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Sirocco (1951)
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Overview
Release Date:
13 June 1951 (USA) moreTagline:
BEYOND CASABLANCA . . . Fate, in a Low-cut Gown, Lies in Wait for Bogart! morePlot:
A cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation. full summary | add synopsisUser Comments:
"How can anyone so ugly be so handsome?" moreCast
(Complete credited cast)| Humphrey Bogart | ... | Harry Smith | |
| Märta Torén | ... | Violette | |
| Lee J. Cobb | ... | Col. Feroud | |
| Everett Sloane | ... | Gen. LaSalle | |
| Gerald Mohr | ... | Major Jean Leon | |
| Zero Mostel | ... | Balukjiaan | |
| Nick Dennis | ... | Nasir Aboud | |
| Onslow Stevens | ... | Emir Hassan | |
| Ludwig Donath | ... | Flophouse proprietor | |
| David Bond | ... | Achmet | |
| Vincent Renno | ... | Arthur |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
98 minCountry:
USAColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System)MOVIEmeter: 
Fun Stuff
Trivia:
According to actor Jamie Farr, the movie debuted on Saturday night at the Rivoli in his home town of Toledo. Most of Toledo's Arab-American community turned out to see it. As a scene where Bogart walks though a crowded bazaar begins to fade, an Arab voice is heard shouting, "Ya hallah deen bayak!" which caused most of the audience to collapse in laughter. The non-Arabs in the house did not understand why everyone else was laughing until the line was translated for them: "Goddamn your father!" moreGoofs:
Continuity: Toward the end of the film, Col. Feroud walks around with Maj. Leon. Then they stop for a while and Leon takes the cigarette from his mouth with his left hand. In the next shot, he takes the cigarette from mouth again, this time with his right hand. moreQuotes:
Nasir Aboud: [hearing gunfire] It's a French gun.Harry Smith: What do you care whose gun it is as long as it isn't aimed at you?
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(Marta Toren to Bogie)....what a great line! I'm surprised it hasn't gone down in the lexicon of great movie quips...and it captures perfectly the paradoxical mystery of Bogie's eternal charm, as well as the mystery of how an essentially mediocre film can be redeemed by its own dry, sardonic charm (due largely to help from fine supporting players as much as from Bogie), some great B/W photography, and a persistently downbeat refusal to push any sort of patriotic agenda.(adding greatly to that charm quotient.) The postwar noir influence is in fine fettle here. So Bogie doesn't exactly have a great motivation for his final decision? He just changed his mind, that's all. Take it or leave it. "I've taken long chances before. Okay." What could be better than that? It's the way people act every day. Every good critical eye without a mote in it knows that this film is safely and securely within the universe of the best product Hollywood ever put out, a great, mordant, counterweight universe to the unwatchable sap they themselves were producing right alongside it. "Sirocco" is not even really that minor a star in that universe. Good, good, good.