Based on the characters from the MGM hit of the same name, this TV pilot is about one day in the life of the Smith family. At the turn of the twentieth century, the family is throwing a ... See full summary »
The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie LaVerne and her husband are the stars of the show. After a snitch on board calls the local police that Julie (who's half- African-American) is married to a white man, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks' daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the "Cotton Blossom" for a whirl-wind honeymoon and to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confronts Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to fend ... Written by
The original production of Showboat opened in the Ziegfeld Theater on December 27, 1927 and ran for 572 performances. See more »
The show boat "Cotton Blossom" is inaccurately designed for the era in which the story takes place (the 1880's). The boat used in the film is built in the style of a typical modern luxury riverboat, with giant twin smokestacks and a large paddlewheel in the rear, and it moves on its own power. Modern "show boats" are built that way because of advances made since the 19th century, but authentic show boats of the era did not have smokestacks or paddlewheels, and were not self-powered. They were barge-like structures similar to a long, floating house with a flat roof, and they were connected to, and pushed along by the misleadingly named "towboats", which did have smokestacks and a paddlewheel. If a real show boat of the era had been steam-powered, its steam engine would have had to be placed (very dangerously) smack in the middle of the auditorium. See more »
Mister... if you ever get to see Nollie, not get together with her I mean, but- if you ever do get to talk to her, don't ever tell her you saw me; I mean, don't ever tell her you saw me like this.
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Jerome Kern is never specifically credited for having composed the music. His and Oscar Hammerstein II's joint screen credit reads: "Based on the Immortal Musical Play 'Show Boat' by Jerome Kern and Oscar Hammerstein II'", although Kern wrote only the music. See more »
Ava Gardner, Kathryn Grayson, Howard Keel, Marge & Gower Champion all under the sure and competent direction of George Sidney where are they? In which sky are those stars shining now? Maybe only in our memories. This was the golden era of musicals where other giants such as Stanley Donen and Vincente Minnelli as directors and Fred Asteire, Ginger Rogers (a little before), Gene Kelly and Cyd Charisse as performers distinguished themselves. This movie is a landmark in the history of musical movies by the beauty of its lyrics and music and dance numbers. And the sceneries of course. Just only to watch (and listen to the song) the sequence where that old tune "Old Man River" is sung is this movie worth to be seen. Usually in these musicals the story is the weakest part of the movie but here it has even enough dramatic depth to interest the viewer. A very good movie in conclusion.
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