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Storm Warning (1951)

7.3
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Ratings: 7.3/10 from 798 users  
Reviews: 37 user | 13 critic

Marsha Mitchell, a traveling dress model, stops in a southern town to see her sister who has married a Ku Klux Klansman. Marsha sees the KKK commit a murder and helps District Attorney Burt Rainey in bringing the criminals to justice.

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Title: Storm Warning (1951)

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Cast

Complete credited cast:
...
Marsha Mitchell
...
Burt Rainey
...
Lucy Rice
Steve Cochran ...
Hank Rice
Hugh Sanders ...
Charlie Barr
Lloyd Gough ...
Cliff Rummel
Raymond Greenleaf ...
Faulkner
...
George Athens
Paul E. Burns ...
Frank Hauser, Baggage Man
Walter Baldwin ...
Coroner Bledsoe
Lynn Whitney ...
Cora Athens
Stuart Randall ...
Walt Walters
Sean McClory ...
Shore
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Storyline

En route to a job, New York based model Marsha Mitchell decides to stop for less than 24 hours in the southern American town of Rock Point to visit her sister, Lucy Rice, who she has not seen in two years, and meet Lucy's husband, Hank Rice, for the first time. Upon arriving in Rock Point, Marsha witnesses a Ku Klux Klan slaying of who she would later learn is Walter Adams, an out of town reporter who was going to write an exposé on the Klan. Marsha even saw two of the men's faces after they removed their hoods, but they didn't see Marsha. Upon later arriving at Lucy's house, Marsha is shocked to see that Hank was one of the Klansmen committing the murder, he being a Klansman of which Lucy is unaware. Marsha decides to confront Hank and Lucy about what she saw. Meanwhile, county prosecutor Burt Rainey knows that the Klan committed the murder, everyone in town is aware that the Klan committed the murder, but Rainey knows that no one will come forward to implicate the Klan for what they... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Dramatic thunder coming your way! See more »

Genres:

Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

10 February 1951 (USA)  »

Also Known As:

Storm Center  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The studio wanted Lauren Bacall and Doris Day to star in the film, but Bacall went to Africa with her husband Humphrey Bogart to film The African Queen (1951) See more »

Goofs

A character is murdered by the KKK after 10pm one evening. An autopsy is performed, witnesses interviewed and a coroner's inquest is held - all by the following afternoon, hardly twelve hours after crime was committed. See more »

Quotes

Charlie Barr: Don't force me to show you how we handle people! We're the law here! We're the judges and the jury!
Marsha Mitchell: I'm no hero. I'm scard! That's what you wanted, and that's the way it is. Yeah, I'm afraid of what you might do to me. But if I ever get out of here, I'm gonna tell, and there's nothing you can do that'll stop me!
See more »

Soundtracks

Keep Cool, Fool
(uncredited)
Music by James P. Johnson and Josef Myrow
Played at the recreation center after the verdict
See more »

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User Reviews

 
Decent film noir, but sidesteps any real social issues
19 August 2006 | by (United States) – See all my reviews

A very nice film overall, with Ronald Reagan probably turning in the best performance of this cast. Also notable for its direct attack on the Klu Klux Klan at a time when they were still a force. But this is also where the film gets a little strange. Virtually no mention is made of the Klan's ideology -- other than a few passing references to "hate" and "bigotry". There is a mob lynching/murder at the start of the film -- but it is not a racial attack. It is the killing of a white reporter who had been investigating and threatening to "expose" the Klan. Expose them for what? Tax evasion! They had been selling Klan trinkets to members and not reporting the income. The Klan is shown as essentially a criminal organization whose purpose is to fleece its own members for profit. In fact not one black actor has a line in this film. I am sure the producer's intentions were noble and maybe they felt they could not address the issue of racism head on, and therefore chose a somewhat oblique approach to discredit the Klan. But I can't help but feel that there is a certain disingenuousness to this film. Maybe this was brave for 1951, I really don't know.


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