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Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Director:
Henry King
Stars:
Gordon MacRae,
Shirley Jones,
Cameron Mitchell
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Members of a circus troupe "adopt" Lili Daurier when she finds herself stranded in a strange town. The magician who first comes to her rescue already has romantic entanglements and thinks ... See full summary »
The lives and romances of three sisters in a musical family; the youngest daughter's life is complicated by the subsequent arrival of a charming composer and a cynical music arranger.
A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.
Stars:
Clark Gable,
Jeanette MacDonald,
Spencer Tracy
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie Laverne and her husband are the stars of the show. After, a snitch on board calls the local police that Julie (who's half- African-American) is married to a whiteman, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the, "Cotton Blossom", for a whirl wind honeymoon and being to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confront Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to ... Written by
Kelly
This was the first film shown on a television network in 1972. It made its network television debut on "NBC Monday Night at the Movies", on the night of January 3 of that year. (No films were shown on January 1 or January 2nd because of the football.) See more »
Goofs
When the Cotton Blossom is pulling away from the dock, at the end of the movie, you can see big clouds of blue smoke pouring out the right side of the ship (near the rear). These are definitely exhaust gases from either a gas or diesel engine that is installed in the ship, and most likely used to power the paddle wheel. See more »
Quotes
Cap'n Andy Hawks:
It's Saturday night again!
[He slaps Parthy affectionately on her rear end]
Parthy:
Oh! It's Wednesday night and don't you strike me!
Cap'n Andy Hawks:
It's Saturday night forever!
Parthy:
Yes, and Fourth of July... and Christmas... and
[imitating Cap'n Andy when he celebrates New Year's Eve]
Parthy:
Hap - - -py New Year!
See more »
Crazy Credits
Some prints of this film spell Leif Erickson's name the correct way in the opening credits; others spell it as "Lief Erickson". See more »
Please people! Try not to over-analyze, like so many others have done in the other comments about this fabulous Techno-color classic from the early 1950's Hollywood. It isn't supposed to be a carbon-copy remake of the older 1936 version nor is it supposed to be making any sort of PC statements about race! Times changed and so did the attitudes and views of most americans, especially after WWII. Take it for what it is! A great musical wrapped around a love story. Beautiful lead actress, strong male lead and awesome broadway style tunes sung by great voices, especially William Warfield's "Old man River"!
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Please people! Try not to over-analyze, like so many others have done in the other comments about this fabulous Techno-color classic from the early 1950's Hollywood. It isn't supposed to be a carbon-copy remake of the older 1936 version nor is it supposed to be making any sort of PC statements about race! Times changed and so did the attitudes and views of most americans, especially after WWII. Take it for what it is! A great musical wrapped around a love story. Beautiful lead actress, strong male lead and awesome broadway style tunes sung by great voices, especially William Warfield's "Old man River"!