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Show Boat (1951)
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Overview
User Rating:
Director:
Writers:
Release Date:
24 September 1951 (USA)
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Tagline:
It's NEW! more
Plot:
The daughter of a riverboat captain falls in love with a charming gambler, but their fairytale romance is threatened when his luck turns sour. full summary | add synopsis
Plot Keywords:
Awards:
Nominated for 2 Oscars.
Another 1 win
&
2 nominations
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NewsDesk:
(8 articles)
Jennie Eisenhower Cast In The Media Theatre's Show Boat 9/30-11/1
(From BroadwayWorld.com. 1 November 2009, 1:00 AM, PST)
Photo Flash: Rebecca Luker Celebrates Greenwich Time at Barnes & Noble
(From BroadwayWorld.com. 23 October 2009, 4:41 PM, PDT)
(From BroadwayWorld.com. 1 November 2009, 1:00 AM, PST)
Photo Flash: Rebecca Luker Celebrates Greenwich Time at Barnes & Noble
(From BroadwayWorld.com. 23 October 2009, 4:41 PM, PDT)
User Comments:
A feast for the eyes and ears
more (33 total)
Cast
(Complete credited cast) | Kathryn Grayson | ... | Magnolia Hawks |
 | Ava Gardner | ... | Julie LaVerne |
 | Howard Keel | ... | Gaylord Ravenal |
| Joe E. Brown | ... | Cap'n Andy Hawks |
| Marge Champion | ... | Ellie May Shipley |
| Gower Champion | ... | Frank Schultz |
| Robert Sterling | ... | Steve Baker |
 | Agnes Moorehead | ... | Parthy Hawks |
| Leif Erickson | ... | Pete (as Lief Erickson) |
| William Warfield | ... | Joe |
Additional Details
Parents Guide:
Runtime:
107 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
Director George Sidney was forced to leave for a few days because of illness, so uncredited associate producer Roger Edens directed the beautifully shot, fog-enshrouded "departure" sequence, including the performance by William Warfield of "Ol' Man River." It is the one scene in the film that has been praised even by critics who detest this version of "Show Boat."
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Goofs:
Factual errors: In some prints, Leif Erickson's name is misspelled (as Lief Erickson) in the opening credits.
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Movie Connections:
Featured in "Changing Stages" (2000)
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Soundtrack:
Why Do I Love You?
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FAQ
What was so controversial about the opening number in the original stage version?Is "Cotton Blossom", the opening number, sung the same way in this film as in the show?
How different, overall, is this 1951 film from the original show as well as the 1936 film?
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more (33 total)
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I will admit (with a great amount of shame) that the first time I saw the 1951 version of "Show Boat" I was not that impressed. I was so used to Kathryn Grayson and Howard Keel as Lilli Vanessi and Fred Grahame, thought Ava Gardner was too beautiful for words, and thought Marge & Gower Champion were the coolest people I had ever seen. That was about it. I was a little bored.
But as I have come to watch it recently, I have discovered it is more magnificent the second time around. As a North Carolina native, I must say this movie holds something very special for me -- and that is TWO North Carolina natives from "Grabtown" and Winston-Salem, our ladies Ava and Kathryn respectively.
First of all, the Technicolor is vibrant and lovely and represents the very fiber that those beautiful, glorious MGM musical treasures of the 1950's were made of.
Supporting characters Joe E. Brown and Agnes Moorehead were, as usual, delightfully wonderful. I don't think I've ever seen either of them do anything "bad." William Warfield's delivery of "Ol' Man River" (accompanied with Julie/Ava's last wistful look toward The Cotton Blossom, of course) never fails to put a tear in my eye.
Howard Keel's voice was in fine form, and he did a great job of portraying the slick gambler, Gaylord Ravenal. Kathryn's voice was, as always, up to par and beautiful, and while perhaps her representation of Magnolia wasn't as vibrant as her portrayal of Lilli in "Kiss Me Kate" or Aunt... whoever it was she played in "Anchors Away" (ooh, I can't remember the name... that's BAD... REAL BAD), she was still her lovely, charming self. I found that her progression from innocent child-like creature to a portrait of woman- and motherhood was captured and characterized very well.
But my favorite parts of the movie were simply Ava Gardner, and Marge and Gower Champion.
Ava is, as always, ridiculously and insanely gorgeous. In fact, I would have liked to have seen more of her than I did. It's a stretch for a white woman to play a bi-racial woman, but she did it with what seemed like such ease. She accompanies so much with a look (which is evident as she watches Gay and Nolie sail off together with Kim -- you all know what I'm talking about). And yes, Ava's singing pipes (in my opinion) were far better than Annette Warren's and MGM is stupid for having dubbed her (just like they were stupid for dubbing Debbie Reynolds in "Singin' in the Rain"). Her songs, "Can't Help Lovin' Dat Man of Mine" and "Bill," were extremely effective, but could've been even more so had they used her real voice. Such expression in those eyes. And my gosh... her speech to Gay! I don't think people in Hollywood ever really looked beyond Ava as anything but a "sex goddess" -- but she really had a beautiful talent.
Now for Marge & Gower Champion: who couldn't love them? Gower is this sort of... fluid-like creature with a stature and grace like Fred Astaire, but instead of Astaire's "lanky movements" that defined his style, he somehow executes the more athletic, brisk movements that defined Gene Kelly's style. And Marge has to be just about the cutest little person I have ever seen (great facial expressions!) and one of the most talented dancers (up there with Gwen Verdon, Carol Haney, Ginger Rogers, Chita Rivera, and all those gifted people) I've ever seen grace a screen. They're sheerly magnetic, and they never miss. "I Could Fall Back on You" and "Life Upon the Wicked Stage" are two of the most outstanding moments in the movie. You'll love them.
All in all, "Show Boat" is most definitely worth a look. Or two. Or three. Or... well, as many as you feel like!