An avenger? What a great role for a talented actress!” She continued, “The storyline is unpredictable, the genre feels fresh. A psychological thriller, which sometimes veers off towards black comedy, mixing humor with gore, genuine emotions with a detective mystery.”
Holland’s “In Darkness” was nominated for Best Foreign Language Film at the 2012 Oscars, and she received a nod in 1992 for her “Europa Europa” script, which she also directed. Her most recent film, “Spoor,” premiered at the Berlinale this year, where it won the Silver Bear. Holland has directed episodes of series such as “The Killing,” “Treme,” “House of Cards,” and “The Affair.”
Heard’s credits include “The Adderall Diaries,” “The Danish Girl,” and “Magic Mike Xxl.” She’ll play Mera, the Queen of Atlantis, in the highly anticipated “Justice League” movie, opening November 17.
Amber Heard to Star in Agnieszka Holland’s “The Kind Worth Killing” was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Laura Berger
A comment to director Craig Johnson and screenwriter/graphic novelist Daniel Clowes on Laura Dern's tattoos for her character Pippi in Wilson, led us to Robert Crumb, Tony Danza, Van Halen, and Pippi Longstocking. Woody Harrelson is Wilson, Pippi's ex-husband, and they have a daughter, Claire (Isabella Amara). Judy Greer plays Shelly, Wilson's dog sitter for Pepper and Cheryl Hines was once his sister-in-law.
Not a shy man, Wilson likes to talk to all kinds of strangers. On an empty train, on the swing at the playground, in the men's room at an amusement park. »
- Anne-Katrin Titze
An enlightening conversation with the team behind one of the best films at this year’s SXSW.
“Patricia Highsmith is Texas-born. A lot of people think she’s English, or from New York or something, but she’s Fort Worth born and bred.” Jason Cortlund, who along with Julia Halperin wrote and directed the SXSW narrative competition entry La Barracuda, is telling me about how the famed writer of The Talented Mr. Ripley and Strangers on a Train was an influence on the film’s screenplay. Indeed, Cortlund and Halperin’s engrossing Austin-set thriller evokes shades of those page-turning mysteries, albeit with a Texas-fried perspective that is entirely their own. La Barracuda is one of those films you can only hope to catch at a festival, an utterly new take on familiar conventions that leaves you with the unshakeable feeling that you have witnessed a breakout for all involved. You’ve seen the dysfunctional Texas family drama »
- Fernando Andrés
Article by Jim Batts, Dana Jung, and Tom Stockman
Alfred Hitchcock’s Vertigo screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s Saturday, March 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. The film will be introduced by Harry Hamm, movie reviewer for Kmox. Admission is only $5
This gives us a perfect excuse to re-run this top ten list so here, according to We Are Movie Geeks, are Alfred Hitchcock’s ten best films:
Frenzy, Hitchcock’s next to last feature film from 1972, represented a homecoming of sorts since it was the first film completely shot in his native England since his silents and early ” talkies ” in the 1930’s. By dipping into the then somewhat new territory of serial killers, he took full advantage of the new cinema freedoms and truly earned his ‘ R ‘ MPAA rating. »
- Tom Stockman
From the moment Pierre Morel’s Taken unlocked a very particular set of skills in Liam Neeson, the actor’s résumé has been a roller-coaster ride of triumphant highs (The Grey) and disappointing lows (Takens 2 and 3). But a patchy record has in no way cooled Neeson’s interest in the action genre, as he’ll soon be back, back, back, as an unassuming insurance salesman for The Commuter.
Pitched as North by Northwest meets Strangers on a Train, Jaume Collet-Serra’s high-speed thriller was originally slated for a release in October, but we now have confirmation that The Commuter‘s journey won’t begin in earnest until January 12th, 2018. That’s a date it currently shares with Paramount’s animated flick Sherlock Gnomes, White Boy Rick and The Maze Runner: The Death Cure, which was hit with a delay of its own following Dylan O’Brien’s serious set accident. »
- Michael Briers
Lionsgate said today that The Commuter, its thriller starring Liam Neeson, has moved from an October bow to January 12. Vera Farmiga co-stars as a mysterious woman who boards a commuter train and proposes an enticing opportunity to Neeson's character — one that has dire circumstances if he accepts. The film has Hitchcock-ian elements like North by Northwest and Strangers on a Train. Patrick Wilson, Sam Neill, Elizabeth McGovern and Jonathan Banks co-star in the film from… »
All the strands came together in a gripping finale, with a solution to the murder that was as convincing as it was clever
So, in the end, Unforgotten (ITV) equals Strangers on a Train, the Patricia Highsmith novel/Hitchcock film – I’ll do your murder if you do mine, so as not to get caught, hopefully. Except there are three of them here, and they are not on a train. Strangers in an Ealing psychiatric unit, then; that’s where Sara, Colin and Marion met and hatched their plan, because these strangers were victims of sexual abuse as children. It ain’t no Ealing comedy, that’s for sure.
I hadn’t guessed it, and I had thought about it a lot, since the end of the last episode when Dci Cassie Stuart told DS Sunny Khan she thought she had cracked it. (Just after he had had a crack at her, »
- Sam Wollaston
What a brave close to this heartbreaking tale of abuse, crime and punishment. It wasn’t an easy watch, but why should it be?
So, it was Strangers on a Train after all (and so much more besides). A huge shout-out to Nevagray for calling that one as early as episode three. Any fears that this show would pull a Broadchurch with its second series were quickly dispelled. Unforgotten’s first run was a tough act to follow, but they have easily surpassed it. It feels like we have known Sara, Colin, Marion and Tessa far longer than six weeks and much of tonight’s episode was devastating. The themes – how people reinvent themselves, how the past writes the present, whether we can stop it – have been consistent across both series. Cassie and Sonny diligently excavating the past as the suspects desperately scramble to keep it buried provides the procedural cat-and-mouse here, »
- James Donaghy
4 January 2017 11:33 AM, PST | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Borrowing its name from Edgar G. Ulmer’s low-budget hard-boiled classic and a key plot device from one of Hitchcock’s finest, Detour is a movie built from unabashed nods toward a thriller lexicon. But even with three of the big screen’s most dynamic up-and-comers at its center, there’s no flesh and blood beneath all the posturing. Christopher Smith’s self-consciously stylish genre homage finally feels like a baby film noir, playacting without the requisite bone-deep dread.
- Sheri Linden
13 items from 2017
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