An Irish immigrant and his daughter move into a town in the American South with a magical piece of gold that will change people's lives, including a struggling farmer and African American citizens threatened by a bigoted politician.
A young woman reporter blames the Pittsburgh Pirates' losing streak on the obscenely abusive manager. While she attempts to learn more about him for her column, he begins hearing the voice ... See full summary »
Based on the characters from the MGM hit of the same name, this TV pilot is about one day in the life of the Smith family. At the turn of the twentieth century, the family is throwing a ... See full summary »
The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie LaVerne and her husband are the stars of the show. After a snitch on board calls the local police that Julie (who's half- African-American) is married to a white man, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks' daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the "Cotton Blossom" for a whirl-wind honeymoon and to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confronts Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to fend ... Written by
Ava Gardner's original vocal track of "Can't Help Lovin' Dat Man" and Annette Warren's dubbed-in vocal track of the song were both modelled on Lena Horne's rendition of it in the then-recent M-G-M biography of Jerome Kern, "Till the Clouds Roll By". Warren's vocal tracks of "Can't Help Lovin' Dat Man" and "Bill", not Ava Gardner's, were the ones that eventually ended up being used in the film. See more »
At one point, Magnolia (Kathryn Grayson) refers to Lady Southweight and Hamilton Barsdale as being characters in "Tempest and Sunshine", a melodrama adapted from a then-popular novel. There are no such characters in that play. In the scene in which Cap'n Andy (Joe E. Brown) introduces the show boat actors to the crowd, Julie (Ava Gardner) and Steve (Robert Sterling) make another reference to Hamilton, and Cap'n Andy then says: "You have to see the play tonight folks, to learn their secret - "Tempest and Sunshine", beautiful drama of tears and laughter". See more »
Cap'n Andy Hawks:
It's Saturday night again!
[He slaps Parthy affectionately on her rear end]
Oh! It's Wednesday night and don't you strike me!
Cap'n Andy Hawks:
It's Saturday night forever!
Yes, and Fourth of July... and Christmas... and
[imitating Cap'n Andy when he celebrates New Year's Eve]
Hap - - -py New Year!
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Some prints of this film spell Leif Erickson's name the correct way in the opening credits; others spell it as "Lief Erickson". See more »
Don't worry about comparisons with the original, supposedly weak story line, etc, etc - just suspend belief and enjoy it as a musical.
The key vocalists are absolutely first rate: Howard Keel, Kathryn Grayson and William Warfield were at the tops of their games here. The superb, effortless vocals from Keel and Grayson are lessons on how to sing - you'll never hear 'Make Believe' sung better than this.
William Warfield's version of 'Old Man River' is just magic. People usually talk about Paul Robson in the same breath as 'Old Man River' but none of Robson's renditions can match this performance. Warfield is a true bass (Robson was a bass-baritone) and delivers this song with magnificent power and resonance. Warfield is The Man.
Sit back and enjoy the music...
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