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The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie Laverne and her husband are the stars of the show. After, a snitch on board calls the local police that Julie (who's half- African-American) is married to a whiteman, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the, "Cotton Blossom", for a whirl wind honeymoon and being to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confront Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to ... Written by
Poster advertisements for this film completely omitted Leif Erickson's name, while in the actual film credits, Erickson is billed before William Warfield (even though his role is smaller than Warfield's). See more »
When the townspeople are rushing to see the show boat at the beginning, the camera crew's shadow is visible on the road. See more »
Jerome Kern is never specifically credited for having composed the music. His and Oscar Hammerstein II's joint screen credit reads: "Based on the Immortal Musical Play 'Show Boat' by Jerome Kern and Oscar Hammerstein II'", although Kern wrote only the music. See more »
Don't worry about comparisons with the original, supposedly weak story line, etc, etc - just suspend belief and enjoy it as a musical.
The key vocalists are absolutely first rate: Howard Keel, Kathryn Grayson and William Warfield were at the tops of their games here. The superb, effortless vocals from Keel and Grayson are lessons on how to sing - you'll never hear 'Make Believe' sung better than this.
William Warfield's version of 'Old Man River' is just magic. People usually talk about Paul Robson in the same breath as 'Old Man River' but none of Robson's renditions can match this performance. Warfield is a true bass (Robson was a bass-baritone) and delivers this song with magnificent power and resonance. Warfield is The Man.
Sit back and enjoy the music...
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