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Sirocco (1951)

Approved | | Action, Drama, Film-Noir | 13 June 1951 (USA)
A cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Harry Smith
...
Violette (as Marta Toren)
...
Col. Feroud
...
Gen. LaSalle
...
Major Jean Leon
...
Balukjiaan
Nick Dennis ...
Nasir Aboud
...
Emir Hassan
...
Flophouse Proprietor
David Bond ...
Achmet
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Storyline

In 1925 Damascus Harry Smith runs guns to the rebels under Emir Hassan. The French arrest him along with others and force him to sell weapons to them. He develops an interest in French intelligence officer Feroud's mistress Violette. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Bogart's Socko in Sirocco See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 June 1951 (USA)  »

Also Known As:

Sirocco - Zwischen Kairo und Damaskus  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to actor Jamie Farr, the movie debuted on Saturday night at the Rivoli in his home town of Toledo. Most of Toledo's Arab-American community turned out to see it. As a scene where Bogart walks though a crowded bazaar begins to fade, an Arab voice is heard shouting, "Ya hallah deen bayak!" which caused most of the audience to collapse in laughter. The non-Arabs in the house did not understand why everyone else was laughing until the line was translated for them: "Goddamn your father!" See more »

Goofs

Toward the end of the film, Col. Feroud walks around with Maj. Leon. Then they stop for a while and Leon takes the cigarette from his mouth with his left hand. In the next shot, he takes the cigarette from mouth again, this time with his right hand. See more »

Quotes

Col. Feroud: Last night we arrested one Nasir Saleem, a friend of yours. We have his full confession. The evidence against you is incontrovertible. Do you know the penalty?
Harry Smith: Yeah, a slug in the head and a whole in the ground.
See more »

Connections

Referenced in Masters of Sex: The Revolution Will Not Be Televised (2014) See more »

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User Reviews

Good work by Curtis Bernhardt
11 July 2012 | by (Spain) – See all my reviews

Damascus, 1925. "Harry Smith" (Bogart), a ruthless arms dealer, you need a pass to leave Damascus and has no choice but to resort to his arch rival, the French colonel "Feroud" (Lee J. Cobb), blackmails him demanding to change an important military information ...

Apparently the film follows the lines of "Casablanca" for the exotic, the war and the character "Harry Smith", which reported revenue of conflict, and that seem to support that view. But in "Sirocco" we see an interesting film director Curtis Bernhardt-("Conflict" 1945) who masterfully portrays Syrian resistance to French troops who managed one Arab state mandated by the League of Nations.

This is the context in which it develops a history of personal, emotional conflicts and the need to struggle for survival between the squalor of Damascus in each frame is sensed and its mysterious underground mazes and alleys where death seems to threaten from every shadow . Bogart's character, though typical of him, as in "Casablanca" has distinct differences, such as being less self-sufficient, and more vulnerable, more human.

"Sirocco" clearly delineates two "Harry Smith". One, selfish, interested, jealous keeper of his interests. Another, weaker, open, fearful and escape, but who still has a sense of honor can not shake.

Respect to Lee J. Cobb is an excellent actor to give form and life to unscrupulous characters or, as in this case, convoluted and inner conflicts.

The object of seduction Bogart is Marta Toren, a Swedish actress filmography weak and died as a result of mental illness and only 31 years old. Not even Ingrid Bergman, her beauty and her work to be considered meritorious.

In short, this is a good job of Curtis Bernhardt that could be framed in a variant of noir cinema,


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