The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie Laverne and her husband are the stars of the show. After, a snitch on board calls the local police that Julie (who's half- African-American) is married to a whiteman, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the, "Cotton Blossom", for a whirl wind honeymoon and being to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confront Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to ... Written by
Ava Gardner's original vocal track of "Can't Help Lovin' Dat Man" and Annette Warren's dubbed-in vocal track of the song were both modelled on Lena Horne's rendition of it in the then-recent M-G-M biography of Jerome Kern, "Till the Clouds Roll By". Warren's vocal tracks of "Can't Help Lovin' Dat Man" and "Bill", not Ava Gardner's, were the ones that eventually ended up being used in the film. See more »
The show boat "Cotton Blossom" is inaccurately designed for the era in which the story takes place (the 1880's). The boat used in the film is built in the style of a typical modern luxury riverboat, with giant twin smokestacks and a large paddlewheel in the rear, and it moves on its own power. Modern "show boats" are built that way because of advances made since the 19th century, but authentic show boats of the era did not have smokestacks or paddlewheels, and were not self-powered. They were barge-like structures similar to a long, floating house with a flat roof, and they were connected to, and pushed along by the misleadingly named "towboats", which did have smokestacks and a paddlewheel. If a real show boat of the era had been steam-powered, its steam engine would have had to be placed (very dangerously) smack in the middle of the auditorium. See more »
[brushing Pete's clothes off immediately after his fistfight with Steve]
Please, Mister Pete, don't go gettin' yourself all riled up over things. Besides, Mister Steve and Miss Julie, they gotta play performances here.
Yeah? Well I know a thing or two; we'll see how many performances they play in this town!
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Because some of the lyrics to the song "Cotton Blossom" have been altered by uncredited staff writers in this version of "Show Boat", Oscar Hammerstein II is never actually mentioned as having written the lyrics to the songs, although P.G. Wodehouse IS listed as having written the lyrics to "Bill". (This is only partially correct; only about half of Wodehouse's 1917 lyric to "Bill" was used. The rest of the lyric is by Hammerstein.) See more »
The plot may be changed a little, but it is still wonderful stuff, with a cast to die for. A great weepy love story, some fantastic dance sequences from the Champions, a sweet couple of leading ladies in Grayson and Gardner, and a high dose of comedy along the way. All this and Ol' Man River. The perfect Sunday afternoon wallow.
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