Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »
Near the end of the French phase of the Vietnam War, a group of mercenaries are recruited to travel through enemy territory to the Chinese border, to blow up an arms depot. A Eurasian ... See full summary »
During the Korean War, strong but worn and cantankerous Sergeant Zack is aided by a young, orphaned Korean boy. Together they encounter and join a small group of American soldiers. The group stumbles upon a Buddhist temple where they decide to hold up, believing it to be empty... Written by
Karl Engel <email@example.com>
One scene in the picture shows an American officer killing an unarmed prisoner, and another has a Japanese-American soldier talking about how his parents were separated and sent to different "relocation" camps during World War II because they were Japanese. These two incidents, coming at the height of the McCarthy-led "Red hysteria" that was sweeping the country at the time, led to calls for writer/director Samuel Fuller to be arrested for treason and for writing anti-American/pro-Communist "propaganda" for giving "the Reds" ammunition to attack the US, and he later learned that he was in fact investigated by the FBI because of that film. See more »
(at around 1 min) Sgt. Zack shoots a door in the temple but no holes appear in the door. In a subsequent scene he does the same thing to another door but this time there are holes in the door, See more »
Tough, gritty war story of a ragtag American patrol in Korea that finds itself trapped in a Buddhist temple by a much larger Chinese force. Sam Fuller made this for cheapjack Lippert Pictures for little more than $100,000--the Chinese "tank" that attacks them was actually constructed out of plywood--but the low budget doesn't detract from it at all. From the opening sequence where Gene Evans' tough sergeant finds himself the only survivor of a POW massacre by Chinese troops, to the climactic battle in the Buddhist temple, the film is chock full of Fuller's bizarre little touches and great storytelling. Evans is first-rate, and there's a terrific performance by the great Richard Loo--the stereotypical oily Japanese villain (although he was actually Korean) in countless Hollywood World War II movies--as a laconic, war-weary Japanese-American soldier, the only veteran that Evans has in the patchwork patrol he puts together that he knows he can count on. Don't miss this one.
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